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Ok, being lazy

Ok, haven’t posted in a while. Have been lazy. But I have been thinking a lot about blogposts, so eventually something will squirt out of me. Be patient.

For the moment I’ve been working on a blog post where I praise canned sardines (seriously).

Ok, for the truly desperate, you can check out my August 9 update on my post about presidential predictions. (It’s at the bottom of the post).

Further thoughts: I have been editing old fiction, catching up on correspondence, filling out job applications, that sort of thing. Also, posting random things on FB.


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Ok, I caught wind of the $1 Verso Ebooks sale way too late. It’s going to expire 11:59 EST tonight. But a year ago today I bought a nice collection of ebooks and thought I’d list some purchases of these excellent books as reference for future sales. Just listing now, will annotate later.

Verso Books sells lots of books on social, culture and economic criticism (including neo-Marxist criticism). Also, surprisingly lots of books on climate change, avante-garde, fiction and futurist speculations.

More coming. If you haven’t looked at it, check out my recommendations for the Smashwords July ebook sale (expires at the end of July).

Personville Press Giveaways and Deals

I run Personville Press, a small literary book press where all the ebooks cost less than $4. All the titles are discounted on Smashwords for less that price — and usually under $1.50. Pay attention to any 100% coupon codes which I occasionally list below — they can be redeemed only a small number of times, so first come, first serve. Smashwords only sells epub versions of these titles, but you can easily convert them to Amazon’s mobi format by using Kindle Previewer or Calibre.


Robert’s Roundup of Ebook Deals #11 (July)

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This column will cover deals on Smashwords (SW) and Kindle, with special emphasis given to SW because many titles are discounted in July. For the sake of speed, I am not including Amazon links — just Smashword links – but I will do my best to link to an author’s website. The KU acronym will be by any book offered under Kindle Unlimited.

NEW FEATURE: Indie Author Spotlight: One goal of this ebook deal column is to highlight overlooked authors — of which there are many. The truth is that every month I discover many remarkable authors, and I rarely have a chance to cover any of them in depth. But it’s helpful for me to single out my most interesting discovery of the month. I’ll do my best to cover and promote this offer, perhaps do a follow up.

July 25 Update. Verso Books has discounted all its left-leaning tomes of philosophy/politics/history/current events/culture to $1.00 or $1.50. This is a great sale — and will open your mind (I bought a ton of ebooks last year when they did a similar sale — Ends on 11:59 PM Sunday July 28). Here’s a Robert’s Roundup of Verso Books purchases — lightly annotated.

Indie Author Spotlight for July — Harvey Havel

This month’s spotlight is Pakistani-American novelist Harvey Havel (FB page) currently living in Albany, New York. Havel has published 16 books which are free this month on Smashwords. Havel writes gritty realistic novels about Muslim-Americans, or African-Americans, mostly set in urban areas like New Jersey. I have only sampled a few titles, but some persistent subjects in these books are gender politics and dating (Wild Gypsy of Arbor Hill ), working class values vs. leading an intellectual’s life (The Adjunct Down) and the struggle of young poets to reconcile the “real world” with the elitism of poetry (Freedom of Association). His latest, Wild Gypsy of Arbor Hill is a tale of a tenacious male college student who falls for the wrong kind of woman. One review described it as “a fine coming-of-age saga featuring a candid, determined young man whose possibilities include coming full circle and returning to what he’s rejected.”

In addition to two essay collections (here and here) and two story collections (here and here), there is also Mother: A Memoir — about the author’s turbulent relationship with his schizophrenic mother. There is also a trilogy, Orphan of Mecca, about the life of a Bengali orphan. Kavel has written books on African-American struggles, the Muslim experience, murder, corruption, that sort of thing. The prose is accessible yet sophisticated; both the dialogue and presentation of ideas through dialogue seem natural and easy to follow. Truthfully I have only read the first 30 pages of several books, so I don’t know how plot and character develop. But I leave with a clear sense that the story is headed somewhere … and I’m curious enough to tag along. (Havel reads a 6 minute excerpt from one of his stories on a youtube video).

Smashwords Deals

Most importantly, several of the ebook titles on Smashwords I’ve been pimping on my sidebar are heavily discounted during the SW July sale. It’s too much trouble for me to manually change every time the price changes, but on July 6, Filiad, Don Q. Public, Woodland Poems are now free. Squeeze, What Confucius Really said are 99 cents, and Eye of a Needle is $1.75. All great stuff!

Smashwords Tip: Below the price point of 2.99, authors earn only 30% of the purchase price at Amazon, but 50-70% on Smashwords. If you buy several ebooks at once on SW (by putting multiple things in a shopping cart and then buying), that splits the transaction costs paid for each ebook and ultimately increases what an author earns. For a $1 ebook bought on SW, the transaction cost deducted from author earnings is 34 cents. If however you buy 10 ebooks priced at $1 in one bulk order, then the transaction cost deducted per ebook would be approximately 4 cents. In other words, buying 10 ebooks in bulk could potentially earn the author as much as 30 extra cents.

The month of July offers more sales on Smashwords (SW). I have already described many SW gems in previous columns (see here, here and here). Let me point out some new discoveries — both free and low cost.

Bharti’s Cat by Braj Kishor Varma (nicknamed “Manipadma“) is a science fiction novel for kids about an intelligent cat who develops human consciousness and speaks like humans. It costs 99 cents. It was written in the 1970s by a prolific Maithili author who (according to this article) wrote tales for children as a way to assert a national consciousness. As far as I know, no other English translations exist of the author’s works.

By the way, 2 titles in my Personville Press are free this month: Minor Sketches and Reveries by Alberto Balengo and Soldier Boys by Jack Matthews.

Dimitris Apergis, is a Greek author of three fiction works — all free! They have received some literary awards in Greece. (Visit author website).

David Bruce is a retired English prof from Ohio who has produced a lot of special interest works which cost 99 cents or less. (Author Site). First, he does prose retellings of classical literature (Shakespeare, Marlowe, etc). Also, he produces lots of study guides for teachers about classic books and children’s books. He also wrote light-hearted anecdotes for the Athens News which he compiled into certain books by themes (Kindest People, Funniest People in Families, etc). (Each has about 25,000 words and costs 99 cents each).

Bruce also wrote a FREE! erotic version of Candide (Erotic Adventures of Candide. ) Of course Terry Southern had already written the ultimate parody of this novel with the pornographic Candy in modern times, but Bruce took the idea one step further and used the original characters to do it! (I read the first two chapters, and so far, he seems to be pulling it off).

David R. Grigg (website) is a retired Australian software developer who has been writing science fiction for decades. This month he has a variety of free and low-priced stuff. Riddling and other stories contains a story about the invasion of “holes” all over Great Britain. In terms of extracurricular activities, Grigg publishes some of his flash stories on the Narratorium website and cohosts a laid back sci fi podcast called Two Chairs Talking.

Mel C. Thompson is a California poet/performance artist/nonconformist/free spirit who has put a lot of his creative output on Smashwords for free. He wrote his amazing life story in one gigantic blogpost. I checked out When Publishers Stalked the Earth and found a miscellaneous compilation of prose poems/beat verse that would make Allen Ginsberg proud. Thompson apparently was a regular at San Francisco poetry readings during the 1990s and published in a lot of indie zines. He also recorded a few rap songs — even though he seems to hate the genre! The few poems I glanced at are informal, light-hearted, often with a political message. His other books tackle Buddhist themes (Tales of Zen Buddhist Scoundrels) capitalism and joblessness (American Wage Slave, Can’t Hold a Real Job), parodies (The Waste Basket — after TS Eliot) and the life of a poet (Living the Zine Life). Probably the most unusual work is Kruschev’s Second Chance, an alternate history tale imagining that the gods gave Kruschev another chance to visit USA to do he wanted to do during his first visit (hmm, I smell social satire!)

Unsolicited Press has again discounted most of their titles. (I wrote about some titles here). Generally all their titles are interesting, though I had a strange problem with the formatting on an otherwise excellent poetry title.

Shorter of Breath by Ken Eckert (author website). (99 cents on SW and Amazon) Eckert is an English professor living in Korea who has written academic criticism about obscure Middle English romances (alas, not in ebook form). This book is about a man who meets an alien graduate student who lets him time travel to different time periods (like swingin’ 1967 England). Sounds whimsical and witty, with some social commentary thrown in.

Clive Gilson (author website) is a consummate anthologizer who has been releasing lots of (always!) free story anthologies around certain themes ( or geographical areas in Europe (Germany, France, Balkans, etc). The series is called Tales from the World’s Firesides. I have just thumbed through two anthologies, and I will let you decide which type of story you’d enjoy reading. Two extra things are worth noting. First, Gilson has released two original novels and two story collections: Insomniac Booth, Mechanic’s Curse, Songs of Bliss and Solitude of Stars. The themes of his books range from magic realism to crime thrillers to sci fi — and are undoubtedly influenced by the stories from his anthologies.

Second, Gilson’s books are only available as epubs. I understand what is going on here. Publishers who choose to upload epubs directly to Smashwords rather than use Smashwords ebook creation tool cannot also upload a mobi file. I hope that at some point Smashwords will allow publishers to upload separate mobi files — publishers are in a better position to make sure mobi files render well on Kindle systems.

Lily Markova is an author of YA/fantasy fiction who, ” resides in a city where an appearance of the sun in the sky is such a rare event that it’s considered an alien threat. Having been raised among I. Bunin and A. Grin books instead of normal children’s toys, she’s guilty of loving the passive voice, adverbs, and weird long sentences.” I am happy to report that Markova’s fiction is all FREE! on SW. Her best received novel so far is Immortown about a girl who visits her brother’s grave and is sucked into a crazy town where nobody can leave. Perhaps the most intriguing title (to me at least) is Joy Cancer which is a “carefree story about depression, and a wistful story about the love of life. ” (The title is the name of the suicidal protagonist). By the way A. Grin (aka Alexander Grin) was a Russian author of romantic novels and short stories — here’s the only translation I can find of him.

Philosophical works by Oluwole Komolafe. Nigerian-born Komolafe writes philosophical works (everything costs $1.50) that touch upon issues of spirituality and even Christianity. Colloquies: African Poet, African Philospher and the African Physicist and Thoughts on Granite are primarily works of philosophy, while Adventures of a County Boy in the City is a memoir.

No time to panic (Short Stories) by Sallie Cochran (author website) is a collection of 4 stories involving aliens/monsters/fantastic elements. Cochran has one other discounted title on SW and several on Amazon. Cochran has taught at middle schools, and many of her stories feel like YA-stories.

Margareth Stewart is a Brazil-born social psychiatrist with two works discounted to 99 cents: Mademoiselle-sur-Seine and When War is never over.

Smashwords Erotica

Wow, there is so much erotica fiction on SW of variable quality (often with suggestive covers). I covered a few interesting erotica authors in a previous RR. Here are some others that look both interesting and free/cheap. Note that some of these links are NSFW, so take caution. Also, SW sometimes hides explicit titles, so you will need to turn off the filtering (menu-bar on top right).

  • Marilyn Jaye Lewis (author website) is a prolific author of literary erotica and short stories. EVERYTHING FREE FOR JULY! The Muse Revisited series is a 3 volume collection of erotic stories written over her career. (Here’s the list of stories — some were published in the widely respected Mammoth Anthologies. Also, an award-winning novel, Freak Parade is (according to one reviewer) the “slow and sometimes painful resurrection of a previously-famous recording artist.” One blurb on the author’s book page calls it a no-holds barred erotic novel with a social conscience. ” On Youtube there are 3 short videos reading of the author reading passages from Freak Parade. (She also has a historical novel Twilight of the Immortal
  • Erotica bestselling author Selena Kitt (website — definitely NSFW!) edits several gigantic erotica anthologies called Excessica Box Set Anthologies. (These anthologies and Kitt’s ebooks are on SW). Each is named after a season and contains about 300,000 words each (About 25-30 stories). A quick look at the story/author list reveals that each box set includes different stories by the same stable of authors. The Excessica Anthology Box Set Summer is FREE! for this month (wow!) but the other box sets (Spring, Fall, Winter) sell at a discounted reasonable price on SW of 2.50 each. Kitt has a lot of other erotica stories and novellas (some of which were banned from Amazon). Kitt’s fiction is generally discounted for July.
  • T.C Mill and Alex Freeman have two volumes on SW for the New Smut Project, each costing $2 and consisting of about 150,000 words. The more character-driven Heart, Body, Soul seeks stories that cater to readers’ “craving for emotionally and intellectually satisfying erotica.” Between the Shores is a “volume of literary erotica exploring the possibilities of sexual negotiation” (which means BDSM, Submission, etc).
  • For sci fi erotica, the strangely named (and free!)4 volume Orgasm Incorporated by Karl Five explores a futuristic society where sex is commercialized and the titular company caters to the needs of the wealthiest.
  • Readerotica is a series of free erotica anthologies sponsored (really!) by a vibrator ecommerce website. There are several volumes, but all you really need is Readerotica 50: Compilation of 50 Erotic Stories for your eReader.

Under the Radar

George Mackay Brown is a prolific Scottish poet and author who died in 1996. As I write this, about 2/3 of his books of poetry and fiction are free on Amazon (at the least the ones published by the Hatchette group). He writes about life in the Orkney Islands north of Scotland, and indeed many themes are about living far away from urban life. One quote made about his style: “the absence of frills and decoration; the lean simplicity of description, colour shape and action reduced to essentials, which heightens the reality of the thing observed.” I read the title story for his last collection Island of the Woman and Other Stories. It’s a mythical tale of fantasy taking place during the Crusades — about a woman who marries a foreigner only to have him leave to fight in the Crusades.

Karl Larew is a retired history prof from Maryland who has written maybe a dozen low-priced or free novels in various genres (Vampire Satire, War, College Life, etc). Most go free occasionally on KU, but all are 99 cents. Redheaded Book Lover has reviewed several of Larew’s titles here and here. I was able to snag a free version of Candles in the Window, a nostalgic look at the sex lives of college students during the 1950s.

Gregory Miller (author website) is a prolific short story author from Pittsburgh with the great fortune to have good blurbs by Ray Bradbury and Piers Anthony. His ebooks are on KU — which means that some of them are occasionally available for FREE. Reviewers have described his books as a kind of bizarre Lake Woebegone (Uncanny Valley) or “Can a single book be whimsical, thought provoking and macabre all at once?” (These descriptions really do recall the fantasy stories of Bradbury!) Two additional things. His ebooks have beautiful illustrations by John York

How to Kill Hitler: A guide for Time Travelers by Andrew Stanek. 99 cents. (KU) This young prolific author writes a variety of genre works — often with a clever or quirky angel. The first 2 chapters were hilarious.QUOTE: “Even supposing that time travel is possible,(asked my publisher), “why wouldn’t the time travelers just wait until time travel is discovered to buy the book?” “Ah, that’s the clever part. I would only make the book available for a limited time, thereby forcing time travelers to come back in time and pay for it right now.”

Charlie Carillo has been writing fiction for 5 decades, starting with the novel Shepherd Avenue — which is about an Italian family living in 1960s Brooklyn and was chosen by the ALA as a Notable Book of the Year. (Visit author blog). Carillo worked in TV and print journalism while also producing a series of novels on various topics. PW once wrote that “Carillo has an easy way with breezy prose and likeable characters.” By the way, on his Amazon author page, there is a fun 9 minute video of Carillo cooking an Italian meal and telling the story of his literary career (with wisecracks). Fiction Subjects include: a one hit singer, fatherhood, mafia, All the ebooks are KU. BTW, from his blog I learned about entertaining essays Carillo published on Huffington Post — including a time he and his father went on a college tour and reflections of the book cover of his first novel.

Melanie Rose Huff (KU) is a YA indie author who writes about historical themes like WW2 (Ashford, Violet Shadows) . By Water and Blood is a fantasy/mystery about a girl who is drawn to an island for an unknown reason. (Visit author website).

Edward Drobinski is a prolific KU author who writes across genres — sci fi, humor, historical fiction, literary humor. hard to define. One title, Hideous Flatulent Incompetence I: Short Stories and One Not So Short raises eyebrows … and that’s just volume 1! No author website (but the Goodreads page seems fairly traveler — and we find this caustic quote from Interview with a Troll):

In this book industry we have different kinds of birds; excepting one; all having in common that they are ONLY watchers and squawkers at the pond. We have readers, editors, reviewers, interviewers, publishers, marketers, websites, monopolies, and writers. All are better compensated than the writers. Yet the system is totally upside down as those better rewarded are all derivative of what is primary; the writer. Without that person the readers have nothing to read; the editors have nothing to edit; the reviewers have nothing to review; the interviewers have no one to interview; the publishers have nothing to publish; the marketers have nothing to market; the website cannot adware infect ‘members,’ and the legalized monopolies have nothing to monopolize. So, in effect, this is where the troll steps in. He’s kind of a writer; but he’s not taking the time to churn out masterpieces. He’s just effortlessly telling the vultures exactly what they are.

Various books by Tom Milton: Golden Door, etc. I’ve been picking up some freebies by Tom Milton recently, but ran out of time to write about him. I’ll cover him next month. In the meantime, check out Milton’s author site.

Soundtrack of an Ordinary Life by Alan Allsop. (KU) This is what it says. An autobiography of the author, as told through the songs punctuating his life. (Confession: I’m a sucker for this genre).

Published by Amazon (Crossing, etc)

Generally these are titles published by the Amazon imprints. I frankly ignore most of the genre stuff and focus on the international authors and biographies. these remain 99 cents or 1.99 until the end of the month. I’ve already bought a ton of these titles in previous months (check previous columns here and here), so maybe my recs will be sparser than usual

  • Life by Lu Yao. This author won a major literary prize in China for his novel Ordinary World (which apparently has its own wiki page but has not been translated!) He died in his 40s after writing two books, with this being his first (and having been made into a film). It details the travails of a young man who loses his teaching job in the 1980s; it also shows how some areas transitioned from rural to urban living. I am such a sucker for these books — and the sample chapter drew me in).
  • 600 Hours of Edward by Craig Lancaster. Part 1 of a two part series. (Both are 99 cents on various months). Comic tale of a 39 year old male with Asperger’s and OCD. Rave reviews for both books, with one comparing it to Flowers for Algernon.

Creative Commons/Free Academic Publishing

A few months ago I wrote about free academic monographs on Amazon. A week ago I discovered another publisher Routledge which also has a lot of free titles. Subjects are random and cerebral. Titles which I downloaded:

  • Against Meritocracy (Open Access):
  • Culture, power and myths of mobility,
  • Consciousness and Moral Status,
  • Get Your Ass in the Water and Swim Like Me: African-American Narrative Poetry from the Oral Tradition,
  • Myths We Live By Mary Midgley

Blink and it’s Gone Sales

None this time.


I haven’t had time to look through the poets I downloaded free ebooks of. (I will give you the ereaderiq search query to let you find the latest KU poetry examples.

George Manos Sonnets. KU In addition to editing an edition of Shakespeare’s Sonnets, this poet has written 100s of sonnets — (some of these original collections are free, the rest are 99 cents)

Kenyatta Jean-Paul Garcia KU is an author of numerous poetry books — also from Albany –either free or 2.99. (Poet’s website). His soundcloud page contains numerous recitations of poems.

Public Domain

I mentioned this already in the previous Raves & Reviews columns, but at Project Gutenberg, I have been proofing editions of Book Review Digest from 1900 to 1922. I cannot tell you how great these volumes are. They reprint book reviews from periodicals of the day about notable books.

Talking Thrush and other tales from India by William Crooke. A delightfully illustrated compilation of fairy and folk tales. I loved this!

It’s not on Gutenberg, and it costs 99 cents on Amazon, but Memories of the White House: Home Life of Our Presidents from Lincoln to Roosevelt (1911) is a great look behind the scenes of US history. From a BRD 1911 review: ” Personal recollections of the home life of our presidents from Lincoln to Roosevelt. They are pleasant, intimate observations of the home life of ten presidents written by a man with forty-six years of continuous service in the executive office. During Lincoln’s administration he was on duty as personal body-guard. It is interesting to learn that on the evening of the assassination the president sent Mr. Crook home to bed, and that the latter Was not the guard at Ford’s theater who became so absorbed in the play as to desert his post. The growth of social life in the executive mansion is depicted, from the simple levees of President Lincoln where men appeared in negligee shirts, slouch hats and cowhide boots to the present day receptions planned on a large scale with lavish appointments.”

Personville Press Giveaways and Deals

I run Personville Press, a small literary book press where all the ebooks cost less than $4. All the titles are discounted on Smashwords for less that price — and usually under $1.50. Pay attention to any 100% coupon codes which I occasionally list below — they can be redeemed only a small number of times, so first come, first serve. Smashwords only sells epub versions of these titles, but you can easily convert them to Amazon’s mobi format by using Kindle Previewer or Calibre.

Novelist Manipadma, Maithili author of Bharti’s Cat

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I hate Summer Reading roundup articles. They’re unnecessary and based on the faulty idea that people read certain things depending on time of year. During college, I worked as a gate monitor at a swimming pool and read all sorts of subversive stuff — Sartre, Camus, Goethe, Beckett. I was outside in a bathing suit under the hot Houston sun and sweating my ass off; yet it didn’t affect my ability to enjoy or understand anything. Here therefore is my official Robert’s Anti-list of Summer Readings:

  • Life and Fate by Vasily Grossman (actually, I’m going to be reading this for real this summer).
  • Malloy by Samuel Beckett.
  • Cancer Ward by Aleksandr Solzhenitsyn.
  • Opium and Other stories by Geza Csath.
  • Autobiography of a Corpse by Sigizmund Krzhizhanovsky
  • Stories by Chekhov. (I think I actually read a lot of these stories over one summer).
  • Arcadio by William Goyen (Texas writer btw).
  • Inferno by Dante (actually fitting because it’s a hot place too!)
  • Fathers and Sons by Turgenev. During that summer at the swimming pool, I vividly remember reading Turgenev, Dostoevsky, Becket and tons of other gloomy Continental stuff while ogling the pretty lifeguards at the pool. Ah, summers of youth!

Public Domain

Neglected Books flips out over the 1942 book, My Heart for Hostage by poet Robert Hillyer. From its dust jacket illustration, one can imagine that My Heart for Hostage was being aimed by Random House for a sentimental, mainly female audience, but in reality, this is a book that would have appealed to G.I.s if they’d made it past the title page. Hillyer’s soldiers carry some scars with them they little understand and can’t control. They find relief in sex and drink, and feel a distance between themselves and the folks back home they can’t quite express.

(PS, I’m currently reading the novel now — on Interlibrary Loan. It’s a compelling read).

RJN: It can be frustrating to see how many out-of-print titles from the 1930s and 1940s may in fact be in the public domain (as this one surely is). (Another is the 1931 masterpiece short story collection, Many Thousands Gone by John Peale Bishop). Strangely, Project Gutenberg is so busy with pre-1924 stuff that it doesn’t have the resources to digitalize the many works whose copyright was never renewed. One curious coincidence about Hillyer and Bishop is that they were respected poets dabbling here in fiction.

To my amusement I was proofing a 1911 edition of Book Review Digest when I found a book review by Theodore Roosevelt. Turns out that Roosevelt wrote a ton of books and articles (you can find his books on PG and his articles on a TR Almanac site. Related to this, I found a memoir by William H Crooke (a White House personal assistant who served 10 different presidents). Not on PG yet, but I see that someone is selling a digital copy for 99 cents. My god, someone should adapt this into a movie!

General Essays/Lit Crit

Speaking of gloomy Europeans, I saw the great HBO series Chernobyl. I was delighted to learn that one of the story lines was lifted from Svetlana Alexievich’s Voices from Chernobyl. (This link contains most of the story monologue).

Robert Chandler wrote about Vasily Grossman’s less famous novel, Stalingrad. (Life and Fate is on my summer reading list).

Silly me, in reading about Emily Ruskovich‘s Idaho novel receiving a huge cash prize for the International Dublin literary award, I remember thinking, where the heck did this literary prize come from? Apparently — corrected by Michael Barrett — this prize has been around for 2 decades (here’s the list of winners and nominees). Here’s the magical page for Ruskovich’s writings. Here’s ER’s lit-listicle of US rural novels and her nostalgia about reading Watership Down as a kid. (Amazingly, her boyfriend at the time recorded himself reading chapters from the book which he forwarded to her).

Here’s a nice ER discussion of opening paragraphs and a dissection of an Alice Munro story and an allegedly innocent detail. When you start the story, the box is just an object sitting among other objects, covered in dust—next to a horse harness and an old dentist’s chair and an apple peeler. But as you read and re-read, you start to sense the human history that can be told through these objects. Each one is suffused with a whole lifetime of compassion and secrets and suffering. And though Munro gives us the privilege of looking at one of them, the red box, the other objects are left unspoken for. That’s very moving: you get the sense that you could write an entire novel about the horse harness, too, or the dentist’s chair, or the apple peeler.

RJN: I agree. Often the best thing to do after finishing a short story is to re-read the first paragraph. It’s usually obvious how the author promised to lead you in one direction and instead brought you in another.

Hilary Mantel writes about why she’s a historical novelist:

But my chief concern is with the interior drama of my characters’ lives. From history, I know what they do, but I can’t with any certainty know what they think or feel. In any novel, once it’s finished, you can’t separate fact from fiction – it’s like trying to return mayonnaise to oil and egg yolk. If you want to know how it was put together line by line, your only hope, I’m afraid, is to ask the author.

For this reason, some readers are deeply suspicious of historical fiction. They say that by its nature it’s misleading. But I argue that a reader knows the nature of the contract. When you choose a novel to tell you about the past, you are putting in brackets the historical accounts – which may or may not agree with each other – and actively requesting a subjective interpretation. You are not buying a replica, or even a faithful photographic reproduction – you are buying a painting with the brush strokes left in. To the historian, the reader says, “Take this document, object, person – tell me what it means.” To the novelist he says, “Now tell me what else it means.”

I love Mantel’s essay so much! Maud Newton linked to it in an essay about Return of the Dead: Ghosts, Ancestors and the Transparent Veil of the Pagan Mind by Claude Lecouteux. and even mentioned her mother, who still believes in ghostly presences and curses:

When I was growing up, though, my mom saw demons and angels everywhere. Sometimes she held exorcisms when I was in the next room, trying to do my homework. Through the wall I’d hear her hollering. The person the demons were being cast out of might weep, punch things, turn over chairs, curse in an inhuman voice. Sometimes the unearthly voice emanated from someone I knew. I worried the demons would slip under the door and into me.

Deliverance sessions also erupted at the start of my mom’s church services every month or so. And occasionally, she went after evil spirits she detected in me. In one episode of this kind, I finished off a big bag of chips, and she commanded the “gluttony demon” to come out of me. She was troubled by my inability to see demons for myself and blamed this lack of vision on a “doubting demon,” or, sometimes, on an “Antichrist demon” that had apparently been passed on by my father.

(Some Mantel novels that Newton recommends are Beyond Black and, Wolf Hall and Bring Up the Bodies). I should mention that my fave author Jack Matthews likes to put ghosts especially in his 19th century stories (especially Soldier Boys and Ghostly Populations — which is the name of the author’s domain). This struck me as really strange.

Speaking of ghosts and stuff, now is a good time to invoke public domain Texas author Dorothy Scarborough, who edited early anthologies of ghost stories and wrote a book, Supernatural in Modern English Fiction (free on Gutenberg!). Fun fact: Not only is Scarborough’s 1925 novel, the Wind one of my favorite novels, but I also wrote a wiki page about her and this very book!

Christopher John Stephens revisits the 1994 novel In the Time of the Butterflies by Julia Alvarez (which I also enjoyed).

In a Postscript, Alvarez notes that “…what you find in these pages are not the Mirabal sisters of fact, or even the Mirabal sisters of legend. The actual sisters I never knew.” She notes that the myth-making of the Mirabal sisters (which is what this novel accomplishes) also means they have once again been lost. The Mirabil sisters we read here are of Alvarez’s creation. Liberties have been taken, dates changed, events reconstructed, but the motivation is sincere. “A novel is not, after all, a historical document,” she writes, “but a way to travel through the human heart.”

Laura Miller on Tales of the City (which is now a Netflix series):

 I arrived in the Bay Area in 1978, younger than Mary Ann Singleton but (as a Californian whose parents had a couple of gay friends) not quite so green. It was a daunting place when I arrived, at the tail end of a period of strung-out, apocalyptic violence. The Zebra murders and the Patty Hearst kidnapping were not that far in the past, and even more unsettling than being abducted by crackpot radicals was the idea that they could turn you into an entirely different person while you were in their clutches. A few weeks after I moved to Berkeley, 918 members of the Peoples Temple, many of them people of color seeking a new social order, died by mass suicide in Guyana. Because the church had a large center in San Francisco and its mad leader, Jim Jones, was well-connected among the city’s elites, local media covered the baffling massacre as if it had taken place right in town. Less than 10 days later a disgruntled local politician shot both the mayor and Harvey Milk, the city’s first openly gay supervisor, right at City Hall.

“Is this what it’s like here?” I remember asking myself as these catastrophes went down. Was adulthood really a matter of navigating random killings, messianic doomsday gurus, and machine-gun toting radicals? Even to a child of liberal parents who had opposed the Vietnam War, the chaos thrown off by the social change of the 1960s was scary. For the first time, I began to regularly read a daily newspaper, the San Francisco Chronicle, in an effort make sense of it all. In the Chronicle’s pages I found a confusing column full of short paragraphs, breezy dialogue, and references to people I’d never heard of. It was fiction, something I’d never seen in a newspaper before, and called “Tales of the City.” Everybody who lived in San Francisco and its environs seemed to follow it avidly and talked as if its characters were their intimate friends.

A gay friend recommended this book very highly, and it’s been on my short list for quite some time (i.e, decades). Perhaps the existence of a TV series is sufficient goad for me to hurry up and read the book first.

Lists from Fivebooks: Arab historian Robert Irwin about classics of Arabic literature. French novelist Mathias Enard has his own list of the Orient and Orientalism. Also Best Transnational Literature books by Mohsin Hamid (whatever that means).

I spend a good bit of time on reddit — the book ones tend to be mediocre, but some of the special interest professional topics are great — I’m thinking selfpublish, Truefilm, etc. I’ve really been loving Askhistorians mainly because the moderators remove any comment which is not erudite/brilliant. How to judge a history book by its cover. I have some experience on that matter, having bought a ton of history ebooks last year. I actually enjoy popular history a lot — because it’s easy to read, and the narrative is easy to follow. The key to writing a good history book is to pick an overlooked event or person and apply current standards of critical scholarship (and be transparent about your methods). Also, if you can, write it as you would write a novel.

Hans Rollman responds to Jaron Lanier’s book about why we should give up social media.

As Lanier observes, the pioneers of social media and its algorithms didn’t consciously try to make the internet predatory. They pursued something they conceptualized as an apolitical middle-ground: engagement. Social media is about encouraging engagement, whether it be positive or negative (or both simultaneously, depending on one’s perspective). Social media algorithms seek to bring about user engagement and response, and they don’t really care whether we click on something because they’ve made us feel happy, or sad, or angry; whether we click/purchase/read/subscribe because of altruistic feelings, or self-deprecatory feelings, or violent feelings, or racist/sexist feelings. They simply seek a response; an engagement. Generating a response, from the perspective of programmers, is translated as success.

Likewise, when anonymous users promote posts, create accounts, buy ads; the administrators of Facebook and Google don’t know, or even care to know, whether they’re altruistic NGO’s, Russian spies, or obscure terrorists. They simply seek to help them maximize their aims through facilitating broad-based engagement with whatever those users are willing to pay for. The hands-off, DIY nature of paying to “expand your reach” via social media is deliberately designed to remove human oversight and responsibility as much as possible from the ethical dimensions of a consumer’s actions.

It is this pretense at a neutral, apolitical, individualized-optimization that makes social media the ultimate in technologies of neoliberal capitalism.


(I’m reading this book right now!)


Wow, I see that Houstoniamag publishes regular features and book reviews (I’d never heard of this zine before). About half of their coverage is on local visiting writers. (That’s ok, but it means going crazy over whatever literary road show NY publishers have provided). Still, there’s a decent amount of local coverage too . (This and lone star literary life are bringing literature back to the state after the dailies have essentially abandoned their book coverage). Let me highlight some local authors featured here:

Analicia Sotelo‘s poetry collection Virgin (author website). “I have this theme of an absent biological father in the book,” explains Sotelo, “ and I use famous artists who are now dead as mythological figures who knew my dad. My parents were very into the visual arts, so a lot of conversations I had with my father, who I didn’t see very much, were about artists. So how do I access someone who I didn’t know very well? Well, how about through the art that he taught me about?”

Doni Wilson writes a penetrating review of Chris Cander‘s Weight of a Piano (Author website). The novel is about the significance of a piano in various people’s life, from the builder to the daughter who keeps it to preserve her parents’ memory.

One woman’s musical instrument is another man’s photographic focal point, and Cander reminds us that the piano is not only an instrument of interpreting music, but a subject of interpretation: a psychological presence that reveals the inner longings and insecurities of those who are affected by its presence. Greg Zeldin’s motto for his photographs is a quotation from the composer John Cage: “When we separate music from life, we get art.” And this is what Cander has accomplished in her novel that separates the objects of our lives from the creative projections that we extract and place on them. In the many scenes that dramatize the piano being moved from one location to another, we see the emotional significance of this instrument. Katya’s son recalls that “he watched his mother bring blankets with which to drape it, good blankets they used every night that were made by his grandmothers and brought over during the emigration from Russia years ago.” 

Cander forces us to consider the lengths we will go to not only for art, but for our personal past, no matter how full of turmoil that past may be. The Blüthner in Greg’s photos “became just another one of those heavy objects silently fleeing their histories,” but Cander infuses the piano with a power of a character itself, an important and towering figure that both gives and weighs one down. With a vast knowledge of classical music and a masterful use of setting from Europe to Death Valley, The Weight of a Piano is not just a meditation on the things of our lives, but also an argument that these are also subjective correlatives for all of the things that we cannot stand to lose.

Pics from the Julie Ideson Rare Books collection in Houston.

Here are 2 Reviews of the latest book by Oscar Casares, who I recently realized is on the creative writing faculty of UT Austin. Amazingly, I put Casares’ first book on hold until I realized that I already possessed a copy — in fact it was sitting several feet from my desk!

Houston political poet Anis Shivani (website) writes:

Equally effective is Casares’ decision, unlike in his previous books, to restrain the narrative to a narrow geographic range. This is enhanced by his supreme ability to convey the physical plenitude of such ordinary locations as the canal, the raspa trailer and the changing tropical landscape on the way to Brownsville, not to mention the claustrophobia ingrained in Nina’s main house and the fraught dynamics along the international bridge. The pink house, with the trapdoor beneath it, through which Daniel surfaces from time to time despite Nina’s instruction for him to stay hidden, becomes more than a convenient symbol: It emerges as a rebuke to the way politics has constrained our humanity to be less generous and fluid than it ought to be.

(Source: Texas Observer)

Michelle Newby Lancaster summarizes: The fact that his story isn’t exceptional is what makes it exceptional. Though evenly and quickly paced, it sometimes seems as if not much is happening, but this novel is suffused with boredom and menace—twins of a fugitive existence, punctuated by moments of pure terror. This is what passes for normal.

I used to be familiar with creative writing departments around Texas (and for that matter, around the country). I haven’t followed these affairs anymore — though I remember being flabbergasted recently to learn that author Tim O’Brien was teaching at Texas State. UH has lots of distinguished faculty and students, and I try to follow them, although sadly, I’ve reached the conclusion that these programs cater to a kind of literary elitism at the expense of being accessible. That said, creative writing programs are great places to learn about poets (both faculty and students). I’m saying all that as someone who passed through one such program, but luckily I got out in the nick of time. I’m trying to feature more Texas writers from such programs on my blog.

Norma Elia Cantú is an ethnographer teaching at teaching at Trinity University and lives in San Antonio and Laredo. Here’s a MNL review of one of Cantu’s books . Here’s an interview where she provides a historical overview of Latinx/border fiction, she recommends Occupied America by Rudy Acuña; Borderlands/La Frontera by Gloria Anzaldúa; and Diana Rebolledo’s Woman Singing in the Snow.

Poet Andrea Syzdek (website) has lots of book reviews about literary topics. She even uploaded her UH MFA poetry thesis here (which you can download as a DOCX file).

On Jane Casale‘s the Girl who Never Read Noam Chomsky (a novel about a feminist writer who feels attracted to a boy reading Chomsky) , Syzdek writes, ” From this point on, Noam Chomsky takes on a deeper, more symbolic meaning. He represents radical political thought. Even more importantly, he represents a possible gateway to other radical thinkers such as Howard Zinn, Michel Foucault, Frantz Fanon, Adrienne Rich, and Angela Davis—thinkers who could provide Leda with the necessary tools to imagine alternative paths that might help her become a fully-realized human being. Never reading Noam Chomsky means she never develops creatively, intellectually, or politically and her sense of self as a woman is often defined by capitalistic, patriarchal notions of what a woman is even as she resists these definitions. She ends up giving into them. Readers begin to wonder what might happen if Leda actually read Noam Chomsky; this is the invisible thread that runs through the novel.

Illuminating Interviews

I have been poring over the incredible interviews by ubercritic and author Dan Schneider. He interviews people from any genre, but especially poets and filmmakers and critics. As I go through them, I’ll highlight some moments.

Here’s a terrific and long interview with African-American poet James A. Emanuel who lived most of his last years in Paris. It actually took me 4 separate sittings to reach the end of it. (Sadly, his poetry collections have not been digitalized and a long compilation, Whole Grain: Collected Poems (published in 1991) is out of print and very expensive. Several poems are included, plus a critical essay by Schneider at the end. Here are some quotes:

There is a possible procedure that I do not consciously use: to bring into consideration an idea normally adult but not easily or commonly expressed by adults, then search for a child’s voice and child’s situation to develop that idea.


If a poem came to me fully made, I would have to change it as the words took shape on paper, assuming paper to be its final imprinted surface, because the final creator, thinking as his hand (or machine part) approached the paper, might conceive of an improved word or punctuation mark. Such is the prerogative, the necessity of the creator at work: to bring the product at hand to a state of perfection.

            Olympic champions who have nothing to do with poetry understand why it took me seven years of thinking to write the sixteen lines in Emmett Till, so terrible were the true images that inspired its creation; they might guess why the last eight lines of “The Treehouse” would not come until two years passed. My mother, during her final years as a licensed Christian Science practitioner, used to say, “God’s man is perfect.” Even then on my way to ambivalence toward established religion, I thought that “God’s man”—whatever she meant by that—did not exist. I now add the consequent idea: perfection (if God’s man is an authentic example of it) does not exist; and poetry need not be judged by what does not exist. Moving in this deep water, I return to the moment of creation, when the poet’s whole life and being—the truth and beauty in it—has this instant to impress itself judgmentally on what is passing as its best particular expression.


Just as discipline is most needed when freedom is first won, my turn to free verse at the end of the 1960s entailed a conscious struggle to fuse widening subjects with what might be called “veteran” form. Like the boxer who knows when to shift from dancing jabs to a strong right hook, the veteran in free verse knows when an anapest or two cannot do the job of a well-chosen monosyllable.

            What I want to say in poetry (what I want to present or picture, rather) has little to do with form, for I could use a sonnet to present the Harlem street jive, dig? Some time ago, the following line in iambic pentameter could have opened a sonnet: “Had only ink to drink for many brights.” As for the haiku form, its subjects are unlimited. I turned to it because of its unusual challenge to say much in little, to waste no word, to find and express the possibilities of beauty in all of creation.

Personville Press Giveaways and Deals

I run Personville Press, a small literary book press where all the ebooks cost less than $4. All the titles are discounted on Smashwords for less that price — and usually under $1.50. Pay attention to any 100% coupon codes which I occasionally list below — they can be redeemed only a small number of times, so first come, first serve. Smashwords only sells epub versions of these titles, but you can easily convert them to Amazon’s mobi format by using Kindle Previewer or Calibre.


Mike’s Likes #1 (Book Reports — June, 2019)

(“Mike’s Likes” is the first book column for what will soon be a regular feature on this blog. Michael Barrett is a San Antonio critic and longtime college friend. He has been writing erudite cinema reviews at Popmatters for over a decade — I even did a long interview with him about cinema on this blog. Although Barrett is happy with the film critic label, he reads widely too. With his permission, I will occasionally compile some “book reports” which Barrett has recently posted on Facebook).

View Robert’s Roundups || View the Mike’s Likes Series ||View the Raves & Reviews series ||


NYRB classic reprint, Checked out of the library!

The narrator is a cultured married woman who seems to spend her days flying the world for rendezvous with her spy-lover, who changes his appearance easily and communicates cryptically via National Geographics.

The novel’s present is a couple of weekends, one in Guatemala where he calls her on the phone to cancel and say he’ll meet her next weekend in Toronto, where she actually lives or used to with her family, and then that Toronto weekend as she wanders through her memories and fantasies of her life and repressed tragedies, until she magically comes to a resolve that may be as imaginary as everything else, for we suspect she’s refracting her experience through breakdowns and dreams. The ending involves a doppelganger derived partly from the author’s own life. It becomes impossible to know if she really travels the world for spy affairs–and if she does, whether she just sleeps with random lovers whom she identifies as the same person, or whether these are messages to herself, or whether she stays home and reads magazines.

The style is lucid and hyper-real yet bewildering and dreamy, esp. when she has a dialogue with a woman in a Bonnard painting that echoes the narrator of Gilman’s “The Yellow Wall-Paper.” The whole affair becomes increasingly psychological and symbolic, with tossed-off nuggets like “I was afraid that I had finally capitulated to vacuity” and incidents like this (amid the curious punctuation, I must wonder why the semi-colon):

“When I was forced to come to a stop by a street photographer, a lean young man in a green corduroy suit who stood feet astride in my path, I became angry. He had apparently taken my picture. He offered me the print for a dollar. I uttered a sharp No! He could not have known that he copied a likeness I no longer wanted. He persisted in holding the picture up to me, saying, It’s no use to me. Nor to me, I answered. He tore it up before my eyes; tossed the glossy bits into the gutter. Perhaps, it occurred to me, through the ‘evil eye of the box’ the photographer had removed a soul that was weary of wandering. Despite the breeze, the pieces of my soul just lay there. Good, I said to myself. Good riddance.”

When the rats come out, or What a peste

Audiobook of Albert Camus’ THE PLAGUE, Checked out of the library!

My second recent visit to Oran after THE SHELTERING SKY. The most surprising thing is how this supposedly atheist/existentialist tract of alienation and desperation could so easily lend itself to a Catholic interpretation. The priest is presented as in dialectic with another character (not the narrator but the diarist) but they’re not so much opposites as alternate facets; both believe man is tainted by Original Sin, though the latter calls it the plague we all carry, the guilt of collaborating with civilization’s crimes. The priest is given two long sermons, the latter of which has him arriving at a potentially heretical-existential “all or nothing” theory of choosing God consciously. Both characters come to the same conclusion of committing themselves completely to their convictions and die of them. Much is made of the “crucifying” nature of the death contortions, which take about as long as the agonies on the cross, and the plague breaks its fever, as it were, on Christmas. The narrator-doctor is even watched over by a beatific mother. The finale of this essentially philosophical book, which aims to be a “factual record” in the manner of Defoe’s (invented) “Journal of the Plague Year,” pulls off two brilliantly orchestrated bits of melodrama.

Although the setting feels removed from time and space to accentuate isolation, to the extent that the action takes place in a French colonial town in Algeria (with no Algerians–that conscience was pricked with the murder in THE STRANGER), this can also be seen as a political commentary or allegory of the colonial adventure that Camus presumably foresaw swallowing up and depleting France, for several characters (like the priest) state that the town has brought its troubles on itself. This arguably makes it less universal than an exclusively and specifically French catastrophe. The one who’s glad of the plague is a criminal who wishes to escape justice. His implication is that when everyone’s in the same boat, all are alike and therefore it’s a town of criminals. No explicit political comments are made; it’s left implicit for those who can see to see, with remarks on the initial incompetence of officials and special disaster meted out to a magistrate. (This would be a very different reading from the more common one of celebrating French resistance to Nazis.)

TALK by Linda Rosenkrantz

Checked out of the library!

For anyone who’s wished they had recorded conversations of their brilliant witty friends, at least one person went and did it.

The raw material, accent on raw, of Linda Rosenkrantz’s 1968 TALK is tape-recorded conversations among three arty New York friends from the summer of 1965. Two women, one of whom (“Marsha”) is recording these tapes, even when she’s absent, and a male homosexual painter (before it was cool to discuss such things casually and frankly) hash and thrash over every minute analysis of each other’s behavior and blather endlessly, sometimes hilariously about sex, friends, lovers, shrinks, art, abortions and the cat, roughly in that order, while lounging on the beach, interrupting each other, preparing and eating food, and hanging out. They’re full of exaggeration, one-liners, insight and witty play for each other’s benefit.

Apparently Linda/Marsha didn’t alter the tapes, only selected which ones to use from hundreds of hours, and they’re merely transcribed as play dialogue without directions or commentary. References to Warhol (whom they know personally) remind us that he believed a film is what happens when you turn on a camera and record whatever someone is doing, and that sometimes the camera alters their behavior and sometimes not. These friends are all circa 30 (one divorcee, who has just emerged from alkie rehab, is “punching 30”), reminding us also of the line in “The Great Gatsby” (quoted, though not that line) in which the narrator suddenly ends a chapter by remembering that it’s his 30th birthday. As Rosenkrantz reminds us in a 50-years-later note, this came out one year before Roth’s PORTNOY’S COMPLAINT and mortified her mother.

Related: Judy Berman reviews the book and a (paywalled) NYT profile/interview.

3 curiouser and curiouser not-long novels

Checked out of the library!

Ray Russell’s brisk THE CASE AGAINST SATAN reads like a blueprint for THE EXORCIST. In what may be a coincidence, one character is a Father Halloran, and someone with that name was involved in a 1949 case that allegedly inspired Blatty. Mostly dialogue or argumentative dialectic punctuated with grotesque moments. As an example of the author’s careful construction, a lengthy passage on “dung” might make us think he’s avoiding the word “shit,” and he is, but only so he can later use it to maximum effect in a single moment when it has the whole paragraph to itself. The argument carefully leaves itself ambiguous as it exposes what must have seemed especially shocking elements in 1962, but although the main priest states at the end that all the elements could have a rational explanation, he forgets to mention the catapulting against the wall and that fact that three people had to pry the victim off. The ingeniously handled climax tosses in a quick whodunit.

If Ursula Le Guin’s THE LATHE OF HEAVEN has a continual shifting of reality superficially similar to Philip K. Dick, the earlier CITY OF ILLUSIONS is an onion-peeler that keeps redefining what we should believe before revealing its final truth. The amnesiac lynx-eyed alien hero, who awakes naked and frantic in a forest and makes his way across a North America of a few millennia in the future, might foreshadow other amnesiac heroes like in Silverberg’s LORD VALENTINE’S CASTLE. A romantic picaresque full of vivid scenes, basic characters, shifts of setting that keeps a tight grip on the hero’s perspective even at his most confused. The fortuitous ending is based on tremendous mental powers and the ability to maintain two identities in one’s brain.

Barbara Comyns’ THE JUNIPER TREE, named after a Grimm tale, has a deadpan “naive” female narrator (as in the wonderful OUR SPOONS CAME FROM WOOLWORTH’S) calmly unrolling what seems at times like a fairy-tale romance, at times a realistic portrait of a single mother making her way in the world of antiques and junk, at times a casual reportage of tragedies that come out of the blue and are told with the same sense of detail and balance as the happier events. A world of vivid passing characters is conveyed in this rapidly moving tale.

How to live with loss in a science fiction universe

Checked out of the library!

Most of the stories are narrated by lesbians (two of them rock stars), and all are about the consequences of living with things lost: mothers, grandmothers (a nod to Ray Bradbury’s “I Sing the Body Electric”), an arm (the only story with a male protagonist), a husband (the story about a straight couple), an imaginary daughter (a nod to John Wyndham’s MIDWICH CUCKOOS, and this is one of two stories about sirens on rocks), a viable world. Two stories submerge the pulp adventure to a distant undiscussed memory that still has repercussions. One Stevensonian tale that’s really about self-acceptance is told by what used to be called a hermaphrodite and now is called intersex.

The last two stories are the funniest and most brilliant: “The Narwhal” (the only story not previously published) is about a road trip in a supercar shaped like a whale. “And Then There Were (N-One)” nods to Agatha Christie in a multiverse conference in which all the attendees are variants of the same person (named Sarah Pinsker, but the narrator isn’t “our” Pinsker who won a Nebula, but she’s there too) and somebody gets murdered. It’s about how we’re never satisfied with our choices, even good ones, and it’s not really a spoiler to say the lady-or-tiger ending is totally appropriate. Compare with Sean Farrell’s time-travel novel MAN IN THE EMPTY SUIT.

“Our Lady of the Open Road”, the least fantastical story here, is the one that won the Nebula, while a whopping four others were nominees–including “(N-One)”, in which the Nebula Award is used as a murder weapon (!) and which was also a Hugo nominee. In short, this book is a one-stop for recently acclaimed stories and a very gentle intro to SF for people who might be nervous about it.

When the honeymoon’s over, baby

NYRB edition, translated by Len Rix, Checked out of the library!

I can easily believe this is among the 20th Century’s most delicate and pleasurable novels, although it feels like a spoiler to call it a comedy and perhaps it’s really not. It’s a human comedy, or humane comedy.

This 1937 Hungarian work, also known as THE TRAVELER and (most literally) THE TRAVELER AND THE MOONLIGHT, is a kind of proto-existential odyssey about a hapless young misfit, chafing at working for his father’s business, who tries to cure his abnormality by marrying a woman who scandalously divorced her rich husband for him, but he semi-accidentally ditches her on the honeymoon for a dreamlike stay in Italy, as though he has Stendhal Syndrome. In a state of inertia marked by restlessness and panic, he reminisces about his youth with insular brother/sister play-acting twins (along with a brash scoundrel and a Jewish scholar who converts to become a Catholic monk) and indulges thoughts of the suicidal death-wish, which he discusses with a bombastic religious/literary Hungarian colleague and a Christian English doctor after a brief affair with a good-natured, gloriously stupid American “art student.” There’s a rich Persian “tiger” and surreal and absurd moments.

Could be accurately yet misleadingly described to sound like a gloomy plod, when in fact it’s funny and surprising, the work of an urbane witty man whose compassion for others, even at his most satirical and jaundiced, is based upon knowing and forgiving himself. Friendship and understanding are major themes, as well as love and gently observed despair. Although touching on grim topics, it wears them with the cosmopolitan irony we associate with Kafka, Kundera and other Eastern Europeans.

It’s a pleasure to be in the presence of this creative generous mind, whose other works include untranslated histories of Hungarian and world literature that make him seem like his country’s Martin Seymour-Smith. Speaking of whom, MSS’ Guide to Mod World Lit doesn’t seem to know this novel but remarks of Szerb’s history of world lit that its author “has been, of course, told off by everyone in the most grudging manner, even while they make use of it.” Szerb has also written a fantasy-thriller, THE PENDRAGON LEGEND. Must track down.

According a German source on Wiki’s page, when Szerb was sent to a labor camp in 1944 for his Jewish origin (though raised a Catholic), he rejected friends’ attempts to get him released on false papers, and that’s why he died there the following year. Let’s pause to think about that.

ALSO: I see more translations are coming.

Michael Barrett is a writer, librarian and critic based in San Antonio. In addition to writing film criticism for Popmatters, Rotten Tomatoes and other national publications, he has published two works of children’s fiction. You can follow his daily posts on his Facebook page (and read a long interview with him on this blog). For the last 10 years he has written a Christmas letter detailing things read and watched for each year. Periodically, his book reports from Facebook are reposted here as “Mike’s Likes.”


2 months of KU for 99 cents …. again!

I’m in the middle of 3 meaty posts which I’ll be publishing very soon. Just wanted to mention the remarkable fact that the Kindle Unlimited (KU) promotion still seems to be working.

I have already signed up twice for this promotion, cancelled before the end of 2 months and signed up again. It still works!

The link is here.

Although the KU titles are more likely to be indie titles than things from major publishers, there’s a lot of interesting stuff.

By the way, I am generally not a fan of Kindle Unlimited or Kindle in general, but what are you going to do?

On another note, I signed up for Kobo and received a $5 ebook voucher for a purchase costing more than $5. For the life of me, I cannot find something in the $5-10 price range. Prices tend to be 10$ and above (undiscounted) or $4 and below (discounted).


Random publishing tips by myself

I post a lot of things on forums and subreddits and social media. Here’s the best of what I’ve posted there over the last year or so.

What I Wish I’d known about ebook publishing:

  1. A book is defined as something which takes no longer than 2 years to write.
  2. Pay for one review in the trades (Kirkus, Publishers Weekly, Library Journal, etc) especially for your first book.
  3. Set pub date 3-4 months after it is 100% finished and use the intervening time to find reviewers/beta reviewers.
  4. Focusing all your efforts on Amazon is dangerous. It’s good to sell at least in one place which is DRM-free. (smashwords).
  5. I personally don’t like reading or writing serials, but be prepared for books to be rolled up into and sold as bundles later on.
  6. Every book is different. The way to market every book is different. What works with one author (or one book) is not necessarily going to work for you.
  7. Don’t fixate on the opinions of what beta readers and friends think. Some people obsess about pleasing everyone with their book. Don’t water yourself down just to make Sam or Sally happy.
  8. Recognize that you’re going to waste a percent of your ad budget on things which accomplish nothing.

Finally, and I hate to say that, but 99.9 of the world’s population does not care about books and specifically your book. Don’t let that get you down. (I have more to say about marketing strategies, but I want to see results before I mention them publicly).

How to Format Images on Kindle

In 2016 I spent a few week’s flailing about trying to do custom CSS formatting for an ebook with illustrations. Then I figured out an all-purpose solution which is below. Don’t be distracted by the image-replace-title name of the DIV. (In this case I was simply using an image as a chapter heading, so I used that time; but this trick works for ANY images).

I’ve been using interior images with minimum width 1800 px (although some may think it’s overkill).

It’s not necessary to compress images for your ebooks on the Kindle platform because Kindle will automatically downconvert images to a more practical size for e-ink and smaller mobile devices. Also, if people are downloading an ebook with a larger file size, they usually know to download it when on wifi. I don’t think the customer or the publisher pays extra bandwidth fees if the customer downloads it via wifi.

The key thing is to make the CSS scale the images depending on the device’s dimensions. It’s tricky to do because kindle does not support the max-width css property for images. Instead, I use css media queries for different screen resolutions (i.e breakpoints). Here are the breakpoints I used.

  1. generic styles, for everybody (and for devices which don’t detect media queries)
  2. phone media queries valid for both portrait and landscape: min-width 320px max-width: 767px
  3. phone media queries valid only for landscape 768 to 1500 px landscape (because we assume 2 columns, this is basically the same as Phone/Portrait)
  4. Landscape over 1500px — when 2 columns, this will look the same as portrait 768-1024
  5. 768-1024 portrait — this probably comprises about 60-70% of the devices
  6. 1025-up portrait — future proofing, just in case

Third, use variations of this CSS code inside each media query.

div.image-replace-title {

width: 95%;

margin-left: auto;

margin-right: auto;


div.image-replace-title img {

width: 100%;

display: inline;


By leaving the img width at 100% and varying the width of the div containing the img file, you can approximate the same effect of scaling the image. I put 95% for the most common media queries, and then decreased it to 75% for huge (and I mean HUGE) media queries. The oldest e-ink devices didn’t recognize these media queries, but the rest did. The key thing is that using high quality images to begin with allowed Kindlegen to compress as needed. My images rendered great on the e-ink devices.

Finally, if you don’t know how to do css media queries, the Kindle Publishers Guide has code examples. They basically look like this:

@media only screen

and (min-device-width: 768px)

and (max-device-width: 1500px)

and (orientation: landscape)


your css code here


Pricing Strategies for Ebooks

Here’s my current strategy:

  1. Make an ebook with enough quality content and book size to compete with the majors.
  2. Price it on 2.99 on Amazon. (the lowest price for 70% royalties).
  3. Sell the same ebook on Smashwords .Price it the same as on Amazon and use a PUBLIC COUPON (not a private one) to price it at half of your Amazon price. (In the 1-2 dollar range, royalty percents on Smashwords are quite nice).
  4. Occasionally do spot sales to price the 2.99 ebook in the 1-2 dollar range when running ads on newsletters.

For those who say, it should be higher than 2.99 on Amazon. Ok, maybe 3.99 or possibly 4.99, but I am pelted every day with notices of dozens of high quality titles by known & well-reviewed authors in the 2-3$ price range. Also, a lot of decent Amazon Crossing titles are discounted monthly at 99 cents. I buy lots of titles (and blog about my finds on my Robert’s Roundup ebook deal columns), It’s very rare that I have paid more than $4 for anything….

(I don’t generate a lot of sales from Smashwords — or any sales at all, but using public coupons seems like a no-brainer. The problem with pricing under the 2.99 threshold on Amazon is that it’s harder for ad buys to pay off at 30% and below.)

See also: default Kindle fonts by device and how to hide HTML pages from the ebook’s TOC.


Back in the Saddle (Memorial Day Edition)

Excuse the radio silence here for the last month. A lot has been going on in my life — maybe at some point I’ll go into detail, but not now.

Generally though, my time sucks are behind me, so I’ll be back to blogging and other literary things. Stay tuned!


Title: Minor Sketches and Reveries (Stories) by Alberto Balengo.

Go here to download the pre-release ebook for free! (It’s also free on Smashwords).

These introspective tales feature animals, allegories and melodramas of everyday life. At the center of the stories are tiny creatures (a sparrow, earthworm or paperclip) struggling to make sense of larger mysterious forces. Human protagonists are equally perplexed by ordinary events – like searching for a lost key, watching late night TV, or eating a taco.

As the author admits in the afterward, these pieces feel more like “sketches” than stories with conventional plot and character. Many end at odd places or don’t end at all. Scattered through the stories are moments of isolation, confusion and foreboding. Some pieces (like the essayistic “Indolence: Notebooks”) investigate a philosophical idea to such absurd lengths that one is almost tempted to take a nap.

As you probably know, I run Personville Press, a small literary press. Up to now Personville Press has been publishing only ebook titles by Jack Matthews, and that has certainly kept me busy. But I’ve been meaning to publish other authors as well (including myself). Here’s the first non-Matthews title by a writer I met at Johns Hopkins. His pen name and blogging name is Alberto Balengo, although that is not his real name. Even though I was a graduate student and Alberto was only a freshman, we shared a love for classic & contemporary European fiction. (Both of us were fans of Turgenev and Hungarian author Geza Csath). We have kept in touch over the years — Balengo has been writing a literary blog almost as long as I have (though recently he changed the privacy settings so that the blog is invite only).

For various reasons, you can download the ebook for free for the rest of 2019. (Official publication date is early 2020). The commercial ebook will have a different (and better) cover. I might do a separate post about Balengo’s fiction later.



A few years ago I started using Google Play Books (GPB) as my primary epub reader. I did so after learning that GPB supported epub very well and had an incredibly simple drag-and-drop upload feature.

I quickly uploaded 100s of public domain and self-created and Smashwords titles to it. GPB was cross-platform and cloud-based. Horray! Did you know that there’s an ios GPB ebooks that looks just as good as in Android? Wow, you could upload PDFs as well… Horray! For a while I was in heaven.

But last year, the warts quickly became apparent.

Problem: Searching for Ebooks

The android GPB makes it difficult to search for one of your ebooks. Seriously, it is a pain in the neck. I’m not talking about searching WITHIN one ebook (GPB does it well). You just can’t search THROUGH your ebook inventory. Whenever I try to search for an uploaded epub title I uploaded, GPB will show multiple titles for me to PAY MONEY FOR! I realize that all ebook distributors nudge users to the commercial store, but in GPB’s case, they have two separate apps — the reading app and the store app. It will literally open up a separate app and then keep you trapped there until you switch back to the reading application.

Have I mentioned already that GPB books are expensive?

One thing going for GPB is continuity of look and feel across platforms. That is generally true — except for SEARCH! When I am on a desktop browser and searching for an ebook title I already uploaded, the GPB interface makes it impossible to find. I have tried many times; it is impossible. Instead it will trap you again inside the ebook store. Let me be clear. You can choose to view all uploaded ebooks — you just can’t search for them. (Apparently searching for things is something Google isn’t very good at).

Collections — where are they?

Lack of searchability wouldn’t be that big a deal if GPB had some way to organize titles into categories or collections. After all, practically every single ebook reading system has implemented this feature. Google decided not to implement it at all. {Perhaps the Google PHBs just thought that if users needed a specific title, they could just search for it?) The only feature implemented is the “Finished” category (which instructs the device to remove the file but to remain in the index). Google has 3 Shelves: START CONTINUE and FINISHED .

But this is insane. I mentioned already how unusable GPB search is both on the device and in the PC browser. Maybe having no collections would work in a library with less than a 100 titles, but I have 1000-1500. One reason it’s unwieldy to rely on the search function to find your ebooks is that I often can’t remember the titles or author names — only the subject or book cover. Even if I know the title, sometimes I can’t find it if the file is a PDF and doesn’t have a descriptive file name. With PDFs, GPB (like other apps) doesn’t typically have good metadata to search for. Collections would solve that problem by letting you browse within a smaller group of ebooks, but alas, GPB hasn’t implemented it yet.

Problem: GPB is a major memory hog

Ballpark-wise, I probably have the same amount of ebooks in GPB as I do in Kindle app, and yet GPB uses 3x as much internal memory as the Kindle app. ( This was true even before I changed the default download setting to the external card). Now, by saving things on my external card, it uses even less storage space.

Right now on my Samsung tablet:

  • Kindle uses 3.62 GB: 185 MB app, 1.25gb Data and 2.19gb SD card data,
  • Google Play Books uses 5.17 GB: 52.88MB app, 5.12 GB Data and 256KB SD card

The type of content I have on both devices isn’t that different. GPB contains somewhat more uploaded PDFs, while the Kindle app contains more ebooks with huge file size.

This leads me to another complaint not specific to GPB but which affects GPB the most. Consumers need a way to identify which ebook files are the biggest, so they can decide to delete them when needed. In Kindle, I created a special collection called “HUGE EBOOKS” containing files which I can easily delete if I need to. Unfortunately consumers can’t do this in GPB because Google never implemented the collections feature.

Seriously, all ebook apps need a way to SORT BY FILE SIZE or at least SHOW ALL FILES > 10 MB.

My 4 year old Samsung tablet has lots of storage space. (32 gigs internal, 64 gigs SD card). This is terrific! But I currently have 660MB free on internal storage and 7 gigs free on the external SD card. It is incredibly hard to figure out what is taking so much space and how to remove it. Google Play Books consumes more storage space than any app on my tablet, especially because it requires that all ebooks be downloaded into internal storage!

Again, that wouldn’t be so bad if I could see which GPB files are using the most space or if the app had better organization tools.

Problem: Easy Upload feature is no longer so Easy

In the last 6 months I have noticed something else wrong. At first guess, you’d think it was related to memory usage, but I’ve cleaned house several times both in GPB and the tablet itself, and the problem persisted. I’ve cleared cache, searched online for solutions and filed trouble tickets. No solution.

The Upload feature on GPB has just stopped working for me. Regardless of file size, I could upload things to GPB via the PC browser. In the Chrome browser on my PC, I can easily see uploaded material in GPB. I can even read the ebook in the browser. In the past, when you upload stuff to GPB on your browser, it could be on your device in a minute. Not anymore. Often it takes days or a week for uploaded content to appear on your device — if you are lucky.

This is clearly egregious behavior; it happens both to GPB on my phone and tablet. Perhaps it is specific to my account or the fact that I uploaded a lot of files in the past. But I have had absolutely no problems sending mobi, docx and PDFs to my cloud-based kindle and viewing them in different places.

You might assume that cloud-based computing is Google’s core competency. I actually have no problems using Google Drive, and in fact paid for a premium subscription.

On my Gdrive I have a folder consisting of epub files I found from public domain sources. I keep the folder on my local machine which is backed up on the cloud. If Google already has the epub file on the Gdrive, why does really Google need me to upload it to GPB?

It is possible to use a third party app on Google Docs to move an epub file to GPB. Several apps claim to be able to do this, but the last time I checked (more than a year ago), none of these apps succeeded in that task. Really, though, why is this so hard?

FBReader: A better network solution for Android

FBReader is a great ebook reading system that has been around forever. There’s a free version, but I quickly upgraded to the premium app.

Recently I used FBReader Network Library on Android. With FBREADER, you can read multiple file formats, and after uploading it, you files are saved in a special folder on your Google Drive (My Drive –> FBReader Network Reader). Simple, and it works! My first reaction was, “Thanks for being so easy!” and second, “If Fbreader can do it, why can’t GPB?”

Fbreader isn’t perfect. It doesn’t have collections either. It offers too many layout and design controls instead of just providing a publisher default. To download an ebook which you uploaded to the Network library, you need to click Open Network Library –> FBReader Book Search on your device. From there, you can sort ebooks by title/author or upload date. FBReader asks you to download ebooks individually (it won’t do it automatically).

Final Thoughts on the GPB Disaster

I keep waiting for Google Play Books to release a more user-friendly version that solves the problems I mentioned. So far I’ve been waiting for two years. In comparison, the Kindle app is light years ahead of competitors. Sure, it has market share and big budgets.

On the other hand, publishers already on GPB are getting better at synchronizing their sales across bookstores. (Maybe services like Draft 2 Digital are making this easy). There’s a market need for an ebook distributor as an alternative to Amazon. But Google Play Books ain’t it.


Robert’s Raves & Reviews #2 (Books & Ebooks)

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I’m really behind, so I’m just going to hit PUBLISH and move on.

I’ve been reading a tremendous amount recently: Jack Matthews‘ Picture of the Journal Back, Bill McKibben‘s Falter and Alissa Quart‘s Squeezed (author website). All great works — more on them later.

Public Domain

More capsule reviews from Book Review Digest 1910 edition.

Hough, Emerson. Purchase price; or, The cause of compromise.

A story of the anti-slavery agitation with the setting in Kentucky and Washington. A beautiful young Hungarian countess comes to this country in advance of a distinguished delegation in the interests of Kossuth. Our government, fearing her dangerous influence in those troublous times, has her conducted to the western frontier. There in a dramatic way she meets a southern Senator, a man as fearless and dauntless as herself but ranged on the other side. After a series of stirring events in which history and romance are cleverly blended she comes to realize that the results of her high ideals have not been unmixed good, she sees the failure of her scheme to deport the negroes, and hears that the confiscation of her Hungarian estates has left her penniless. At this critical moment when her self confidence is shattered she again meets the Senator. He too has lost faith in his convictions and consequently his party has deserted him as a turn coat. He has lost his slaves through the efforts of her agents, and a stroke of fate destroys all his remaining property. Then it is that they both rise superior to circumstance resolved to do great do great things for the world–together.

I came across a wonderful biographical essay by Carole M. Johnson about Emerson Hough which was published in the 1970s. She wrote, “Traveler, historian, novelist, journalist, and conservationist, he wrote more than thirty-four books and hundreds of newspaper and magazine articles and short stories. While he wrote nothing of consummate literary merit, he made noteworthy contributions in the area of conservation before it was fashionable and in the areas of western history and literature when the West was considered a subject fit only for dime novels and pulp fiction.” (Although this sounds a little harsh, she recommended books like Mississippi Bubble, Covered Wagon, Hearts Desire, (About the last, Johnson writes, The flexibility of short fiction stimulated his real talent for comedy, burlesque, and dialogue, which is reflected in the spontaneity, charm, and genuine literary merit of these tales. )

General Essays/Litcrit

I’ve been reading Faint Praise, this terrific book on book reviewing by Gail Pool (Author website). (M.A. Orthofer raves here, saying, It’s not just — or even primarily — a question of more reviews, or fewer newspapers dropping their book-sections and substituting wire copy. Pool is particularly concerned with the state of reviews themselves: she wants to see better reviews, and an improved culture of reviewing. Her closing chapter offers some suggestions as to what can be done. Among them: she wants book editors — the major decision-makers on everything from what books are selected for review to who is assigned the review — to be less invisible, and offer more editorial commentary. She also suggests that at newspapers columnists (with their expertise in specific areas) be enlisted to help in selecting books for review. And as far as hiring reviewers goes, she’d like to see those with critical competence selected ahead of authors who happen to have published some fiction or a book in an unrelated field. (I may respond later to this book later on).

Anyway, one of the delightful parts of this book are the examples and notorious quotes by authors and reviewers. Here’s a gem of an Orwell quote:

A periodical gets its weekly wad of books and sends off a dozen of them to X, the hack reviewer, who has a wife and family and has got to earn this guinea, not to mention the half-crown per vol. which he gets by selling his review copies. There are two reasons why it is totally impossible for X to tell the truth about the books he gets. To begin with, the chances are that eleven out of the twelve books will fail to rouse in him the faintest spark of interest. They are not more than ordinarily bad, they are merely neutral, lifeless and pointless. If he were not paid to do so he would never read a line of any of them, and in nearly every case the only truthful review he could write would be: ‘this book inspires in me no thoughts whatever.’ But will anyone pay you to write that kind of thing? Obviously not. As a start, therefore, X is in the false position of having to manufacture, say, three hundred words about a book which means nothing to him whatever. Usually he does it by giving a brief résumé of the plot (incidentally betraying to the author the fact that he hasn’t read the book) and handing out a few compliments which for all their fulsomeness are about as valuable as the smile of a prostitute.

Elisa Gabbert on Stupid Classics. In Bradbury’s view of the universe, white men write good and important books, while “the minorities” and “women’s libbers” try to censor them. Except for one manic pixie dream girl who shakes Montag out of his complacency and is swiftly killed off (I missed her when she was gone), all the women in Fahrenheit 451 are zombie harpies. Montag eventually joins a band of men who have memorized the great books, the only way to save them from burning: “We are all bits and pieces of history and literature and international law, Byron, Tom Paine, Machiavelli or Christ, it’s here.” They are the heroes protecting the Western canon from being destroyed by cultural criticism. 

(I agree that F451 probably spells trouble. You can usually tell a book is overrated when it’s taught regularly in high school English classes. IBID for To Kill a Mockingbird, Great Gatsby, Of Mice and Men and Handmaid’s Tale).

Interview with Dan Green : Should literary works primarily aim for empathy?

there are a lot of claims that the primary value of fiction lies in its ability to allow readers to “share” other people’s experience and perspective, to see the world from their point of view. On the one hand this seems to me a fairly innocuous notion. If a novel effectively conveys the illusion that you’re inhabiting another subjectivity and you think the experience has been salutary in your sense of “empathy,” then so be it. It is, however, an illusion, so on the other hand in no way are you really sharing another perspective or point of view, since what’re you are in fact experiencing is an effect of the writer’s skillful disposition of language. There are no “people” in fiction, just words and sentences, and therefore when you talk about empathizing or adopting another perspective, at best you are speaking metaphorically—it’s like empathizing with a real person, even though it’s not.

Long listicle of environmental books on climate change. Wow, I consider myself well-versed in nonfiction titles and even cli fi fiction (in a superficial way), and yet I recognize very few of these titles. By the way, I am now reading two wonderful environmental books: Ends of the World by Peter Brannen and Falter by Bill McKibben (the latter is brand-spanking new). I’m in awe in many respects, not only as a researcher and advocate, but as a stylist. If you’re looking for obscure McKibben to read, I recommend Age of Missing Information, an early work he wrote about mass media after recording several days worth of Cable TV and watching every single channel and every single minute.

Robert S. Miola writes a Fivebooks listicle about the literary sources of Shakespeare. Great and erudite. Here’s his take on Ovid’s influence:

Then, Shakespeare comes to Romeo and Juliet and doesn’t forget Ovid. Though Ovid is not traditionally named as a source for Romeo and Juliet, it’s the same deal: a guy killing himself and then his beloved finding him. They reunite briefly, and then he dies. We don’t have any stage directions for it—Romeo has no lines at this point—but many productions and many films have Romeo do exactly what Pyramus does. In the Baz Luhrmann film, the eyes of Leonardo DiCaprio open and lock on those of Claire Danes before he dies. Both texts, A Midsummer Night’s Dream and Romeo and Juliet, both reach back to that seminal moment in Ovid. We don’t know if it was staged that way, but there’s certainly the possibility he was thinking of it.

But Ovid is everywhere—even less obviously in The Tempest. In that strange scene, you have these spirits becoming dogs and barking, chasing Stefano, Trinculo, and Caliban. As in all the last plays, Shakespeare is interested in internal transformation—on changes within and motions of forgiveness. Here, the classical mixes with the romantic and the Christian. You have this beautiful internalised drama of metamorphosis. In this case, you have Prospero becoming Prospero—abjuring “this rough magic”. Each character comes to a new self—a new understanding of the self. Ovid is there, inescapably.

Here’s another listicle by Natasha Lennard on “Non-fascist living.” In addition to her own book, she mentions Wittgenstein and Maggie Nelson‘s Argonauts. (Very interesting! That certainly raises Nelson on my To-read list. I had checked it out of the library a few months ago without ever reading it!). Here’s a book excerpt from Lennard about how to live an anti-fascist life. After noticing that the criticisms of the Antifa protests against Trump were almost louder than the condemnations of pro-Trump white nationalism, she comments:

Meanwhile, magazines and news outlets—only a year ago lousy with warnings against the “normalization” of hate—have published a string of profiles platforming white supremacists and neo-Nazis as if they were now an accepted part of the social fabric (thus interpolating them as such). The “polite” Midwestern Hitler fan with a Twin Peaks tattoo whose manners “would please anyone’s mother.” The “dapper” white nationalist. The description of right extremist rallies drenched in dog whistle and foghorn neo-Nazi symbolism as mere “pro-Trump” gatherings—or worse, as “free speech” rallies.

What changed? In truth, nothing. We are observing a phenomenon that Martin Luther King Jr. noted well in his 1963 “Letter from a Birmingham Jail.” We are dealing with “the white moderate, who is more devoted to ‘order’ than to justice; who prefers a negative peace which is the absence of tension to a positive peace which is the presence of justice; who constantly says: ‘I agree with you in the goal you seek, but I cannot agree with your methods of direct action.’” There is no shortage of irony in the invocation of MLK by today’s white moderates in order to decry Antifa tactics as violent; in fact, I believe (if one can so speculate) that these same commentators would have been critical of his radical nonviolence, predicated as it was on the provocation of violent spectacle. It is a great liberal tradition to stand on the wrong side of history until that history is comfortably in the past.

Darn, I can’t find my blogpost containing the hilarious review of the book, but I was elated to learn that David Todd Roy finished his 5 volume translation of the Chinese classic Plum in the Golden Vase. (Here’s his obituary )– it took 20 years for him to finish it. It’s available in ebook, but I would be hard pressed to recommend reading anything but the print edition — because of the copious footnotes. (I’ve read volume 1 only though). Here’s a NYT feature story and a LARB review by Stephen Marchee:

Chin Ping Mei is a mean-spirited page-turner, built for cruel speed. The plot concerns Hsi-men Ch’ing, a corrupt merchant in a rural district who, through a series of sexual and political intrigues, develops and indulges stranger and stranger tastes until he dies of “sexual excess” at the age of 33. The book is most famous for being pornographic, and the word most often attached to it is notorious. But the sex, while it is what makes the book original, is by no means the most interesting part of the novel, at least to a contemporary reader. The Chin Ping Mei’s true subject is everything. It inhabits the local whorehouse as intimately as dinners with Imperial officials and is wonderfully fleshly in many ways, not just the erotic. The author is just as good writing about a man warming his hands at a brazier as he is at extreme sexual acts.


House of Stone by Novuyo Rosa Tshuma (reviewed by Michelle Newby Lancaster). Tshuma presents us with a history lesson in the form of these individual lives, demonstrating the folly of denying that the personal is political. Following personal revolutions into political corruptions, Tshuma juxtaposes war narratives with the real thing, warning of the vile, dangerous mixture of religion and nationalism, as well as the risks of nostalgia, that siren song of a glorious, illusory past (“Make Rhodesia Great Again!”) which claims the powers of myth when a people cannot imagine any future they could want for themselves.(Tschuma is a Zimbabwean author in the UH Creative Writing program). Her website is here. See also her memoir about getting her mother to speak about a genocidal event in 1980.

Tschuma described the writing process: I went through seventeen drafts because the act of writing the novel was a very exploratory process for me; what shape or structure could best capture the House of Stone, Zimbabwe? How could I bend such a shape or structure to suit the kind of book I was trying to write? The novel even had footnotes at one point in time. So, I was very free, and messy, and willing and happy to wallow in this messiness. And this is a process I garnered from some books I love because of their peculiarity —  works like Gunter Grass’ The Tin Drum, Carlo Emilio Gadda’s That Awful Mess on the Via Merulana and Dambudzo Marechera’s House of Hunger, among others. The first two are translations from German and Italian. I loved how peculiar they felt to me and how playful they were.

Interview with TX poet Naomi Shihab Nye on LoneStar: You don’t have to travel far to hear others. Experiment with writing in other voices. It’s okay to do this. We need to do this to extend our imaginations and perspective. I remember being very small and trying to imagine what the old lady who never came out of her house would say if she wrote down her thoughts. Then I realized, Hey, I need to go knock on her door and visit with her! She gave me the best piece of pie I ever ate in my whole childhood. And she was lonely, of course, and talked a lot, freely, any time I visited her. We need to take a little more time. Nye is a Palestinian poet based in San Antonio who attended my alma mater Trinity University. (author website) Here’s a book review by Natalia Trevino about Nye’s latest book: Reminding the reader that all Palestinians are “also Semites” and that being “pro-justice for Palestinians is never an anti-Semitic position,” this poet delivers news-worthy journalistic headlines of her own about those who have lived through the occupation, recounting that “we had to become heroes to survive at all.” If only we knew all of those stories.


Robert’s Roundup #10 (May 2019) of Ebooks

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Ok, apparently there’s another Kindle Unlimited 2 month trial offer. From now on Kindle titles won’t receive hyperlinks, but I’ll include links to author website. But “KU” will indicate Kindle Unlimited ebook.

Sorry to whine, but one reason this column is so late (among many!) is that I have this crappy mouse which keeps double clicking instead of single clicking, deleting random things and closing browser tabs. Just my luck to be saddled with a defective mouse!

A reminder: after being kicked out of Amazon’s affiliate program, I decided it would be better NOT to link to Amazon and instead link to author websites.

Deals published by Amazon imprints

Here are things 99 cents for the month of May. I may add titles to my list over the month.

  • Two scifi/ cyber works by Anne Charnock: A Calculated Life and Dreams Before the Start of Time. (the latter of which won the Arthur C. Clarke award ). (Author website).
  • Make Art Make Money: Lessons from Jim Henson on Fueling Your Creative Career by Elizabeth Hyde Stevens (Author) (I recommended this in a previous month, but its price fell again).
  • Walden on Wheels: On the Open Road from Debt to Freedom by Ken Lluganas. Lluganas writes meandering tales of traveling on the cheap around the country. He has several volumes, with this one specifically about homeless people who live in vans. (His website looks engaging as well).
  • Soy Sauce for Beginners by Kirsten Chen (author website). Great blurbs, plus great writing (the first chapter at least).
  • Things We Set on Fire by Deborah Reed. (Author website). Lots of impressive blurbs
  • Winter Men by Jesper Bugge Kold (what a name!). Another one about WW2 Soldiers, but with a somewhat interesting take. Civilized soldiers away from the atrocities fleeing Germany after WW2.
  • (There’s a few titles I’m still previewing — haven’t decided whether to mention here)

Here are some titles from Amazon imprints which reverted from 99 cents to regular price, but still worth catching:

Murmur of Bees by Sofía Segovia

All the Lasting Things by David Hopson.

Practice House by Laura McNeal. No longer on sale, but an amiable tale about 2 Scottish girls who fall in love with 2 Mormon missionaries in 1929 and –what the heck! they might as well move back to the USA with them! Not something I’d normally want to read, the sample chapters were great. I’ll be keeping an eye on this author now. (author website)

Under the Radar

Process: Writing Lives of Great Authors by Sarah Stodola. KU. ON sale for 1.99. Well-written literary profile of several well-known authors and how they work. I got it on KU, read a chapter, then decided, I want to have the whole thing!

Captivating the Simple-Hearted: A Struggle for Human Dignity in the Indian Subcontinent by Peter Friedrich (Author site). (Free! Warning: big file!). History of the Sikh people. Book might have an agenda though — unsure, but looks like a legit scholar.

Portal by Alan Zendell. (free!) World in decline sees salvation in space travel. Zendell is a retired engineer who writes well-regarded hard science fiction (author website).

Little Prince Returns by Yoram Selbst. Alleged sequel to the Little Prince with similar kinds of illustrations.

Mania: Story of the Outraged and Outrageous Lives that Launched a Cultural Revolution by Ronald K.L. Collins and David Skover. (99 cents). 2 law professors write a cultural history book about the beat poets. I read the first 2 chapters and loved it!

Reckless Beginnings by Tina Hogan Grant (author website). 99 cents on Amazon. (Great first 2 chapters about 3 daughters of a divorced couple and one who disappears).

Call me Pomeroy: A novel of satire and political dissent by James Hanna (author website). KU. FREE! Humorous tale about a musician who tries to make it big.

Chips of Red Paint by K. Martin Beckner.

Going Home in Chains. By Glenville Obrian Lovell. (author website). Free! for a second.

Strategic Argumentation in Parliamentary Debate by Eric Robertson, FREE! KU. I love all argumentation/debate books. This one cost only 99 cents!

Panayotis Cacoyannis, Finger of an Angel (99 cents) is an earlier work by this Cypus author. His other works have been lauded and remain moderately priced. (author website).

Man who Counted Infinity and other short stories from Science, History and Philosophy by Saso Dolenc. (temporarily free) (website). KU Dolenc has several similar ebooks. (I just scooped another another freebie! I really like all his popular science books — it makes learning science very fun!

Practice House by Laura McNeal. Light-hearted tale of two Scottish sisters who marry some Mormon missionaries in 1929. I missed the sale price, but it’s on KU and I would pay for this when the price falls again.

Incomplete Works: A Novel by Noah Goats. Satirical story about a snobbish boy sent to a vocational college. BERTHOLD GAMBREL reviews it, writing that it has “all sorts of humorous episodes and memorably over-the-top characters, most of which feel distinctly Wodehousian, from a zealously vegan love interest to a drunken ride on a mechanical bull. One dream sequence in the novel-within-a-novel, wherein Larry attempts to sell his soul to a demonic car salesman, felt like something from a Russian satire.”

Broken Shells by Deena Bouknight

Duck and Cover: 11 Stories by Rich Elliott. (FREE today, KU). tales of growing up in the 60s. Says Kirkus, “sometimes-luminous, sometimes-mordant collection that undercuts its nostalgia with complex ironies.”  (Author website).

Baseball Dreams, Fishing Magic: One Man’s Trip Through This Crazy Thing Called Life by Mike Reuther

Drinking until Morning by Justin Grimbol. Also, Children of Arnhem’s Kaleidoscope and Just Visiting.

Sorrows of Young Mike by John Zelazny. A tragic tale of one young man’s journey to find meaning in his life and come to terms with his loves, himself and his libido.

Her Majesty’s Will: A Will & Kit Adventure by David Blixt. (author website). A light-hearted literary biography of Shakespeare, with certain embellishments about incident and enough wit and historical knowledge to keep us interested. The price went up again, but I’m going to look for other titles of historical fiction by this fellow.

Rehab For One-Hit Wonders by George Traikovich. YA tale of guitarist

Man in the Moon Has Something Important to Say by Jaymes Shore. Quirky post-apocalyptic Twilight Zone like stories.

Blink and it’s Gone sales

Collected Stories by Theodore Sturgeon. $1.20 (all stores).

Girl with the Faraway Dress (Stories). by Michelle Raymond. This award-winning story collection is free this May 4-5 weekend, possibly longer.

Man who Spoke Snakish by Andrus Kivirannk. $2 for only a day, but I enjoyed the description of it as a “runaway Estonian bestseller.” My critic friend Michael Barrett read it and enjoyed it

How Not to be Wrong by Jordan Elllenberg. 2.99. I love popular books on math and science, and this one finally went on sale.

Skeptics’ Guide to the Universe by Steven Novella et al. Extremely perceptive book about logical fallacies and critical thinking. 2.99, get it while you can! No longer on sale, but well worth waiting for (My fave read from 2018).

Essential Chomsky. 1.99 500 pages. A nice collection, with emphasis upon his later essays about politics and society.

David Foster Wallace Reader. 2.99 discounted only for a day. 900 pages! Admittedly Wallace is hard to do an anthology for.

(No longer here!) Amazon has Read the World week for their Amazon Crossing Books. Free ebooks for a week. As it happens, I had already bought two books which are excellent: The Passion According to Carmela by Marcos Aguinis (Cuban) and This Life or the Next by Demian Vitanza (Syrian). Speaking of Aguinas, I read and loved Against the Inquisition (not on sale at the moment, but gets discounted often).

†Titles from Smashwords and other places

I bought a lot of terrific stuff from Unsolicited Press earlier this month, so I may be taking a little break from them. Later, all the UP titles on Amazon were also 99 cents. Note: I found some formatting issues on the poetry titles at Smashwords even though they looked perfectly fine on Amazon.

Lance Manion (author website) writes a lot of short tales with off-color humor. A lot of these things were written for his blog. In an interview, he mentions being influenced by Heller, Robbins and Adams. I see that the titles on Smashwords are free while they cost in the 1-4$ range on Amazon.

1001 Lightyears Entertainment by David Loeff (author website) is a “1001 Arabian Nights in Outer Space.” FREE! with Public coupon. Description: While the worlds of the Commonwealth have access to superior technology, its literature has become formulaic and tame. Much of the folklore told on the known barbarian worlds, and by the starfarers who travel between them, has roots in an ancient Earth literature, once known as the Arabian Nights Entertainments. A sampling of the coarse and unsophisticated, yet less predictable and bland, literature and folklore of the barbarian worlds is presented here.

Creative Commons – Academic -Public Domain

At times I will be linking to fadedpages (Canada’s Project Gutenberg) especially for Canadian works and works not easily available in USA (digital or otherwise). One important difference between the two organizations (aside from different copyright laws) is that the Canadian downloads don’t have helpful file names — you should rename everything when saving. Check out its helpful list of prize winners for the Governor General’s Literary Award.

Bad Child Book’s of Beasts by Hilaire Belloc

A.G. MacDonell, England, Their England, How to Like an Angel and Autobiography of a Cad. Free droll English humor from the 1930s. (FREE!)

Doomington Wanderer by Louis Golding. Short Stories. Left-wing English author.

George Deeping, Short Stories and Old Wine and New. Prolific English novelist who wrote about soldiers after WW1 after among things.

Master-Girl by Ashton Hilliers. From Book Review Digest 1910: A story of prehistoric times with a young savage for a hero who fares forth to appropriate a wife from a neighboring tribe and is generously blessed by the gods of his Sun-*men race. The master girl his wife, “stands a primitive human document,” a heroic specimen of cave woman thru whose elemental passions gleams something of the fine unselfishness and loyalty of her later generations. The author draws vivid pictures of the fight these people made for existence against the ravages of beasts, enemies and cold.

Fanny Fern is an influential 19th century American writer known for Ruth Hall but also for her caustic/satirical newspaper columns about social issues and woman’s issues. Ruth Hall is a roman a clef about struggle for financial independence. Wow, Ruth Hall has a gigantic wiki page and apparently is very well known in feminist circles. That’s a name I’ll be sure to drop in order to prove my feminist bona fides. Nat Hawthorne was quoted on wiki saying this:

In my last, I recollect, I bestowed some vituperation on female authors. I have since been reading “Ruth Hall”; and I must say I enjoyed it a good deal. The woman writes as if the Devil was in her; and that is the only condition under which a woman ever writes anything worth reading. Generally women write like emasculated men, and are only distinguished from male authors by a greater feebleness and folly; but when they throw off the restraints of decency, and come before the public stark naked, as it were—then their books are sure to possess character and value. Can you tell me anything about this Fanny Fern? If you meet her, I wish you would let her know how much I admire her. (Letters to Ticknor, 1:78)

Speaking of impressing feminists, a decade ago I impressed a feminist scholar by my knowledge of Violet Hunt’s literary works. Hunt hung around the preRaphaelites, John Ruskin, Henry James, Joseph Conrad, probably Arnold Bennett. She coedited a literary journal with FM Ford and even co-wrote a book with him. — fyi, even though all of her workers were written prior to 1923, her most acclaimed books, Tales of the Uneasy and White Rose of Weary Leaf, still aren’t on Gutenberg.

William John Hopkins is the author of several novellas about life in a New England seaport town. About Old Harbor, NYT (via 1910 Book Review Digest) says, This is a story of a seaport town whose quiet gentlefolk revel in the atmosphere of lavender and old lace with now and then a mild remonstrance against such customs, for instance, as that of keeping the grandmother’s china well behind doors of glass. The characters include “Colonel Catherwood, making a weak pretense of attending to business in his hereditary office, with the clerk, Heywood, who has grown old and deaf, down there by the water side; Eben Joyce, come home, almost a wreck, from a long troublous experience of life; Dr. Olcott, a racy type of the old-time physician; Jack Catherwood, the hero of a pretty love story, and several others who are by no means lay figures.” (note, this novel hasn’t yet been digitalized, but you can read PDFs on archive.org and read a few story collections on the link above).

Imaginary Interviews by William Dean Howells (another discovery from proofreading the 1910 issue of Book Review Digest). ” It is a wide range of subjects upon which Mr. Howells philosophizes in this volume, but the reader will enjoy it because it is his philosophy whether the veteran author discusses vaudeville, women, New York, the luxuries of travel, dressing for a hotel dinner, a day at Bronx Park or any of the delightful assortment of things to which he treats us in these thirty-five varied chapters…”The papers are all in Mr. Howells’s inimitable style, even the substance is somewhat attenuated.” (independent).

ALSO: A vein of irony, never profound but always whimsical, coupled with a tender fancy and mellow philosophizing, ensures a wide reading for the book by those who enjoy a harmless play-acting with life and ideas.” (Nation Magazine).

I rely on neglectedbooks.com for many priceless finds although frankly most of them are still in copyright but out of print.


Flashes & Verses … Becoming Attractions. (Free!) Adrian Ernesto Cepeda (author website).

Wingback Chair by Joan Colby (Poetry). (author website). FREE!

Myth of the Eternal Return by Jerome Brooke. Got this as freebie, but only 1.29 on Amazon.


to be done


Susan Sontag. 1992 KCRW Bookworm Podcast. Talking about Volcano Lover.

Lydia Davis. 2014 KCRW Podcast. Fave writer I discovered in grad school in 1989.

Diane Williams, 2019 KCRW Podcast. I’d never heard about her before, but apparently she writes short bursts of fiction similar to Lydia Davis.

Ron Chernow’s talk at 2019 White House Correspondents’ Dinner. Chernow is a famous historian, and this was one of the wittiest and most erudite things I’d heard in a long time.

Literary Trends Spotted


Miscellaneous (Used Books, Library Titles, etc)

to do later

Review Books Received

Ten Seconds by Lucian Lupescu

Closing Thoughts

I know everyone wants to write a “serious” literary novel, but it should still be possible to do so without writing about Nazis or child abuse or a parent dying of Alzheimer’s, or a child who was kidnapped or a character who cheats on his or her spouse or a virtual universe that bears a resemblance to a creepy videogame. Enough with interplanetary migration or time travel anything! (And I’ll say nothing of thrillers, or medical mysteries or love stories between American and Europeans, or Asian immigrants to USA). I mentioned in my book review guidelines that as a rule I never like books where the US president is a character or where someone has amnesia. Another pet peeve is novels where the first chapter is in all italics – and refers to some flashback event where one detail turns out to have some significance.

I guess every plot variation or narrative technique has to potential to turn into a cliche, and sometimes — gosh darnit — you just have to have a Nazi.

I’ve seen several great books that have used one or more of these tropes. But I’ve seen 10x that number that are utterly forgettable. It’s not impossible to write great stories. I just wish that authors would stop confusing “serious literature” with “stories full of social and psychological traumas.” I mean, sure, Shakespeare, Poe, etc.. Literature has to be fun, quirky and occasionally terrifying.

Personville Press Giveaways and Deals

I run Personville Press, a small literary book press where all the ebooks cost less than $4. [Update: Oh, what the heck, I updated all the prices to be below $1.50 Enjoy!]You can buy these titles at the main ebook stores (Amazon, Kobo, BN, Apple, etc.), but the same titles usually sell on Smashwords for half the price that you see them on Amazon. Pay attention to any 100% coupon codes which I occasionally list below — they can be redeemed only a small number of times, so first come, first serve. Smashwords only sells epub versions of these titles, but you can easily convert them to Amazon’s mobi format by using Kindle Previewer or Calibre.

  • A Worker’s Writebook by Jack Matthews . $1.00 Matthews distributed a photocopied version of this writing guide to his Ohio U. creative writing students over the decades.
  • Interview with the Sphinx. By Jack Matthews.  ($1.10 until 5/18/2019). no coupon code required) Hyperintellectual Tom Stoppard-like play which reads like a novel about a strange interview  with the ancient Sphinx character. Freud and Florence Nightingale show up too.   I loved this play and even produced an audio version of it (3.99 on cdbabyand itunes), but the script  reads well too.
  • Soldier Boys: Tales of the Civil War by Jack Matthews. $1.00 Philosophical Stories Taking place during the US Civil War.  (FREE coupon — use code: KD45Y.  maximum: 2 uses).   
  • Abruptions: 3 Minute Stories to Awaken the Mind by Jack Matthews. Flash Fiction. $1.00  (FREE coupon — use code: LQ42XK.  maximum: 2 uses). 
  • Hanger Stout, Awake (50th Anniversary Edition). by Jack Matthews. Coming of age novel. $1.00
  • Three Times Time Story Sampler by Jack Matthews (Always Free!) US Amazon customers can sometimes get it for free, but to make things easier, you can down these files directly without having to register: EpubMobi.


Ok, the journey back..

I’ve been busy with various things over the weeks. Last week I attended the destination wedding of my sister Maureen in Cabo San Lucas in Mexico. Fun, but exhausting!

It’s always a challenge trying to decide the reading material to bring on the trip. Eventually I settled on an early novel by Jack Matthews which I had still not read. It looked fast and easy to read. I also bought at the library a special issue devoted to Kurt Cobain and Nirvana. Of course, I also had my Samsung tablet. While waiting at airports and inside airplanes, I ended up doing a LOT of reading… I finished the Rolling Stone mag en route to Mexico and read several books about Confucius (more later).

I brought Pictures of the Journey Back to the hotel swimming pool, which was the perfect setting. The novel was a fast read with many short characters and lots of dramatic incident. It was also very funny. Then it hit me — this was the perfect book to bring on a journey — and the journey back…


Like my Robert’s Roundup series, I want to write a regular series about cool book reviews I’ve been finding. On occasion I will post my own reviews, but most of the column will be be links to reviews by other people.

Amazon has another Kindle Unlimited 2 month trial offer. From now on Kindle titles won’t receive hyperlinks, but I’ll include website links for authors/reviewers. FYI: “KU” will indicate Kindle Unlimited ebook.

View the Raves & Reviews series || View Robert’s Roundups || Read background for Raves & Reviews ||

View Next Raves & Reviews


“The only proper way to read the fiction of Kathryn Davis is in a state of happy, profound, and irreducible uncertainty. Here is the place where the membrane between the mundane and the mystical becomes so thin as to be transparent. No answers will be supplied, and the metaphors will bend your imagination to its breaking point.” (Laura Miller (Twitter) on the fiction of Kathryn Davis. (author website). Specifically she recommends starting out with Thin Place which she read with “baffled wonder”. (Aside, it’s always a delight to come across Miller’s columns on Salon, Slate, etc.).

About Susan Choi‘s novel Trust Exercise, Laura Miller writes, Each of the novel’s three parts (the third is a relatively short coda) concerns a woman who feels betrayed, her trust violated—but the locus of that betrayal, the truly guilty party, looks different to the reader than it does to the women themselves. The first time around, though, how can the reader know any better? Like the unanalyzed souls Karen pities for their lack of self-knowledge, the reader of Sarah’s “novel” is blind. What choice is there but to fall into her version of what happened? And what choice can there be, once we’ve heard another, if equally blinkered, version, than to recognize just how easily trust can be misplaced or abused—often right under our noses, and with nobody any the wiser? [FUN FACT: Susan Choi grew up in Houston, and according to Miller, attended HSPVA]

Lord, I can never keep up with M.L. Orthofer‘s blog or book reviews, but I’ll be quoting a number of the reviews — with the caveat that I prefer to cover US -born authors. Still it’s nice browsing through the index. It’s nice seeing his reviews of prize-winners and books with erotic themes. Oh, so much!

I’m happy to discover the great book review section of Cleaver Magazine. I’ll be digging through their archives over the weeks.

YOU’LL ENJOY IT WHEN YOU GET THERE The Stories of Elizabeth Taylor: (review by Claire Rudy Foster). QUOTE:  In the States, where “sympathetic” characters are considered evocative and powerful, where we’re taught to see ourselves in every paragraph and written across every landscape, this type of description will not do. And yet, Taylor’s fiction pushes us beyond the boundaries of ourselves; if anything, she’s doing the reader a favor. Without the distraction of the ego, the chronic me me me that American fiction encourages through its unrelenting “relatability,” the story is stripped bare. It’s telling that, in most of these stories, the main characters hide under awnings and umbrellas, holding a book—not to read, but as a barrier. A means of escape.

From Foster, here’s a nice piece about why kinky writing is also tight writing: Short-short fiction is not about being clever. It is about the essential parts of story. The bones. The steel rods and rings. The skin that goes white with tension. Tolerating that kind of discomfort takes practice, yes, but it is exhilarating. It is a pleasure. The closer I draw the words around me, the more I feel my power. I feel everything until I am numb. Then, I can squeeze my way into the story. It makes a shape that is tight, and smooth, and takes your breath away. (Wow, apparently rumpus.net has a semi-regular column, (K)ink: Writing While Deviant — i.e., ” a series about how looking at the world through the lens of an alternative sexual orientation influences the modes and strategies with which one approaches one’s creative work. “

TYPEWRITERS, BOMBS, JELLYFISH: ESSAYS by Tom McCarthy (reviewed by William Morris) This collection itself is “a complex, spring-like structure” filled with literary and cultural references that recur throughout, often becoming “embedded one within the other.” How else to explain McCarthy’s transitions between Thomas Pynchon and MC Hammer, Don DeLillo and Zinedine Zidane? And stretched throughout the book, an almost constant stream of Mallarmé. There are essays on the weather in London, Kafka’s letters, David Lynch, and J.G. Ballard, making Typewriters, Bombs, Jellyfish an unceasingly eclectic collection. (Morris also recommends the McCarthy novel Satin Island). QUOTE: For writers in the nouveau roman style, and for McCarthy, reality is the collision of the will and the world. Toussaint’s heroes enact their will through refusal. They reject the tedium of inauthentic daily life. “The only escape route,” McCarthy writes, “from this [present moment], from its simultaneity, its loops and repetitions, would be violence.” The “irremediably inauthentic” must be punctured with violence to escape life’s ennui.

TRYSTING by Emmanuelle Pagano (reviewed by Rachel Taube).
Though they lose some nuances of expression and must forfeit some of the clarity of the French, Higgins and Lewis successfully reimagine the poetry and intensity of the original…. At the same time, because each piece is in the first person, the narrators begin to blur together from one story to the next. The female point of view in one story bleeds into the next. The narrator’s gender is rarely clear, so that we don’t know if the relationships are heterosexual or homosexual or meant to represent something else. This effect seems intentional, and as I got farther into the book, I began to see it as an exercise in exploring queerness. We can’t identify a gender, and it doesn’t matter. Interestingly, though, this doesn’t quite align with the reading of the book in its original French. In French, gender is more visible in the language.

TROMPE L’OEIL by Nancy Reisman (reviewed by Michelle Fost) Reisman can sound like Virginia Woolf, but her experimentation also places her in the company of contemporary film directors like Terence Malick and Richard Linklater. If she has written a love letter to cinema, it’s not a traditional or straightforward letter. I don’t think anyone in the Murphy family ever so much as steps a foot in a movie theater in the many decades that we follow them. We hear about great painters, but no filmmakers, no directors, no actors. Instead, we can understand the Murphy family itself as a stand-in for a film being made. Moments accumulate to form their story, and we read of these moments sequentially.

White Dancing Elephants. Stories by Chaya Bhuvaneswar. (Reviewed by K.C. Mead-Brewer). Gods, myths, stories within stories—Bhuvaneswar’s quiet, magical real style reveals a beauty that is constant and unflinching, found even in the face of D/death. Throughout this collection, her fascination with Indian myths and poetic traditions is folded into the everyday lives of her characters. In many ways, these stories almost read like modern-day fairytales—timely and timeless, magical even as they haunt. See also the reviews of an Alfred Doblin story collection and Baboon by Naja Marie Aidt. ( In Aidt’s writing, we’re made to see the ugliness in love and the beauty in monsters. We’re called to empathize with those we would rather discard and deny. We’re called to openness and curiosity. Don’t look away, she seems to say. Don’t look away, this is important. This is where it gets good).

Nonfiction/Special Interest

Texas Stuff

” Washington’s subtle, dynamic and flexible stories play out across the city’s sprawling and multiethnic neighborhoods. His characters move through streets named so often — Richmond and Waugh, Rusk and Fairview — that they come to have talismanic power, like the street names in Springsteen songs. ” Dwight Garner reviews Bryan Washington’s Lot (author site) Washington is a Houston author, and by the way, I know all of these neighborhoods very well. Here’s an interview on Lone Star. Asked to name his fave short story writers, he said, “Nafissa Thompson-Spires, Victor Lodato, Xuan Juliana Wang, Jamel Brinkley, Yukiko Motoya, Osama Alomar, Amelia Gray, ZZ Packer, Sandra Cisneros, Alejandro Zambra, Ha Jin, and Patricia Engel are doing work that I admire deeply. ” (A nice bunch of unfamiliar names!)

Public Domain

Book Review Digests. For the past two years I have been volunteering to proof various annual editions of Book Review Digest for Project Gutenberg. These volumes are incredible. As I write this post, only two volumes have been released. I can promise you there are about 15 more volumes still being worked on (I’ve worked on about half of them). It conveys firsthand what kinds of books were being released and talked about. Most of the “reviews” are 1-4 sentences long, but good enough to get a sense of whether a book is worth reading. It’s also clear that book reviewing standards in the 1900s and 1910s were very high (I even recognized some of the reviewer’s names. One was F.M. Ford!) To my astonishment, about half of the literary books have bio pages on wikipedia or elsewhere, but a surprising number of books reviewed from that time period have never been digitalized. For example, because PG already has 89 ebooks by Henry James, you’d assume that it’s pretty complete. Yet one of the Book Review Digests revealed two other works by James which still haven’t been digitalized (travel books, I think). Here for example is every page of the 1917 edition on a single HTML page (long!) I would guess 80-90% of these books haven’t been digitalized except in image form. For this edition, links to PG ebooks were included, making it even more useful. Some day, these reviews will be parsed and appear on the download page and reveal more masterpieces. The good news is that the 1921 edition is currently being processed by PG and that it’s only a matter of time before it gets to the 1923 scans. From now on, when I stumble upon an interesting review which has been digitalized, I’ll mention it on this section of the reviews.

Eddy: A novel of To-day . By Clarence Louis Cullen (bio) . Tells of the regeneration of an immoral woman by a strong, loyal-hearted daughter who after finishing school goes to live in her mother’s home. “In spite of vagaries of diction Mr. Cullen has written a really good novel. It scores a triumph in that, despite its subject, it leaves a clean and wholesome impression.” + – N. Y. Times. 15: 213. Ap. 16, ’10. 300w.

Cavanagh–forest ranger; a romance of the mountain west by Hamlin Garland. This story, one of the best things Mr. Garland has ever done, portrays the passing of the old west–the west of the miner, the cattle man, the wolf and the eagle–and the establishment of the dominion which compels the ranger to transfer his allegiance to Uncle Sam and his conservation policies. The old order is symbolized by a coarse, slovenly, boarding-house keeper in a “little fly-bit cow town,” under whose uncouth, even repulsive exterior can often be detected a strain of fairness and honesty; and the new dominion finds its parallel in the woman’s daughter, who, after ten years of training in the east, returns to her mother, and, obnoxious as the process is, puts filth and dirt to route and institutes a cleanly régime. In Cavanagh, the hero, we find a faithful portrayal of the fight which the strong young men of the Forest service are called upon to put up against rangers opposed to law and innovations. It is an interesting story, but with a certain vitality, much realistic detail, and often beauty of line and color.” Margaret Sherwood. The Atlantic, 1910., (Garland later won the Pulitzer Prize for his memoir, Daughter of the Middle Border).

Ashton Hilliers Master-girl: a romance. (1910) Aha, it’s a pseudonym for British zoologist Henry Marriage Wallis.A story of prehistoric times with a young savage for a hero who fares forth to appropriate a wife from a neighboring tribe and is generously blessed by the gods of his Sun-*men race. The master girl his wife, “stands a primitive human document,” a heroic specimen of cave woman thru whose elemental passions gleams something of the fine unselfishness and loyalty of her later generations. The author draws vivid pictures of the fight these people made for existence against the ravages of beasts, enemies and cold.The story furnishes an argument in favor of woman’s rights, and its archeology is unimpeachable.” A. L. A. Bkl. 7: 36. S. ’10.

“It is an entertaining tale, written with a good deal of imaginative power, and held in its descriptions fairly close to the accepted scientific accounts of the way in which the cave men are supposed to have lived.” N. Y. Times. 15: 247. Ap. 30, ’10. 210w.

A Public Domain Mystery

To my astonishment, I discovered a 1910 praised novel, Odd Man by a certain Arnold Holcombe, for which there is practically no information! (and no scans!)

A story of the petty persecutions and insolence which some villagers heap upon a peculiar, hermit-like man who dwells in their midst. “The odd man is a village recluse, half gipsy, half student–a carpenter when he chooses to work–who lives alone in a ramshackle cottage on a patch of land much coveted by speculators when the village becomes a rising suburb.” (Sat. R.)

“The author’s chief fault is that he overaccentuates. The book has unusual originality, its thoughts are clearly put, and it is worth reading. If it has fallen short of its intention, it is, nevertheless, a well-constructed bit of fiction.”- N. Y. Times. 14: 806. D. 18. ’09. 200w.

This certainly sounds worth investigating. A clue is found on an Italian book page which lists Holcombe as a pseudonym for Arnold Golsworthy (1865-1939). Here’s a long description of this author but note that this is a rare books site. Apparently he came from a London literary background, published a few mysteries and did a lot of random things. Hathiway Trust has a few things and Google Books has 2 things.

General Literary Essays

My dirty secret is that Arnold Bennett’s Old Wives’ Tale is one of the favorite novels — and one of the first I ever read on an ebook reader. Later, I read the Riceyman Steps (also good, but not great) and How to Live on 24 Hours a Day . I was delighted to discover an essay by one of my favorite essayists Wendy Lesser has written about Bennett’s Old Wives’ Tale (in response to Virginia Woolf’s castigating essay about his fiction).
Yet Woolf is absolutely wrong about the nature of the excess information. The part of the book that is about rents and houses is all fascinating, as are the parts about stenography (a fledgling career for young women), newspaper advertising, the travails of lodging-house management, and the general ugliness of life in the industrial Five Towns, the famous Staffordshire Potteries where Bennett set so many of his novels. Occasionally in ”Hilda Lessways” and much more often in ”Clayhanger,” Arnold Bennett writes marvelously on the stuff of life. He makes you understand what it must have been like to sit at a Victorian deathbed, to give in to an autocratic father, to work in a print shop, to belong to a local political club and to live out one’s time in a smoky little provincial town, longing all the while for a cleaner, larger, more satisfying existence. When he’s in top form, Bennett manages to suggest how all these material things help to mold, defeat or in some cases enrich the individual soul or spirit — what Woolf, I imagine, would call character.

(Lesser runs the great Threepenny Review but also been blogging about the nonliterary arts. I’ve loved two books by her: Why I read and Nothing Remains the Same: Rereading and Remembering (which I got discounted on ebook).

Simon Heffer wrote a similar pro-Bennett/anti-Woolf essay.

Christian Lorentzen’s Like This or Die, a long thing .

In some ways, mainstream book coverage is coming down from its historically lofty perch to join the rest of arts coverage, catering less to the intelligentsia and more to the casual reader, who may not be interested in literary fiction or nonfiction. With so much to watch and read and listen to—and so many people chiming in on what to watch and read and listen to—it’s no surprise readers are hungering for a trusted source who can point them in the direction of books tailored to their interests. And those same readers may be looking for the kind of full-court, blogosphere press typically reserved for watercooler shows like Sharp Objects and meme machines like A Star Is Born.

Here a consumerist vision of reading is presented as a form of anti-­elitism. The quaint use of “intelligentsia” suggests a suspect class of self-regarding intellectuals with an echo of Cold War red-baiting. And then a fantastic fictional character: the casual reader who disdains literary books but is eager for, say, the New York Times to tell her which nonliterary books to read when she isn’t busy watching HBO or listening to podcasts. And what does “full-court, blogosphere press” describe but hastily written, barely edited, cheap, and utterly disposable online jetsam? Such is the nature of the new “books coverage.” I was aware of the trend. Two months before Eichner’s story ran, my contract to review books at New York magazine was dropped. I had been told that although its books coverage would be expanding, what I did—book reviews—had “little value.”

Liking Books is Not a Personality. by Hannah MacGregor. Ouch, this is a good long historical look at how book collecting has changed, but ultimately, I don’t like the essay because it doesn’t recommend any books!

I just wanted to rave about the Novel: A Survival Skill (The Literary Agenda) by Tim Parks. (author website).

Our Personal Libraries: A symposium. by Richard Brookhiser. Kind of a puff piece even for National Review, but at least it mentions titles.

Where to Begin by Michael Overa. (an author talks about first lines).

Ron Rosenbaum wrote a compelling historical piece about the travails of the Munich Post during Hitler’s rise. Hitler’s clownish behavior threw his enemies offguard, and how lying became “normalized.”

Hitler’s method was to lie until he got what he wanted, by which point it was too late. At first, he pledged no territorial demands. Then he quietly rolled his tanks into the Rhineland. He had no designs on Czechoslovakia — just the Sudetenland, because so many of its German-born citizens were begging him to help shelter them from persecution. But soon came the absorption of the rest of Czechoslovakia. After Czechoslovakia, he’d be satisfied. Europe could return to normal. Lie! There is, of course, no comparison with Trump in terms of scale. His biggest policy decisions so far have been to name reprehensible figures to various cabinet posts and to enact dreadful executive orders. But this, too, is a form of destruction. While marchers and the courts have put up a fight after the Muslim ban, each new act, each new lie, accepted by default, seems less outrageous. Let’s call it what it is: defining mendacity down.

Rosenbaum has written Explaining Hitler and more interestingly, the Shakespeare Wars. Wow, I just realized that I’ve already read several of his New Yorker pieces and his piece about ditching grad school to become a literary journalist.

Dan Green published a 80+ page PDF about experimental fiction. He has several ebook compilations of his essays. I used to read his blogs a while back. I’ll be catching up on his older book reviews, and I’ll do a quick review of some of his literary criticism on Amazon. (most is available under KU).

As it happens, Green wrote a long book review essay about Jonathan Baumbach who died recently (NYT obituary). About Baumbach’s most lauded work, Green writes, “ Finally the truest subject of Chez Charlotte and Emily is the marriage of Joshua and Genevieve, but unlike Baumbach’s other, later examinations of marital discord and romantic incompetence, this novel is able to realize the subject with the kind of formal ingenuity that fully confirms Baumbach’s reputation as an experimental writer whose efforts contributed to an enlargement of the conceptual possibilities available to adventurous writers. “ About his 2004 novel B, Green writes, “B is the Baumbach protagonist most transparently a stand-in for the author, so we should of course respect the metafictional distance B’s lowering of the “metaphorical disguise” paradoxically imposes, but B is finally such a familiar figure in Baumbach’s work, resembling so many of the other apparent surrogates in behavior and attitude, while the circumstances and events recounted in B so often echo the particulars found across Baumbach’s fiction, that the self-reflexive references to the protagonist’s vocation become more the essentially realistic details underpinning a work that itself never strays too far from its own kind of episodic realism. [Dzanc Books is selling some of Baumbach’s works as ebooks, Amazingly, there’s been almost no reader reviews on Amazon.com, which just goes to show you….]


Here’s my 2007 interview with Texas novelist Robert Flynn. All this information is at archive.org, but here’s a complete description:

0:00 Introduction
1:12 Current projects
2:55 Writing Habits
4:33 Writing For Practice?
6:10 Writing nonfiction vs. Fiction
7:18 Hardest Book To Write? Easiest?
8:30 Tie Fast Country: TV & Getting Inspiration From Rural Life
12:10 Rereading Old stuff
13:00 Thoughts on Audio Books
16:00 Is it harder to write as you get older?
16:40 Thoughts about genre & collaboration working with editors
21:44 Writer and Family Life
23:15 Reactions to “Wanderer Springs”
23:40 Is it important that fiction be accessible to an audience?
26:50 Books that Influenced Me while growing up. Small town libraries
28:00 Developing as a young writer. Father’s influence.
31:20 Characteristics of Texas writing and writers
33:45 Traveling and seeing the world
34:20 Thoughts about teaching students and how it changed my writing
35:20 Principles/Secrets of Writing
36:10 Tips for New Writers
37:30 Identifying with my characters; small town stories
40:00 Writers that Influence Me

Robert Flynn is a Texas author born in Chillicothe, Texas in 1932. In his novels he writes about Texas traditions and myths, the clash between rural and city life, God and Christianity in a forlorn (and often violent) world. With his first book “North to Yesterday” he tackled the legends of the Texas cowboy and in his later works (Jade & Jade the Law, both set in early Texas) he continues writing in the Western genre, but with an eye towards understanding the nature of violence, justice, redemption and reconciliation. Robert Flynn is the author of 17 books, including Jade: Outlaw, The Last Klick, and North to Yesterday, and a two-part documentary for ABC-TV as well as a fellow at the Texas Institute of Letters. He is the recipient of a Lon Tinkle Lifetime Achievement Award, two Spur Awards from Western Writers of America, and two Wrangler Awards from the National Cowboy Hall of Fame. He lives in San Antonio, Texas.

QUOTE: “You can read any book on writing fiction for example, and they will tell you the same thing. Someone may say it in a different way that gives you better insight, but there are no secrets in writing; it’s just a matter of doing it.”

Wikipedia page and author website


At college I took creative writing classes with Flynn. In the classroom he seemed laid back and didn’t analyze stories too deeply; on the other hand, he had an intuitive sense of what a story wanted to do. After graduating from Trinity, I participated in fiction workshops with 3 seasoned authors (John Barth, J.M. Coetzee and Stephen Dixon) at graduate school. Don’t get me wrong, it was a thrill to work with accomplished authors (and read their fiction). On the other hand, I have ended up reading several works by Flynn for various reasons (possibly out of personal loyalty more than anything else). I have come to appreciate the understated artistry of his stories and his embrace of the Western genre which almost grates at my postmodern sensibility. (I reviewed one of his works for a college literary magazine and reviewed two other titles: Tie-Fast Country and Jade: The Outlaw).

Reading these works made me realize that Flynn was a lot more contemporary and politically engaged than I’d imagined. To my surprise I learned that Flynn wrote a lot of political stuff (mainly nonfiction) on Facebook and his blog.

Flynn belongs to the same generation as my other literary idol Jack Matthews. There are parallels. Both had slight successes in the national publishing world, but continued to churn out quality fiction for decades while teaching at universities and remaining “best kept literary secrets” in their respective regions. I must confess feeling envy that the two of them found career paths in academia; (these opportunities seemed to have disappeared after I graduated). On the other hand, my generation did pretty well during the Internet boom and New Media; plus we had access to blogs and self-publishing, so I guess it all evens out (sort of).

Both fiction writers transcend place in their fiction; on the other hand, both seemed to embrace provincialism and find inspiration in the past. Also, there is something to be said for longevity in the writing world. I’ve seen many remarkable writers write one or two great things and then disappear from the book world. It’s as though they were disappointed by the lack of attention and praise, and just decided not to do it anymore. Just writing one great thing (regardless of commercial success) is a major accomplishment. But if you can sustain a lifelong commitment to storytelling, that also is a remarkable thing. Often it means experimenting with different genres and characters and themes. Even if everything isn’t original or transcendentally beautiful, at least you can say that you have covered a lot of ground.

I had fun interviewing Mr. Flynn (he’s an old friend). I also had fun recording some audio interviews with Jack Matthews (and links to the published videos will appear soon). I’ve heard a lot of literary interviews in my life, so I have high standards. Although the final product is great, I realize that I was a lousy interviewer. I wanted to think of challenging and profound questions of art and craft. But even the most brilliant of people can’t think of brilliant answers on the spot, and even if they do, it’s punctuated by umms and ahhs. (I removed them all for this interview, you’re welcome). Also, I realized that I forgot to ask a lot of obvious questions. Like:

  1. Tell me about your first book (and second). etc.
  2. If you remember, tell me about how you wrote book 1, book 2, etc. What was the hardest part? What are you most proud of?
  3. Why did you write Book 1, Book 2? Was anything going on in your life?

If you get a degree in literature, you learn that these biographical questions are not supposed to be that interesting or important. On the other hand, if you have the writer in front of a microphone, why not ask these questions? The worst that can happen is that they refuse to answer!

Through careful editing I can shorten my questions and editorial asides. Frankly I really tried to steer the interview to things which mattered to me. But frankly, who cares about my opinion about how the question should be answered?

One of my most challenging interviews was also one of my best. (It was written, not audio). I interviewed my best friend — the brilliant San Antonio literary critic Michael Barrett. He was only half-motivated to participate — and only after a lot of prodding. In fact, he refused to answer a certain percent of my questions and intentionally gave boring answers sometimes. We played a game where I would ask one or two questions a day and then give a follow up question on the next day.

I asked long-winded questions on the assumption that it would give him different ways to answer. Often he responded in the opposite manner I anticipated. Keep in mind that on his movie criticism and facebook posts, he gives all sorts of witty and comprehensive answers. Eventually I figured out that while Barrett is adept at addressing aesthetic questions, it’s futile to ask them in the abstract. It’s much better to ask questions that tap into his encyclopedic knowledge of movies. Just a few weeks ago, I asked them to recommend some Irish movies, and he gave me an exhaustive annotated list. (His lists are famous — and in fact I have put them in a text file which I am not providing a hyperlink for:
https://www.personvillepress.com/private8/mike-list.txt )

Literary interviews are hard to do — although an entertaining writer can make anything interesting. The written Paris Review interviews are the gold standard of course, and I think you can say that the Bill Moyers interviews are outstanding as well — even though he usually comes to them with a political or cultural agenda (and that’s not really a bad thing). Don Swaim used to do a 5-7 minute Bookbeat interview segment for CBS Radio, but a decade ago, he released many of the full unexpurgated interviews online (they were taken offline, but direct links are still available on the right sidebar of this page). These uncensored interviews are extraordinarily fun and revealing.

I don’t keep up with literary podcasting as much as I should, but when I was following these things, the best interviewer was Michael Silverblatt of KCRW Bookworm. What an extremely high-brow interviewer! That said, I had two complaints with Bookworm: 1)Silverblatt asked unnecessarily cerebral questions and 2)he was interviewing only authors from the big publishing houses.

At one time I would find Silverblatt’s challenging questions to be interesting. But authors aren’t especially known for their critical pronouncements. You wouldn’t expect Don Swaim’s interviews with Ray Bradbury or P.D. James or James Michener to uncover profound insights about literature; on the other hand, you’d expect to have a lot of fun. Even though Silberblatt is a fascinating person and critic, I find that the conversations drift away from the author and towards Silverblatt’s verbalizing of his readerly responses.

Let me be clear. Silverblatt is a great reader and critic (and interviewer). Also, he is responding to the fact that many writers are reticent or reluctant to talk about their own works. But his critical perspective often overshadows the author’s voice even if it is what gives his podcast a personal touch. Let’s say you were an author invited on a show hosted by a feminist or Marxist critic. You would not exactly be shocked to find that the discussion is being directed in a certain way even though you might not have given a second thought about social classes or Hegelian dialectic.

On the other hand, an author is trying to speak to a variety of readers — not merely one perceptive critic. As great as it can be to face a perceptive/enthusiastic reader, an author also is trying to reach many different kinds of readers (and nonreaders!)

Audio interviews are a convenient necessity — a painless way to learn how authors sound and talk. (Perhaps it’s important; perhaps it’s not). While listening to the Flynn interview, I was struck by how soft-spoken Flynn is — even in a profession known for soft-spoken people. That is interesting information to me — and perhaps to a listener as well.

Here are some great Bookworm interviews: Otessa Moshfegh , Susan Sontag, Lydia Davis.


You might already know that my Personville Press publishes various fiction titles by Jack Matthews (1925-2013). A year before he died, I went to Ohio and interviewed him about various things. I shot some video footage as well as audio footage about his books and life as an author.

Here’s one audio slideshow I put together of excerpts where he talks about a Worker’s Writebook . I recently published a second edition of it and even included a 2019 afterward.

In the last 4 minutes, Jack Matthews reads a chapter from his ebook titled “The Pointedness of the Tale.”


I plan to produce several different slideshows/videos to accompany Jack Matthews ebooks. Some people are not into “video trailers,” but I generally enjoy hearing the author describe a book project in his own words. (I might produce a shorter version for Amazon, haven’t decided).

As my last post indicates, the ebook is now free on Smashwords: Here is that information again: A worker’s Writebook by Jack Matthews. Ebook. (More about the ebook).