Category: Audio

  • Some musical Youtube vids to knock your ears off

    Blue Man Group performs Donna Summer’s classic song, I feel Love. (The singer Venus Hum  is excellent too!) . Here is Donna Summer’s original song  and here is an amazing techno version of the song (which I consider to be the definitive version).  Apparently there are a 100+ remixes of this song on youtube. Here for example is Madonna’s live performance in Amsterdam. Here is an example of Donna Summer’s onstage orgasmic qualities in Italy.

    Other youtubes: That’s Not my Name by Ting Tings . Also, this amazing techno group called Lele. Here’s Breakfast (warning: lyrics) and Skinny Jeans. Here’s a nice amateur-style  video of Ann McCue’s I want you back .  I once heard an Ann McCue song on the radio which knocked my song off. The DJ announced that she was in town, and I saw her perform. God, she was terrific.

    Here’s a famous Bollywood song from a famous movie starring Madhuballa (she was not the singer, just the performer; yet she is more identified with the song than Lata who sang the song).

    Also, I thought I had seen and had everything by Louis Armstrong. Here is an amazing performance of Hello Dolly. It is amazing how many people in youtube comments say they expect to meet Louis Armstrong in heaven. I certainly do.  One all time fave is him and Ella singing Heaven (cheek-to-cheek).  Once in Nesebar, Bulgaria I went to a restaurant/cafe where they played nothing but Louis Armstrong songs. Surreal but still inoffensive.

    image

  • New SXSW Torrents!

    The new  Torrents are here! The new torrents are here! Download 5 gigs of free alternative music from South by Southwest music festival now. As an added bonus, the 20 gigs of older torrents are still kicking (links on the same page). This year’s torrent has about 1000 songs. I find about half of the songs listenable, with about 10% being wonderful.

    I decided to attend South by Southwest Interactive, so I’ll see people there.

  • Selena Lives…and lives and lives (Rare Concert Footage)

    One nonobvious fact about me is that I am a gigantic fan of Selena, the Tejano singer born in Corpus Christi who was killed by her fan club manager at the early age.  News of the murder came to me just days after I learned after I would go to Albania for the Peace Corps.   As luck would have it, her last concert was at the Astrodome a few weeks before that, and I had seriously considered going to the rodeo just to see Selena. (The Astrodome concert is now on DVD).  I was somewhat familiar with Selena at the time and since that time have scoured the Net for more information about her. For non-fans, the place to start is the wonderful and respectful biopic, Selena by Gregory Nava starring Jennifer Lopez. Lopez has lots of similarities in personality and appearance to Selena, and pretty much making this film launched her career (even though in the movie itself Jennifer Lopez lip-synced all the songs; the voice in the movie was Selena herself).

    One frequently overlooked fact about Selena is that her brother A.B. Quintanilla III was a great song writer and so were Pete Astudillo and Ricky Vela. Also, Chris Perez is an extraordinarily talented rock guitarist (here’s a great audio track by Chris Perez which is called For Selena).  I saw him perform solo at a Houston International Festival concert on the Latino stage. I thought he was going to lurk under the shadows of Selena fame, but he didn’t mention her name once or perform any of her songs. His music was a  fusion of Latino and hard rock.

    image

    Selena stuff. (This is pretty amazing)

    Apparently unbeknownst to me  in 2007 there was a Selena Vive concert which invited many Latino luminaries to sing versions of her songs. This concert was in Houston. If I had heard of it, I would have certainly done anything and everything to go to it. But I did not and will always regret it. (Apparently the concert was the highest rated TV event on the Spanish language history, but registered not a blip in mainstream coverage).   Both the CD and DVD contain only excerpts and incompetent ones at that. Still, after looking at the clips on Youtube, I have to conclude that most of the performances  were unremarkable and even bad. Thalia/Gloria Estefan and others just didn’t capture the songs they sang. (Perhaps this is a testament to how diverse and eclectic Selena could be that she could fuse all these styles effortlessly).  The CD is not much better, I’m afraid. Some highlights:

    • Alicia Villarreal sang an incredible cover of Si Una Vez (which compares favorably to the original Selena song).
    • Bidi bidi bom bom as performed by Alejandra Guzman had a saucy  Latin  flavor. One reviewer described the performance as though it were being sung by a stripper. i partially agree, but at least she had fun with it.
    • Here’s an oddly appropriate rap version of La Carcacha as performed by Ana Barbara. Paulino Rubio  tried to do something similar with Fotos y Recuerdos which was nothing special.
    • Kumbia Kings (starring A.B. Quintilla) does a rap/sampling version of Baile Esta Cumbia and made it great.
    • La India sings a nice version of No Debes Jugar with style and a soulful take on it. What a lovely voice! What a superstar!
    • Ana Gabriel did a mariachi version of the song Tu Solo Tu . Great singing, mediocre song.
    • Oddly enough, the signature song (and finale to the concert) Como La Flor was not included in the DVD. This moving (or sappy) tribute had on the screen the original Selena singing the song from the final  concert, while the other singers onstage and the audience sang the chorus.

    Quite apart from the Selena Vive concert, Jennifer Lopez did an extremely moving rendition of one of Selena’s last songs , I could fall in love with you.  In this video the way she closes the song is absolutely ethereal. On the surface, this song sounds banal, but the melody has a lot of interesting moments: dissonant chords, dreamy pauses, tonal contrasts, plus a moment where the tempo becomes more excited and upbeat, the moment before disillusionment when passion wells up.

  • E-rotic Europop: Mindless, Sexy and Embarrassing (and very fun!)

    I lived in Albania for 2 years during which I sat in many a bus travelling for hours from one city to another. We were at the mercy of the bus driver’s musical tastes. I remember vividly hearing La Macarena all the time (it was an incessant  banality even in Albania ).  Every bus driver on every bus seemed to play this same pirated cassette during any bus trip longer than 30 minutes. Oddly, the song after Macarena on the cassette  was this crazy tasteless techno song called Sex on the Phone. Enjoyed Macarena, hated Sex on the Phone (I also hated La Bouche’s Be My Lover too, but that is another story). The techno is absolutely monotonous, the words make no sense and in the middle of the song, this woman’s voice goes into several prolonged orgasmic moans. Imagine me inside an Albanian bus surrounded by all sorts of older Muslims (including grandmothers!)  and perhaps a livestock or two and then hearing this woman’s prolonged orgasm. It was so embarrassing.

    e-rotic Nowadays I feel nostalgic about that period of my life,  including bad techno. So I did some youtubing and found more information about the Swiss/German group that sang the song.   Apparently the group’s name is E-rotic, and they  enjoyed success for a few years as a novelty + disco dance band with sex appeal. They use these light-hearted lyrics with blatantly sexual connotations, and yet the way they are sung are so nonsensical and campy that you can’t help but enjoy the little joke. In the 21st century their songs are popping up under Dance Dance Revolution.image Apparently the lead vocal talent (who has an Abba-like quality) left the band after a few years, but the band continued to go touring, doing these wild dance performances.

    (It’s hard to figure out if these songs are NSFW. Be forewarned).

    Here’s the no-video version of the song, the cartoon is unavailable at the moment).  I showed this music video to several people and agreed it is hilariously bad and entertaining at the same time.

    Here’s an example of the lyrics from a song King Kong (the video has really cheesy and sexual graphics-).   The dirty little secret is that all the songs sound exactly the same!

    My lova lova King Kong turn me on
    I want your ringa ding dong all night long
    I need you here
    I need you there
    I need your ringa ding dong everywhere
    My lova lova lova King Kong do it right
    Oh Baby ! It’s a ping pong deep inside
    I want your ding
    I want your dong
    I want your ringa ding dong
    My King Kong
    Oh ! Come on
    Oh ! King Kong ring my gong
    (King Kong… King Kong… King Kong… King Kong…)
    Let’s go out !
    You’re my geisha queen
    You’re the best I’ve ever seen
    You’re the one and everything
    And I’m gonna ring your ding
    If you wait for me tonight
    You will be my sexy bride
    Wait’n’see it can’t be wrong
    With my dong I’ll ring your gong
    Ooooh! It will be so nice
    Baby let’s do it twice
    Get on down down on your knees
    I don’t need so guarantee
    Baby right now I want your love
    More of all that heavy stuff
    Move it up and move along
    With my ringa dinga dinga dong

    Here’s lyrics for another song, Help Me Dr. Dick which actually is pretty catchy:

    I’m doc, doc, doctor Dick
    And when you’re feeling sick
    Babe, I know a trick
    It’s sex, and it’s sex, you’ll be feelin’ alright
    Hey, let’s have sex together and forever tonight
    I’m your doc, doc, doctor doctor Dick
    And I gonna heal you with my fabulous stick
    So, undress, please, undress, but don’t
    be a sleeper
    I will touch you, I will touch you,
    d-d-d-deeper
    Chorus:
    Come on, please help me doctor Dick
    I need your love, I feel so sick
    I need a kick and you’re so big
    Oh doctor, please, deep, deep, deeper
    Help me doctor Dick
    My fever’s rising, please come quick
    I know you know a little trick
    Oh, doctor, please, deep, deep, deeper
    Come on, help me, doctor Dick
    Come on, doctor, help me quick
    d-d-d-deeper
    Come on, help me, doctor Dick
    Come on, doctor, help me quick
    d-d-d-deeper
    I’m doc, doc, doctor Dick
    Oh baby, I can heal your nervous tick
    So lay down, hey, lay down
    I will check what is wrong
    So, gather thrill technical, it moves you along
    I’m your doc, doc, doctor doctor Dick
    I can make you feel good
    And you can make me big
    And for sure, got a cure
    Cause you’re not a peeper
    I will touch you, I will touch you,
    d-d-d-deeper

    Other music videos of songs: Max Don’t have sex with your Ex, Fred Come to Bed, Fritz Love my Tits, Sex is a Thrill with a Pill. Other titles:

    * July 1994: Max Don’t Have Sex With Your Ex
    * 1995: Fred Come To Bed
    * June 1995: Sex On The Phone
    * 1995: Willy Use A Billy… Boy
    * 1996: Help Me Dr. Dick
    * April 1996: Fritz Love My Tits
    * 1996: Gimme Good Sex (Germany)
    * 1997: Thank You For The Music
    * 1997  The Winner Takes It All
    * 1997: Turn Me On
    * 1998: Baby Please Me
    * 1998: Die Geilste Single Der Welt
    * 1999: Oh Nick Please Not So Quick
    * August 26, 1999: Kiss Me
    * 1999: Mambo No. Sex
    * 2000: Gimme Gimme Gimme
    * February 14, 2000: Queen Of Light
    * 2000: Don’t Make Me Wet
    * 2001: Billy Jive (With Willy’s Wife)
    * 2001: King Kong
    * 2003: Max Don’t Have Sex With Your Ex 2003

    Apparently e-rotic broke off into another group called Sex Appeal. Here’s a song, Let me Feel Your Sex Appeal. Here’s a great song sung by Lyane Leigh, Sensuality. Wow the resemblance to Madonna in terms of style and voice and lyrics  is remarkable! (A hot song too!). (Here’s some techno/house music set to anime video here ).

    I don’t really have any analysis here, except to say that E-rotic seems to have a lot in common with Abba and the dancey disco of Village People and Spice Girls. It calls attention to the relaxed attitude Europe seems to have towards things sexual. Once in Albania I watched a crazy Italian couples gameshow where a wrong answer would cause the woman to have to discard a piece of clothing.  This was a family show on Sunday night at 7:00 PM! The Muslim family I stayed with were all watching it and laughing at it. It was slightly scandalous, yet harmless and certainly not intended to tease or arouse.  Compare to the US, where if there’s a portrayal of sex, (in a drama or reality show), there has to be some moralizing tone, and maybe a reference to some extreme fetish or sex crime.

    I haven’t followed pop music recently (certainly not the ones pimped on MTV or Disney!), but I would guess you’d find more double entendres out of a Cole Porter song than a Justin Timberlake. (Rap music is the exception–but who the heck knows what they’re saying).

    Update: Look like the Cheeky Girls have taken over the mantle of double entendre pop. See the Cheeky Song.

    Warning: It looks as though these songs are frequently removed from youtube. I’ve tried updating the URLs several times. Finally I’ve decided to let the links go bad and just let you search for the latest version of the song on youtube. (Most of the times the songs are still there, but the URL keeps changing).

    Update 2. It looks like S.E.X. Appeal has finally figured out the Internet. Here’s the Facebook page for S.E.X. Appeal and their Band Camp page (where you buy most of E-rotic songs). I have to admit,  each time I remember this group and their songs, I immediately start humming them and the annoying  techno effects. This is genuine admiration!

  • Who is Jessica Jay? Answers are here (Maybe)

    (June 2015. I realize that this blog post seems confusing, but I am leaving it as it is, to show the strange journey I took in figuring out things eventually, Just skip over to the bottom of this web page to find the results of what I found).

    Jessica Jay is a singer who sang the 1995 Europop hit Casablanca and lots of other dance songs. Most of the songs are in English and simply arranged. I also confess I have no idea who this singer is! Despite the massive amounts of information of the Net and several Youtube videos, I am no closer to finding the answer than I was a few years ago. There still is no confirmed photograph of the singer, so she could be European, Asian or an alien from outer space.

    It’s not exactly an obsession. She’s a good singer (and that song Casablanca has a special memory for me; it was the first time I ever danced all night, in 1996, when I was in Vlore, Albania). But at this point I simply feel frustrated. Why is finding information about one singer so hard? For this post, I invite other people searching on google to add information (maybe even Jessica Jay herself!).

    Here is what I know so far:

    • Most importantly, the Philipino dancer Marian Rivera made this dynamite dance video of one of her songs Chichiquita. (You should probably stop and watch/listen to it now. It’s that good) This song comes from a CD called Marian Rivera Dance Hits (note that Rivera does not sing; she merely performs dance numbers to the song).
    • According to this Amazon information, “Jessica Jay first emerged in the music scene with “Broken Hearted Woman” in 1993, which became the biggest song of 1993, selling 1 million copies alone in Thailand and more than 500,000 copies in Asia. After a 6-year break, Jessica is back with a long-awaited new album “My Heart Is Back”.
    • There are 2 myspace profile for Jessica Jays (see here and here) but I seriously doubt these people are the real Jessica Jay. They are 20 years and 22 years old and don’t have any mentions of her most famous songs.
    • Denpasar Moon is another song of Jessica Jay’s on Youtube which simply shows various beach scenes. (That actually is pretty consistent with the Europop feel of her other songs).  Update: Boy, was I wrong! Apparently this is based on an Indonesian song, Denpasar Moon (Denpasar is located in Bali, Indonesia with lots of beaches). Also, see Update #4 below.
    • Here’s a youtube karaoke version of Broken-Hearted Woman which suggests Asian distribution of this song. (Broken Hearted Song was on the same cassette as Casablanca when I found it in 1997).
    • Here’s a youtube video called Chilly Cha Cha. I cannot confirm that this song is by Jessica Jay, but it would not surprise me (especially given the context of that dance number Chichiquita).
    • The language of the commenters on youtube have mystified me. On the Chichiquita song, all the commenters are writing in Tagalog; on the Casablanca song, a lot of the commenters are writing in Albanian (!) ; on another, the commenters are writing in a non-Romance language with the Roman alphabet (Turkish?) This video shows that someone made an avatar animation of the Chilly Cha Cha song also by Philipinos.
    • The lyrics for most of her early songs like Casablanca and Broken-Hearted Woman are on the Internet everywhere (leading me to believe that the rush to identify song lyrics far outpaces the rush to learn about the singer).

    Up until two I have two working theories: First, perhaps Jessica Jay is a Philipino who sings in English (and somehow managed to make inroads in Thailand and get her song put on a Eurodance CD). Second, Jessica Jay is a woman from Spain who sang in English for marketing reasons (Perhaps she married a Phillipino man?). She retired in the late 1990s and only restarted her career a few months ago. The fact that there are no English articles about this singer tells me that her native language cannot possibly be in English and probably not a European language either. Actually, a lot of singers perform for a few years, disappear for a decade and then suddenly spring into the public eye again. (I had that happen with Texas singer Kathy McCarty a few years ago ). Who knows–maybe Jessica Jay is working under our noses  disguised as a normal person.

    Ironically, the Chichiquita song may do more to catapult Jessica Jay to fame than her previous dance songs. Come on, readers. Help me out here! I’m really looking forward to finding out the real story. Occasionally I do casual Internet detective work to locate people, and I savor the challenge. I heard the song first in 1996 and had no idea how to find the song when I wrote a former student, Ermelinda Gjika and asked her if she knew anything. She immediately knew the singer “Jessica Jay” and even mailed me a copy of a cassette to me at my new job in Ukraine. I was so grateful for her help, but I think Ermelinda didn’t know much more about the singer than the name.

    May 28 Update: One Google link identifies a “Jessica Jey” with SAIFAM music, which looks to be a CD distribution company located in Italy. It looks like they distribute lots of compilation CDs consisting of dance/dj hits. They allegedly have a popup page for “Jessica Jey”. It contains nothing but this photo. Often these kinds of cassettes/cd’s contain generic photos of pretty dancers, but let’s assume it’s correct right now.

    May  30 Update #2: Ebay Philipines auction for the latest Jessica Jay CD. Seller comments: “never available anywhere and only Singapore and the Philippines issued this album for fans to get hold of…Made in the Philippines by Universal Records.”

    June 4 Update #3: Warner Music Thailand has a page about the My Heart is Back album and for a Jessica Jay Greatest Hits album. But alas, the biography page is completely blank! Damn, you Warner Brothers!  The “Jessica Jay” is from Thailand is now the default theory (but I notice that it’s also available on Warner Brothers Singapore, so maybe the nationality isn’t important). I noticed that one of the new songs (My Chiw Chiw Thai Boy) uses a foreign phrase and the music video for Casablanca actually seems to be a tourist-promotional video for a beach resort from Thailand.

    June 4 Update #4: Another piece of the puzzle is Colin Bass (aka Sabah Habas Mustapha) who wrote the song Denpasar Moon (which Jessica Jay’s Dempasar Moon is a cover version of).  His artist site says:  The title song, “Denpasar Moon”, was covered by a singer from the Phillipines called Maribeth and her version became the biggest selling English-language record ever in Indonesia. Over 40 cover versions in different regional styles and languages followed”. Ok, let’s think. Colin Bass is an Asian/European singer who is singing in a dangdut pop music style that fuses Asian and Arabic styles. But he was born in England, traveled all throughout Eastern Europe and then produced the song in 1994 in Indonesia, then had it become an international hit sung by a Philipino singer named Maribeth. Purely by coincidence another singer from that region does a cover version of the song which happens to be a hit in the same region Colin Bass traveled extensively in. I’m not saying the paths of these two singers have crossed, but it would bolster the theory that  Jessica Jay is from Philipines/Thailand (and certainly not from Europe).

    July 4 Update. According to a person commenting, Jessica Jay is a “disco concept,” with Italo-disco star Dora Carofiglio providing the female vocals. That merits a photo, doesn’t it? Update: Simon says this photo is of the wrong person.

    Note to commenters: If you came here through a search engine, I would love to hear where you are from in the world and when you heard her songs! If you have seen her sing in person, then you will receive good karma.

    September 2, 2008. According to Simon (see below), Dora Carofiglio was the main Jessica Jay. Looking at this Novecento  video (in which Dora actually appears!), you can’t deny the similarity in voice. It’s a David Morales mix, and I feel certain he probably mixed Casablanca and the other songs. Amazingly, I can’t seem to find a photo of Dora, although she clearly appears to be singing in the Novecento video. Dora also sang under the name Valerie Dore

    Dec 15 2008/April 28, 2008. Cody points out below an update on the  SAIFAM website. Amazingly, the bio uses the word “I” several times. Unless this is a literary trick, my guess is that we are hearing Jessica/Dora actually speak. (Shudders of excitement...)

    1993 saw the release of a song called “Broken Hearted Woman” by a brand new face on the music scene named “Jessica Jay”.

    “Broken Hearted Woman” took Thailand by storm and became an overnight success. It was well accepted across the country and among the people regardless of sex, age and educational background. The song is included in a compilation album called “Broken Hearted Woman” and propelled the album to 3 million mark in sale. The sale was largely driven by this sole track. It was quite phenomenal in the international music scene, considering it happened 6 years ago when international music was not as a big market in Thailand as today.

    The success of the song was also witnessed by more than 30 local artists doing cover version of “Broken Hearted Woman” in Thai. The saying of “100 messages, 1 rhythm” came after the hype created by “Broken Hearted Woman” among the Thai artists who did the covers. Although the market was flooded by so many covers of the song, the sales figures of the parent albums did not seem to suffer at all.

    It is not unusual an upbeat tune enhanced by strong, yet powerful voice would be embraced and received a massive exposure. There is no denying that “Broken Hearted Woman” was 1993 Song Of The Year.

    But who is Jessica Jay, by the way?

    Born and raised in an upper middle class musical family in Europe, Jessica Jay was so into singing that she recorded more than 100 songs. However, she never thought that one of them would become successful somewhere in Asia. “I never thought “Broken Hearted Woman” would become a hit. At that time, I just recorded this song and went home after I was done with it”, she said.

    Afterwards, she found herself moving to Russia with her family. Once there, she adjusted herself to new surrounding and gave first priority to her study. “It took me awhile to get used to the new home. I had to forget singing for quite awhile. I still sang with my friends but recording a song was nowhere near possible. Until now”.

    Right after graduation, Jessica Jay was back in business doing what she loves and is very good at: singing. “I was so glad to be able to sing again, to be able to do what I love again after all these 6 years. And I don’t think that the absence should bring about any problem”.

    “Broken Hearted Woman” brought an interest in me. It was a shame I didn’t have chance to get to know anyone then. But looking on a positive side, I don’t think anyone would love to see a little girl sing “Broken Hearted Woman”. However, if you want to know me better, you already have.

    Jessica Jay is back this year with her full length album “Chilly Cha Cha” which will take you back to the original Cha Cha Cha music as well the dance beat of 90’s.
    This is definitely going to make you swcat, just like “Broken Hearted Woman” did before.

    The more you listen to “Chilly Cha Cha”, “You Don’t Have To Say Love Me”, “Kiss Me Another”, the more you will become certain she was born to sing and make you dance. Who knows “Chilly Cha Cha” might be covered as much as “Broken Hearted Woman” was.

    April 28, 2009. I’ve heard the song Always before (From Broken-Hearted Woman album), but I have never really HEARD it. It’s great.

    April 29, 2009. I will make this offer. If Jessica Jay/Dora Carofiglio is reading this, I would love to have the opportunity to do an interview. Contact me at idiotprogrammer AT fastmailbox.net .

    August 11, 2009. You know, it occurs to me that Dora Carofiglio must have discovered this web page by now and found it very funny.

    August 20, 2009. It looks like there is a facebook group for Jessica Jay.

    November 10, 2009. Someone claiming to be Jessica Jay commented on this post. I sent her an email and will provide updates.

    December 15, 2009. Sorry I forgot to update. I emailed the person claiming to be Jessica Jay. She was not “the Jessica Jay” but a woman who has been involved with Jessica Jay in the past. (I believe her story overall). She was involved in the Jessica Jay European  tours, but now works in Italian media.  Based on what she wrote,  I don’t think she was the person whose voice is associated with Jessica Jay songs.  I don’t think it’s accurate to say that this woman was the lead singer…if only because the music concept is supposed to deemphasize the role of a single individual and allow for different individuals to take the place of the lead singer if necessary.  I think this woman’s  correspondence did confirm this fact. In the meantime, I am still not providing a “picture” of Jessica Jay  — but if anyone knows of a good photo of Dora Carofiglio, I will use that one.

    Jan 16, 2010. Wow, major update! On the facebook group I see this message from someone who worked at SAIFAM named Sascha Alexander Busch:

    Jessica Jay featured different singers… The first album was Dora, the Second “Chilly Cha Cha” album featured an unknown Italian singer (often used by SAIFAM) and a British singer, who was also a background vocalist for “The Spice Girls” and often used by SAIFAM, as well. On her last album, they featured the unknown Spanish singer (unreleased songs from the 1998-1999) and the well-known Italian singer Melody Castellari (“Dance Little Lady Dance”, “Broken Hearted Woman 2008” and so on)… That’s the BIG secret… I worked for SAIFAM, so I know for sure 🙂

    Now for videos. Here is an early Valerie Dore song The Night (1984!) which are verysoft, moody and low-key. Be kind! It was the 80s! :

    Other Valerie Dore songs on youtube: Get Closer, Guinevere, On the Run. Wait, are you ready for this? A fan site lists about 30 different songs on youtube which Dora performed with Novocento and other bands! See Leaving Now for example. The Dora fan site also lists other names that Dora has been singing under.

    Melody Castellari songs on video. Here is an embedded radio player with Melody’s songs.  Definitely a lot rowdier than Dora, but talented.

    First, here is Dora’s photo gallery, with more galleries than you know what to do with!

    Valerie Dore, 1980s
    Valerie Dore, 1980s (before she was Jessica Jay)pre-Jessica Jay Valerie Dore, 1980s, glamor shot
    pre-Jessica Valerie Dore
    Russia concert Flyer. Who is this woman?
    Valerie Dore 2007
    Totally not Jessica Jay! (Appeared on Saifam album cover)
    Melody Castellari (after she sung as  the next Jessica Jay)

    Additional Thoughts. I am guessing that performers with Saifam/Jessica Jay must agree never to talk about their Jessica Jay singing.  Who knows what musicians must think of these arrangments? (Hopefully the money was good).  I just think those performers should know that even corporate rock bands like Jessica Jay still manage to touch people from all over the world.

    June 26, 2014: News Flash! After checking google and wikipedia,  I see that the Jessica Jay song “Casablanca” is actually a cover version of a Bertie Higgins song (here). Bertie Higgins wrote and performed slow ballads in the 1980s, and Casablanca came from his first album Just Another Day in Paradise. This actually makes sense because I thought the lyrics were too smart to be written by a non-native speaker. The original song’s style is more of a slow dream ballad with greater emphasis  on synthesizer  and lush arrangements (that sort of fade into the sunset at the end). Jessica Jay’s faster and more rhythmic  version of the same song definitely has a Euro disco feel while retaining the original tropical feel of the original song.  I have always loved that pulsating (but understated)  interlude with the synthesizer in the middle of the Jessica Jay version. I actually exchanged emails with Higgins about the song and the “Jessica Jay” controversy.

    Bertie Higgins, original writer and singer of "Casablanca"
    Bertie Higgins, original writer and singer of “Casablanca”


    June 10, 2015 update . Lately I have been listening to all the Novecento recordings and have figured a few things out.  Dora Nicolosi (who used to be  Carofiglio) sang with Novecento, but she also did some extra projects, perhaps for the fun of it, perhaps to pay the bills. She participated in  Valerie Dore as lead singer during the early days of Italo-Disco, while Monica Stucchi was the “face” of the band. Soon after the first album she left Valerie Dore entirely — leaving it entirely to Monica Stucchi to handle the singing. (It should be stressed that in these Eurodisco/synth bands, the singing was secondary to the moody synth sound). Contrast that with  Novecento which Dora participated in fully   with 3 members of the Nicolosi family  — and indeed, she married one of them.  Jessica Jay was another project she dabbled in when she wasn’t doing Novecento stuff. Novecento seemed more tranquil and jazzy, while Jessica Jay was just straight pop. I suspect that in the 80s and 90s, it was pretty common in Italy to have band concepts where singers came and went and people performed and toured who may have been different than the people who originally sang the song.  (This pitchfork article about 80s Italo-disco by Andy Beta provides the historical context). The advantage to this arrangement is that the brand was a familiar launching point for new blood; the disadvantage was that you lose your identity and perhaps were too controlled by the label. I’ve seen examples of this in the US and England. (The Pussy Cat dolls and the Sugarbabes come to mind). Lately it seems that  Nicolosi Productions probably keeps Dora and family busy enough.

    By the way, I have been listening to all the Novecento albums. I’ve been enjoying them, especially Dreamland, Necessary and Secret. The 80s stuff is typical Italo-disco, while the more recent stuff is slower, jazzier, more serene. How nice to see a group evolving over time.

  • Goth Musician Dies (and Bereaved Mother asks tough questions about health insurance)

    While reading a digg post about Nataline Sarkisyan (the girl who died after CIGNA refused to pay for a liver transplant) , I found a comment on the bottom (with 0 diggs) by Sharon Bach. The saddest thing is that she wrote it on Christmas. Gee, some Christmas.

    If the argument that someone would have died anyway is valid, we should just stop treating all patients with terminal illness and let them die. I just buried my beautiful daughter, Belinda Bach, who died as a result of the inadequacies of the health care system. Her condition only became serious when treatment became unavailable. There is no big insurance company to sue, so the lawyers won’t be interested. Belinda was not allowed to buy health insurance because of chronic health problems. She was denied care in the public sector as well. By the time she was “approved” for SSI (the only way she could “qualify” for Medi-Cal), she had already suffered liver failure due to acetaminophen poisoning, something that would not have happened had she been receiving proper care. She tried using the so-called “free” clinics, but not only was the care inadequate, but she was hounded by bill collectors for what “services” she did receive. So much for “free” clinics. Her followup care was abysmal or non-existent. The next serious episode of liver failure, the hospital dragged their heels and did not transfer her to an acute care facility in time and she developed hepatic encephalopathy. By the time she got to UCLA, it was too late. They tried desperately to save her, but she died. Why is it OK to sacrifice our most fragile citizens and at the same time provide free health care to people who have broken our immigration laws and are here illegally? If we can afford to be that magnanimous, then why can’t we extend the same humanitarianism to our own citizens? The ancient Spartans left their infirm outside the city to die. The Third Reich exterminated them in death camps along with the Jews and all the others they did not like. In this country, we just make it almost impossible for the physically frail to get adequate health care. Belinda was the daughter of Oz Bach, bass player for Spanky and Our Gang in the 60s, belindabach.com but I doubt the media will do a story on Belinda. Meanwhile the media circus over Nataline will continue. I do hope her family gets some sort of closure (if that is EVER possible with the death of a child!).

    Now perhaps the rhetoric about immigrants is a bit too strong, but her gripe is as legitimate as they come. When she asked a question in July on Youtube for the Youtube presidential debate, she asked this (2 months before her daughter died at 28):

    What would you do to assist medically disenfranchised to obtain access to maximum health care? By “medically disenfranchised”, I mean: those individuals who cannot obtain private insurance, who are unable to obtain coverage through an employer and do not currently qualify for any sort of assistance.

    Here’s a memorial site for Belinda Bach, her daughter. A strikingly pretty woman, she was also a talented musician and artist. (Alas, her tribute site only contains clips of her music; you can download complete mp3s from her Ockham’s Razor Band page on myspace). As a musician & DJ affected by various things (notably Goth styles and club life), her writings on her myspace DJ Luna C Memorial page are both turbulent and poetic and even fatalistic, struggling with a dark side.

    image It’s hard to tell if that nihilism predated her sickness; but of course, nihilism is itself a kind of pose, one of many which artists adopt over time. Her music of course is more upbeat. Here’s a live videotaped performance of a bluesy song Wayfaring Stranger . After surfing through it all, I was struck most by the “Time” song in her Photomontage Memorial video. (For what it’s worth, here’s a pretty kickass playlist she put on her DJ myspace page).

    image Art by Belinda Bach

    I am cautiously optimistic that the new election will bring small improvements to the health care system. But only one candidate seems to be raising the issue. That is John Edwards (see this relevant video clip) .

    My point is this: mass media and the blogosphere have a limited attention span and an uncanny ability to ignore important stories. Then suddenly, often quite by chance, something changes and suddenly an issue is brought to centerstage (as though the issue had never previously existed). With this information, so much is ignored, overlooked, forgotten. I see this in the arts for example. I am constantly uncovering great new fiction, great new forms of artistic expression and great new music (not to mention great new videos). Very few things receive the proper amount of recognition.

    In the meantime, the Ann Coulter appearances continue, and so do the Mitt Romney attack ads, as well as the latest mini-traumas involving Britney Spears/Paris Hilton/(insert minor celebrity’s name here).

  • Facelift for Jamendo!

    I’m intrigued by the new facelift for Jamendo. Jamendo is an amazing creative commons music sharing site, but over time I noticed annoying things about search, the player window and other small things. Unfortunately, a few months ago, jamendo totally erased my online playlists I had diligently composed. I was angry, but how long can you stay angry at such a great site?  It certainly looks better, but is it more usable?  Already, I noticed that they dropped the feature of notifying you when favorite artists have released a new album. (That really sucks!). 

    I plan on making donations to my favorite musicians in a few weeks. (Stay tuned!). Also, I’ve been trying to post music reviews about jamendo artists every week or every two weeks.  I do it on my weblog Share the Music . You’re certainly welcome to bookmark/add it to your RSS, but keep in mind I put my review headlines on the right sidebar for both my teleread posts and Share the Music posts. God, you gotta love RSS!

  • seinfeld does the talk show circuit.

    Wow, an amazing hour long interview with Jerry Seinfeld on Charlie Rose. (video should be online in a day or so). Good insights about the TV show, the nature of comedy, etc.

    I’m sure Charlie Rose has other good guests. Gunter Grass, John Updike, E.L. Doctorow. Listening to the entertaining sci fi Asimov classic Nightfall on escapepod. Great reading by Stephen Ely too. I’m falling behind on listening to podcasts because I’ve spent the last 9 months listening to Wired for books interviews. I plan to do a blogpost about it on teleread when I have time to catch my breath. (Basically there are a ton of interviews, about 50% are average, 25% stink, 15% are extraordinary interviews with great writers and 10% are not-so-famous writers who nonetheless gave great interviews.

    My god, if I see Valerie Plame on another interview show, I’m going to vomit! (She is a hottie though). I don’t want to knock PBS, but they are unimaginative about book guests they invite (the only exception perhaps is Bill Moyers).

    I’ve been some doing audio recording recently and am astonished at how hard it is; you can just talk, and then you will have natural inflections, but everything will seem rough and hurried. You can sound ok on an interview or something improvised, but you want to rewind or edit out things or repeat things more than once. Or you can really concentrate on delivery and a script that is set in stone. You can polish it more, but your voice starts to sound unnatural; it fatigues easily, and you tend to overpronounce words.

    Everything is ashamed of their own speaking voice, but while listening to my own, I see that there are things about my voice which I can change and things about my voice which I can’t. I’m finding that the things I can change are actually harder to change than one might think. I recently saw a professional actress do a reading; she blew me away with her perfect cadences and breathing. A certain part of it is god-given talent, but I also see how much work is involved in making it look effortless.

  • Notice my New RSS Feeds!

    People who follow this blog via the RSS feed may have noticed a paucity of posts recently.

    There are two reasons. First, I had hardware problems which are fortunately behind me. Second, I’ve figured out a way to separate my content into several weblogs. If you are at my main webpage, you will see widgets on the right containing feeds from my other weblogs. First, the RSS feed for my Teleread posts on literature and publishing. I post two semi-substantial pieces per week on that. Second, I resurrected my old Share the Music weblog (RSS Feed here). I’ve been listening to a lot of jamendo music over the past year and want to throw together some casual reviews (usually one or two paragraphs) over there. I am a fanatic about creative commons music ever since I swore off major labels in 2003. By the way I’ve included a separate page with my jamendo music playlists (which seems to be malfunctioning at the moment–hopefully a temporary thing).

    Some other things are preventing me from posting regularly. First, I am currently looking for work, either fulltime work or contract gigs. I’m generally looking for technical writing/technical training gigs (here’s my resume). Second, I am helping David Rothman upgrade his Teleread site. I originally was going to upgrade it to Plone, but now it looks like the primary CMS will be Drupal instead of Plone (although I still hope to incorporate plone in parts). This will take a lot of time. Third, I am close to launching my storytelling podcast very soon.

  • Oh, Fazidah!

    If you want to hear one of my favorite songs, download the mp3 here. Here’s some information about this song. It’s a song sung during Ramadan.

    Speaking of which, I’ve been encountering some great music from jamendo and have been meaning to resurrect my Share the Music weblog. will do so soon.

  • Creativity Porn…and how to avoid it

    Scott Andrew on music business porn:

    I was talking with a co-worker yesterday about this. He’s an aspiring writer and has interest in doing voiceover work, and he suffers from the same sort of “how-to” overload. It’s easy (and strangely comforting) to spend way too much time reading articles on how to be a successful songwriter, or a bestselling novelist, or a great illustrator, or whatever.

    Worse, there’s a whole industry whose existence depends on keeping creative-yet-insecure artists (and I’ve never met one who wasn’t a little insecure) in that limbo state of reading and thinking about things they want to do, instead of actually doing them. They’re counting on you to feel just unsure enough to buy the next tape in the series. You end up mistaking a passive activity for real action. It’s like trying to become a tennis pro by reading books on tennis — forever.

    So my co-worker and I, we’re gonna write a book: “How To Stop Reading How-to Books.” Followed shortly by a series of seminars entitled “How You Too Can Write A ‘How To Stop Reading How-to Books’ Book (and Earn Millions!)”

    Gaping void extends the concept.

    It’s also easy sometimes for creative types to start doing “busy work” not because it is productive but because it provides the illusion you are actually accomplishing something. Yes, I include blogging in that category. (But I promise: After I push Publish, I’m closing my web browsers and revising my short story!)

    Funny thing about Scott Andrew. That name sounded familiar. I think I shook hands with him briefly at South by Southwest Interactive. He performed at Fray Cafe one year, and frankly, I thought his music sucked. Then he showed up at the exact same event one or two years later, and he was just the world’s most awesome singer (and ended up buying one of his CDs!) Honestly, I have no idea whether Scott had changed or whether I had. One lesson to be learned here is that you can’t judge a performer on the basis of a single performance.Scott Andrew has a demo club with mp3s from gigs and previous bands. Lots of stuff here for free!

    See also: My random thoughts on creativity.

  • Portable ogg players…where?

    Just the other day I was at the electronics store looking over the flash mp3 players. If the price was right (under $50), I might have bought something. I’m looking for something just for podcasts (My 40 gig player is already stuffed with mp3s).

    I was very happy with my iriver hard drive players from several years (before they were stolen ). Iriver not only was a decent recorder (for a portable player), it also was one of the few players at the time to support .ogg (the open source audio format). Looking over the audio players, I noticed that almost none of them supported the ogg format (with the exception of one LG device.  This seems strange to me.  My first choice would be Iriver T60 4 gigs. Not only do they support oggs, I’m sure they deliver high quality (although not necessarily at the lowest price).

    I haven’t figured out if it’s possible to have a podcast to support an mp3 feed along with an ogg feed.

  • 11% listen to podcasts

    Statistics on podcasting:

    According to new research from The Diffusion Group, 11% of adult broadband users (some 12 million US consumers) listen to podcasts at least once per month. TDG’s latest report on new media usage, Podcast Usage Profiles and Demand Forecasts thru 2012, predicts that by 2012 this number will grow to 24% of broadband users (38.5 million Americans).

    Among those that listen to podcasts at least once per month, 68% use a portable device while 49% listen to them on a PC (an interesting insight given that many define podcasting as only a portable medium);

    On average, users listen to 5.4 podcasts per month on a portable device and 4.7 on a PC;

    On average, those who subscribe to podcast services are signed up for 4.1 different feeds; and 70% of users rely on iTunes to access podcasts.

  • Zenkman’s The Hard Way

    I listen to jamendo pretty much nonstop. I just wanted to say that this psytrance electronica track, The Hard Way is just intense and incredible. It’s a 22 minute track, and it doesn’t really get started until about 6 minutes into it. Here’s information about Zenker.

    I have a profound vibes music playlist if anyone is interested.  Compilation of several hours of music, all free for download.

  • Cool Podcast & Levelator

    Here’s some cool podcasts I’ve discovered recently:

    Also, following the podcast list, I’ve learned about the Levelator , a free noise leveler tool. Great, nondestructive software tool. See also Stephen Eley’s review of the Levelator. (When I heard an interview with the person who wrote the Levelator program Bruce Sharpe , I was surprised to hear lots of level jumps up and down during the actual podcast. I couldn’t believe it. I’ve tried the levelator a little bit for one person studio recording and found no bad artefacts whatsoever.

  • Germany’s 2006 Eurovision Entry (surprise!)

    Last post contained my thoughts about this year’s Eurovision. But I randomly came across this amazing/great/bizzare video from 2006 Eurovision. Here was the song that Germany entered for the contest to represent the best of German musical culture. Well, Eurovision isn’t exactly high culture, but you know what I mean.

    I am not revealing here why I think this song is noteworthy. (It should be obvious when you click on the YouTube link). The song didn’t come close to winning (and there’s a mini-scandal about that), but it’s a good example of how Europe is getting to be more of a melting pot than the US is. (Imagine the situation were reversed and in American Idol one of the singers sang a comparable song, just imagine what would happen!).

    I also loved this song a lot. (Here’s a wikipedia page about the group).