Interesting Emusic Labels + Bandcamp or Catalog pages
Here’s an abbreviated list of emusic labels — which is hard to keep in my head. I’m using as my reference omnifoo’s comprehensive annotated list of labels. I’m just adding links to emusic and bandcamp and maybe other resources.
Gone! Audio Cave (Bc) A profusion of trios and quintets from the last few years shows promise, and I’d be happy to own most of it. MN jazz more than occasionally looks Polish in 115 at usually quite low prices. Updating in 2020 and with a few from the 1990s, one might say they’re an exceptional steal. Far better than the big jazz donors in the wine caves. I picked up Silberman Quartet in part for it being among the least jazzy.
|| Gone! Gad Records (bc) (album summaries) RJN Lots of Polish instrumental and jazz stuff — including lots of soundtracks. Great stuff, but somewhat pricey.
Gone! Serpent Records (bc) Almost 200 titles ranging from classical, jazz, folk, and Krautrock. Might be worth spending a long time exploring, as many are inexpensive. Very low-key and abstract as a whole, sometimes a little off kilter..
Gone! Metal Mind. Polish label seems to be progressive rock at least as often as it is metal, and not very loud or hard metal when it is metal. Tracks tend to be on the long side, but don’t assume what they sound like. Sample (at least some let you listen to the whole track) or get burned! 59 titles from the 1980s to 2014.
Agora S.A. (Wiki page) Polish distributor (not a label). I like Pustki and Dagadana. I think this is Polish. 25 titles ending in 2014, and there’s plenty of pop vocal nonsense and live albums to filter out. RJN: Looks like they stopped adding albums in 2014. I really love the live albums which are all called Najmniejszy Koncert Świata. UPDATE 2023: Gone!
Gone! Box Music. Another of the Polish labels that inexplicably sometimes lets you listen to whole songs for risk-free downloading. Voo Voo is interesting rock, but the rest is highly questionable. 149 titles from the late 20th century to 2015.
Gone! MyMusic Group. (Catalog on Wiki) (preview by artist on Youtube). There’s almost certainly some interesting stuff in here, but I’m not going to click through 780+ titles to find it. Mostly Polish.
Gone! Tercet. 90s technopop Polish & Eastern European music and remixes.
Romania: Electrecord (Wiki, YouTube), National record company. Featuring mostly folk singers, instrumentalists, some classical and some pop. Sound quality varies. 65 total.
Albania: Baresha. Mostly single tracks, with some compilations (Search for “Gezuar” or “Produksioni Pro Media”).
Songbird (Wiki page) RJN: sublabel of Black Hole Recordings, primarily known for its Search of Sunrise trance mixes. (All are great, especially the earlier Tiesto mixes). Great values too.
Black Hole Recordings (Wiki page) Bigger names in electronica like BT, Solarstone, Paul Oakenfold and Tiesto veering towards house and trance.
Cloud 9 Digital. (Catalog, Youtube, ) Dutch pop label with mostly eps and singles. Also a bunch of archival 90s techno eps.
Slovak Republic — Opus Records (Wiki page) 4/2023. Gone! RJN: A very odd assortment of 230 albums by Eastern Europeans over 4 decades. Probably overpriced and some albums sound cringey, but lots of great unusual stuff here! No separate Youtube page, although many albums are listed there. See also 100 Greatest Slovak albums of all time and a longer list here. (I found several interesting 70s and 80s albums here).
Portugal:
Gone! Lux Records (bc) Irreverent blues from Legendary Tiger Man, then lots of alt. rock in 38 titles from the end of the 20th century up to 2020. Occasionally in Portuguese. More than I expected stands up to scrutiny. There’s a lot of character(s) here you should introduce yourself to.
Gone! Pataca Discos (bc) YouTube. A smaller, less adventurous cousin of Potoco, perhaps? Most lyrics seem to be in English, others in Portugese, and the fare is light synth-rock on the poppy side. The bestseller Bruno Pernadas has a unique throwback to loungey 60s pop jazz with prog-rock-length songs worth hearing. Not super cheap but often under $4 for an LP, 22 titles in Feb.’22. (RJN: I enjoyed Auto Radio by Benjamin).
United Kingdom
AED. Fans of 1990s one-hit wonder Edwyn Collins and don’t want to go to their used record store can find that and a few other albums which might entice. Choose either 1989-94 or 2011-14, as there’s nothing in between among 16 titles, mostly rated. Rotifer sounds OK as bluesy garage rock.
ANMA Records (BC) Very new London label which does electronic jazz collages (as best as I can tell). 8 albums.
Bacci Brothers. (Catalog) Label with mostly compilations and EDM dance mixes. The old stuff has a lot of Italian soundtrack music, but some albums by individuals (if you can dig through the catalog). The newer stuff is trance,
Deltasonic UK (Wiki, Artists Page , RYM Listing). A fair heap of rock music, some well rated. Add “Records Ltd” or you’ll get only one result. High ratings and fair sampling led me to try Vryll Society, but I didn’t like the album after owning it. RJN: Dead 60s (British ska-reggae sounds pretty awesome)
Ditto Music. Indie distributor. If a pop listener just needed 800+ titles to sift through, I’d direct them here. Total grab bag, and obviously mostly crap, but poppy, well produced crap.
Gone! Trunk Records(bc) UK (label releases). A whole lot of vintage stuff to sort through, rockabilly and int’l combined confusingly with stuff that’d be a great find on cheap, old vinyl. 293 titles that often find themselves on the bestsellers list for big names in jazz.
Gone! Ghost Box (bc). Ambient, electronic. (Artist page and Wiki page) Early tests of this well regarded electronic label show promise, but it’s too soon for me to get on the bandwagon. Several users have expressed concerns about it leaving. I’d be sad but definitely survive. 58 titles almost all rated.
Earache Records (Artist Catalog and Wiki page) Finding this seminal metal label so recently makes me worry that I’ve missed a lot of labels in genres I don’t listen to at all. In 433 albums, I’d be surprised if nothing was worthwhile, even for me.
Enterprise Music and Distribution. Live albums by people even casual listeners who don’t care about music will know. 133 titles in Mar.’23 (RJN: Some Greatest Hits
Gone 4-2024! Lo Recordings (bandcamp) (Wiki article listing artists) Lots of good electronic stuff, especially when artists whose releases overlap mean labels that have disappeared are still available for a few albums. 168 titles
Gone! Burning Witch Records. (BC) Deadly Avenger and some highly rated electronica. Ten albums by Caribou have suddenly appeared in Aug.’20 on People Eating Fruit Records. RJN: I liked Oh Baby
Gone! Damaged Good Records. (Label Artist catalog and wiki). Gotten into Holly Golightly lately, on a friend’s suggestion. Lots of other stuff is rated for easy exploration if you want to revive the dirty rock and blues sounds of old but want something from 2020. Large selection of 214 here can add 59 more by adding “Records” to the name.
Greater London Records. Greater London Can’t place the genre here, but it looks poppy, with some EP singles. Choral music, rock, techno, drum & bass all represent what’s in London, but I doubt anything is famous even citywide. None my cup of tea. What the heck is the Greek rockabilly of Thanos Eglezis doing here, and who gave it five stars? (RJN: I just bought this Greek rockabilly album which I enjoyed, but I can’t figure it out).
Memphis Industries. (Bandcamp) List of artists. The folks responsible for Self have a real knack for production without letting anything sound overproduced. I believe some past releases were also called “Spongebath” Records and were less reliably nifty. 80 titles.
Nugene Records (catalog). Mostly blues/jazz music, with a small but distinguished catalog of artists.
New State Music (BC) (catalog) More Zero 7 than you can shake a stick at, but 176 releases must have something else worth a listen. Updating in 2019 and also featuring old stuff from The Beloved in similarly large quantity. Now 243 titles in Apr.’21, 248 in Mar.’23.
Provocateur Records (catalog) European indie jazz label started by Colin Towns which published a small number of artists (mostly in the 1990s and 2000s). Towns specializes in “orchestral jazz” with almost programmatic music that sounds more fitting for soundtrack, but the performances always are first class. Omnifoo writes, “For the name, looks tame and even cheesy world jazz. Lots highly rated among 25 titles from 1998-2013. Definitely not my style.” (RJN: This assessment is very glib. Lots of hidden gems here).
Rabblerouser Music. Mainly a label for the excellent acoustic group The Unthanks. 20 albums.
Stolen Body Records. (bandcamp) (catalog) Very promising rock label with some jazz and electronica mixed in. 109 as of Mar.’23, and must buy all the Ouzo Bazooka.
Pschent (Soundcloud) . French synth pop, house, and disco, deliberately cheesy and smarmy. Just over 50 titles ending in 2011, then add “Music” for a whopping 147 more, with many highly rated. Add Stéphanie Cadel et La Caravane for a few more. RJN: Look for the Hotel Costes EDM mixes. See also Sans Commentaire which is under Africa.
Because Music. (Bandcamp, Wiki listing) Decidedly not where I got my Beta Band cds, but if I didn’t have them, nice to know there here with Charlotte Gainsbourg and others among a whopping 357 in tota, 77 more under “Ltd.” and countless variations.
Ici d’ailleurs . ( Catalog | English Version) Wiki (Bandcamp) Massive trove of 103 French titles from the likes of Yann Tiersen and so much more, with plenty from 2019. Rock, folk, electronica, hip-hop, experimental. Chapelier Fou is my favorite electronic artist I hadn’t heard of to find in a long while. This alone could sustain me for the better part of a year. Strange to have come across this only in Jan.’20. 126 titles, 23 more with a comma after “Ici”, but don’t bother with the ones that have numbers before “Ici”
Germany:
Glitterhouse Records. (Bandcamp, Wiki, Catalog). A deep catalog, but 90 listings on emusic, half of which are singles. Mostly German bands but some Americans like blues guitarist Johnny Dowd and Jeffrey Lee Sessions project.
Gone 6-2023! LEITER Verlag GmbH & Co. KG (BC) A mighty unwieldy name for ten titles including bestselling new classical from Nils Frahm, broadwaved electronica from nonkeen, 2016-2021. I’ll be surprised if this one survives long, but it’s up to 26 titles in June’22, insulated by very high prices ($3.49 for an EP?!)…but that might mean I only buy on booster discounts that could scare the label away. (RJN:
Mole Listening Pearls. (Youtube) Quite large electronic catalog with high ratings. Accessibly poppy and upbeat. 173 titles from the turn of the century to 2019. 186 in Sept.’21, and I haven’t seen fit to buy anything yet…maybe a little too smooth in its downtempo and too broad in its pop. (RJN: Start with Ohm Square and the Rewashed compilation album of label artists).
Sonic Groove Records – (Bandcamp) Home page. Artist page. Longstanding Berlin techno/industrial label. While I’m partial to visual and physical grooves, might give theirs a listen, too. Allmusic calls it a “respectable” electronic label, and many of the 64 titles dating back to the 1990s and ending in 2017 are rated. While I have nothing against Adam X, I prefer the classic drum & bass of his cousin F.
Springstoff. (Catalog) (Youtube). 237 titles and the site’s bestseller for May’22 are here in electronic, though I’m always skeptical of deep house. Up to 2022.
Steyoyoke & Steyoyoke Black(Bandcamp ) If you can explain to me the difference in sound between the two labels, consider yourself a techno god or goddess (RJN: Lots of techno/EDM, mostly compilations).
Zyx Music. German music distributor which mainly deals with European compilations — with some odd things thrown in — classical, classic singers, audiobooks. Most compilations are 3.99 which isn’t bad. Omnifool disparagingly writes, “If a label of mostly disco thinks it can survive, it had better be Italian. Note that plain old “zyx” has 800+ titles but is disqualified from significance by the proportion of trash compilations.”
Spain:
Autoproducido. Maybe just a collection of self-produced albums from hispanohablantes, a little bit of every genre and not outstanding or terrible. On sampling, I couldn’t help thinking, “These guys could really use a producer.” Often quite expensive for no apparent reason, 361 titles abundantly from 2020. 391 in July’22 (RJN: now there are 780 releases, some as recent as 2024).
Gone 4-2024! Acuarela. (Bandcamp) (website catalog) Just over a dozen alt. rock titles, mostly short, cheap EPs, from 1993-1996 are a surprise find in Dec. ’19, but I don’t know anything about them. Carmine is polarizing, Yogur cheap but brief, others are a bit rough or intentionally sloppy. Out of the blue at some point in 2022 it blew up to 145 titles and put up the most famous (but old) indie rock on the site. eMusic is ever unpredictable this way.
Lanzadera Music. Not a label so much as a service promoting mainly Spanish indie performers to Spotify and Youtube. Mainly singles, but also lots of indie albums. Mostly pop music. Hard to tell whether it’s worth wading through the dreck to find the occasional gem.
Gone! Mushroom Pillow (also here). (Youtube) Looks like a lot of alternative Latin groups, but on listening I think they might be from Spain. Worth exploring, starting w/ highly rated hazy shoegaze of Triangulo de Amor Bizarro. Fans of 1980s rock would be well served as a whole. Many listed releases are singles not labeled as such. 146 titles from 2004-17. Put an underscore between for ten more closer to the turn of the century.
Must Producciones. 17 titles by a couple of pop chanteuses en español from 2018-20 (RJN: It shows 40+ titles, check out Edurne).
Gone! Nubenegra. (Artist Catalog & Album Catalog & Youtube). Latin world music from the 1990s to 2010 in 81 titles. Add a space for ten in rock up to 2019. Mariem Hassan’s story as one of the most prominent female vocalists in desert blues sure sounds tragic, while her music should live on. (RJN: The label website is very helpful and impressive, but the Spanish language text appears on top of each page; the English version for each album and artist are found below the Spanish text).
MusicDifusion. 156 titles in electronica, folk, and more, some highly rated with a lot from 2020. Lots more in the (a Most Wanted Music division) variations, which confusingly change genres, become French or Spanish, and other devious ploys for attention. Unclassifiable, inconsistent, and too much to browse in one sitting. Ballooned to 999 titles in Jan.’22, with several rated. 3610 in Mar.’23, so good luck to anyone else brave enough to click through and report back!
Gone! Beast DiscosArtist Catalog(Chile) Rock en espanol and probably some worthwhile stuff among 170 (now 180) titles up to 2019. Pop someone w/ taste might call “tasteful.” 244 in Jan.’22 (RJN: I really love this label!)
Carnaval Another 111 very old Latin albums mixed with a few newer ones and some that look like trashy classical compilations and not a few women showing skin.
Concepto Cero. Very small selection of tasteful pop and a nice soundtrack from Argentina, all 13 titles are from 2019. 26 in Mar.’23. Add the nine mostly singles on Leap Masters
Gone! Halcon, Limited label containing mostly 70s Norteno/Tejano music. Classic salsa and mariachi of the 1970s with contemporary examples. RJN: Rare stuff, but sadly overpriced on emusic.
Dinastia Inc. 451 Latin oldies involving acoustic guitars and crooners. Salsa and trashy-looking compilations in equal measure. In July’20 it’s ballooned to 1652 titles, 1800 by Oct.
Gone! 4/24 Faro Discos. (bandcamp, (Peru). Above average rock, pop rock, and punk en español in 41 titles up to 2020, though only a handful of artists and usually not cheap. Include five more by Mundaka on Anti-Rudo.
Hueso Records . (Brooklyn/chile) Release old albums, working with multimedia artists.
ITSrecords — Self-declared “vintage” label is split between old blues and old Latin music in 270+ titles. Some folks might be pretty excited about this.
Gone! 4/24 Jabalina. (bc) Large selection of understated Latin pop, apparently going strong for 25 years and updating in 2019. Spanish label.
Lanzallamas, Dulce y Agraz and Niño Cohete make very pleasant pop rock en español in 14 titles, up to 2019, for 99 cents. Add the two from Matilda on M Discos and two from Florencia Ruiz on Ma Discos (RJN: Looks like a music distribution and licensing service).
Gone! 4/24 Naafi (bc) Mexico. 33 electronic titles from 2017-21 only discovered in Sept.’21 in a farewell post from eMusers. Short but also inexpensive albums, quality is decidedly a cut above most electronica thanks to worldly elements.
Gone! Oveja Negra (Black Sheep). (Chile). Now defunct.
Gone! Potoco Discos Chile. Also Potoco Discos Digital and Boa Musica/Potoco Discos(Youtube) What makes this rap en español so impressive, aside from slick production and the MCs’ delivery which could be said for any number of labels, is that their backing tracks range from blues to jazz to electronica that could stand on its own as interesting music. 44 titles ending in 2018 all deserve a sampling, 11 more by adding “Digital”. Not sure if Nimodo’s four titles on Fractualismo are quite good enough to be grouped here, but there they are.
Gone! Quemasucabeza. (Wiki) (Youtube) (catalog) Chile. Are these mostly Latin artists worth burning one’s head over? Only one way to find out. Lots of actual singles, and frustratingly, unlabeled singles. 119 titles from 2010-2020. 146 in Feb.’22, plenty of new stuff but still a lack of something distinctive enough to be wishlisted. Bland, conventional pop en español. (RJN: The Wiki page spells out some of the more notable artists: Fakuta, Congelador, )
Gone! 4/24 Terrícolas Imbéciles Some big names in Latin alternative and others well worth exploring. Juana Molina turned out to be the only one I bought, though Presidente also seems OK. The rest is pretty mediocre rock. Go ahead and tack on all of Manu Chao’s stuff on Radio Bemba.
Cambodian Vintage Music Archive. (Youtube) Lots (72) of vintage recordings; I only wish that they were a little bit cheaper for the number of songs. Fidelity is not great
Gone! Wing Hang Record Trading Co. Trove of late 20th century and early 21st century Chinese titles, 118 in total, ending in 2012 but extending well into the 1970s, mostly from the 70s to the 90s. The label name sounds like it’s Cantopop, as does the album art, but the song titles have been entered in Mandarin
Gone! 4/24 KWAIOTO Other labels are pretenders. Japan. These dubstep EPs coming out of Kyoto are the real deal. Up to 2019. [[RJN: Lots of single tracks mixed in]]
Gone! Maestro Digital/Maestro Production (UZB Label) (Youtube). Russian is definitely nearby, but these pop vocalists look more like Central Asians, so I’m going to put their pop and hip-hop with the Middle East. 100+ titles up to 2019. Not the worst cheese I’ve heard. (RJN: Albums with the title “To’plam” mean that they are a compilation aka Greatest Hits. But they are not necessarily the best songs by the singers).
Gone! 2023-6 Nevo Music. (UZB) (Youtube) . RJN: Another Uzbek label, with a lot of songs in Russian. Based in Russia, I think, and the music production style seems very much in the bland techno Russian pop style.
Canada
604 Records. Catalog and Wiki page. Youtube. Nearly 200 to choose from, but I doubt the five-starredness of some of these alternative rockers and their conventional pop takes on folk, country, etc. There do seem to be more female vocalists than usual. Turn of the 21st century to 2020. Lots of variations of the name to sort through. Another reliable explorer has confirmed there’s nothing actually of interest here.
Light Organ. Wiki Page Catalog. Youtube. Large catalog of rock, folk, synth pop, etc. and on sampling the quality seems high. A few are rated, several 2019 titles. (RJN: Launched by 604 cofounder to appeal more to the college music crowd. )
Feeding Tube Recordshttps://www.emusic.com/label/705047/Feeding-Tube-Records. (Bandcamp) Feeding TubeRock/Alternative, mostly at bargain basement prices (though it is a concern that I haven’t heard of anything). Highly rated post-rock in 59 titles…62 in Mar.’23 and still lotsa great 99-cent deals.
Gone Leaving Records. (BC) DNTEL, Odd Nosdam, and presumably lots of other gems to draw attention away from Laraaji, which I find intolerable. A semi-experimental cornucopia of 181 titles.
Important Records. (Complete Discography and Website) Pauline Oliveros’ experimental accordion work lives here, and the level of experimentation only maintains from there, sure to scare away most anyone not looking for a challenge. 172 titles up to 2019, 177 in Feb’22, 185 in Mar.’23. A good place to find 49 & 99-cent value if long run times are important to you. (RJN: Boston-based label for avante-garde ambient, classical and jazz. 192 albums. ) Actually 3 labels on bandcamp: imprec , sonambient, eleh,
Righteous Babes (bc) Ani Defranco’s baby, Another label one almost has to support for its feminism, but the music has yet to blow me away or congeal into the kind of artist or sound they’re proffering. Is Ani DiFranco in charge of it? One of those I respect more than I want to hear. Drums & Tuba are interesting. 40 titles. Add everything by Lenine on Casa 9. (RJN: I love this label, but bought a few on BC).
Roaratorio. (Catalog) Avante-garde jazz/classical. Looks like some fine jazz and some surprises in experimental music, classic rock mixed in as well. Wears its admiration for Sun Ra, who makes a couple appearances, on its sleeves. Just $2.99 for full albums. 37 titles ending in 2018.
Gone! (This happens often, but they come back sometimes) Polyvinyl (bc)Interview with Polyvinl founder. RJN: Generally high quality indie alternative, but despite the huge catalog, the artists tend to resemble one another.
Ajabu! (artist list and catalog)Malmö and Berlin based independent label for music and film. lots of African and European musicans. 84 albums in 12/2025.
Sublime Frequencies (Bc) World guitars and similarly derived instruments, mainly from dry places? Inexpensive and high quality in 42 titles from 2007-18. (Based in USA)
Sans Commentaire (Home Page, Bandcamp) (Paris/Mali). Just 19 titles in African world music by a small number of artists, but they’re all bargain priced and nice quality. At least one from 2020.
Iran: Yaletown Technologies. Several albums by a few select Iranian musicians of all ages.
Etc….
All Time Favorites. 200 budget albums of world music, jazz, folk and a fair amount of classical. Given how many Russian classical recordings are here, I would think it was a Russian label, but they also have a lot of pop US recordings as well. I’ve found some excellent stuff here even though the groups and albums are both obscure and (likely) re-releases of older albums. My only complaint (superficial) is that most albums have only 10 tracks for 3.99 . Also, some excellent 0.99 cent albums — incredible!
Gone! J.D.L. Pre-WW2 European compilations. Overpriced, but definitely rare and listenable.
Bam Music — Private Library music. Multinational, but I’m seeing a lot of French musicians on it. Basically compilations of tracks which content creators (TV shows, movies, etc) can buy for commercial use. Overall top quality, but tracks are short (under 3 minutes) and not cheap.
Timeline. RJN: Vintage live recordings by extremely famous US bands. Some were in US; some were abroad. Sound quality is spotty (even by the standards of the decade) and that explains why so few of them were released in the States. Also, these artists have lots of other albums, making these particular recordings not particularly special.
Master Music. The kind of old folk you expect to find on vinyl in Goodwill & St. Vinnie’s for a quarter an album. But to avoid being too negative, it’s certainly way more famous and popular than most of what I actually do listen to. Remastered “Green Onions” by Booker T. & the MGs is of interest, at least
Masters of the Last Century: Compilation of Random US pop/jazz stars. Some interesting stars here, but overall they are not a particularly good deal for the money (usually 65-80 minutes for 6.49)
Independent (?!) Omnifoo surmises that the 10,000+ releases with this “label” were lumped together because the label field was never filled in. You can’t really sort by release date because about 95% of recent releases are singles only.
JSC-Firma-Melodiya — Obscure Russian classical label with lots of composers I’d never heard of.
One of the funniest scenes from Schitt’s Creek was Alexis’ Rose wacky audition for a musical with her “hit song.” Here’s a live performance of her hit song with another Texas singer named Kelley. Even better is a folk-acoustic duet version starring Noah Reid (who also is an actor from the show).
I have seen the fire watcher’s daughter Watching fires burn from smoke to black There’s nothing she won’t burn From Styrofoam to urns, to someone else’s ashes in a sack You can scorch the metal, you can even melt the glass You can pass the time here, fire lives into the past An all-consuming flame, that refines and new begins It’ll take your family heirlooms, But it can take your darkest sins It’s a good ol’ bedtime story, give you nightmares ’til you die And the ones that love to tell it, hide the mischief in their eyes Condemn their sons to Hades And Gehenna is full of guys, alive and well But there ain’t no hell for a fire-watchers daughter We exercise the demons of the things we used to know The gnashing of the teeth become the remnants of our homes We think we’re moving on, from materials we long To forget we ever sold our souls to own There’s a chilling absolution that we’re given from our birth A powerful delusion and a plague upon the earth But nothing scares me more Then the stranger at my door Who I fail to give shelter, time, and worth Let the good ol’ bedtime story, give you nightmares ’til you die And the ones that love to tell it, hide the mischief in their eyes Condemn their sons to Hades And Gehenna is full of guys, alive and well But there ain’t no hell for a fire-watchers daughter..
I don’t pay much attention to lyrics, but sometimes it’s fun to look up an English translation of lyrics to see what the hell the song is about. There’s an amazing Ukrainian song by a Ukrainian group Время и Стекло (Time and Glass). I looked up the lyrics online to find that the song was called Love.net (pronounced Love.nyet!)
No love dot net, no love and it is our final point The curtains are drawn and light is switched off no love dot net, I am not waiting for a call I do not believe in love, no love dot net
For Franco’s song, sometimes the song has a very specific meaning: the outstanding song Azda is simply the music to a car commercial. Another song — the moving Kinshasa Mboka Ya Makambo (Kinshasa Town of Problems) is about friends who betray him. A rough translation online:
The same friends i used to work with want hurt me because they’ve lost their medals. Please, authorities , grant them a medal so they won’t try to hurt me anymore .
(Musicians had been spreading lies about Franco’s life and career after his success). Franco’s guitar solos in both of these songs are just incredible!
Good live acoustic version of Sheryl Crow singing Love is a Good Thing. The yell isn’t as piercing, but it’s still cool and that song is just so dazzling — love that harmonica solo! Her voice is so versatile and expressive! Other Crow live versions: Gasoline/Gimme Shelter
I’ve been listening to songs from a gigantic stash of songs from the South By Southwest bit torrent — the heroic collection and distribution of 1000s of songs by musicians who perform at that Austin festival. But 2020 was an anomaly. We had the torrent, but none of the musicians showed up! I’ve been collecting all 15 years, and I generally try to rank songs on a 1-5 scale. I delete the 1s immediately, but I keep the rest. After I finish rating all the tracks, I relisten to the 3s to decide if I want to increase their rating. The reason I do this is when I create playlists, I use only 4s and 5s — sometimes only 5s!
By far the hardest part about rating everything is listening to every single rap/hip hop song. That’s not my genre admittedly, but the average rating for the rap tracks is pretty low; it is painful to listen to all 150-200 rap songs every year. Some styles (the so called “Trap rap”) is choppy and more playing on sounds than the meaning of words. Sometimes the bass is really heavy and sometimes these rappers rely too much on autotuneAlso, some songs are laced with obscenities, expressions of violence or anger. I mean, a little of that is okay — especially if there’s a social message here, but sometimes it seems gratuitous or just hammy. That said, I do identify some rap songs deserving of a 5; I end up becoming a superfan of these artists. Here’s what I’ve found so far:
Naya Ali — a wonderful Ethiopian/Canadian female rapper. Nice, complex, meaningful lyrics and some nice changes in tone — occasionally sounding mellow, funny or sorrowful. Here’s Get it Right. (Artist page and bandcamp)
Wez Atlas — aka Michael Ko. Japanese rapper who of course raps in English. Here’s Time.
Quanna‘s Says Who? (home site). Georgia-based dancer/evangelist for female-empowerment
Musical Spreadsheet
In 2014 I decided to start a simple spreadsheet of albums I liked. I created a simple Google form which allowed space for a short review. I ripped/downloaded and listened to so much music that I needed to keep track. I haven’t been super-conscientious about filling it in or even writing trenchant criticism, but so far I have 416 reviews. This is just a small fraction of music I have listened to (and even loved), but generally I’ve hit the main discoveries since that time. The simple fact is that it’s hard to keep names and albums in my head — especially for indie albums or instrumentals.
Filling out the form has been useful. It has forced me to try to assign categories to music and to look up basic information (such as when I downloaded it and reviewed it). Actually, the biggest challenge has been to describe the music in a memorable way. For a classroom exercise for English learners, I would play mysterious pieces for students and ask them to describe it metaphorically – using familiar language. I provided helpful vocabulary, but I realized at the time how hard it was to do this. For a nonmusical type who hasn’t studied music in any way, you can’t throw in musical terms (and maybe you don’t recognize what a chord progression is or even what instrument is even playing). Even lyrics can be hard to decipher or understand the meaning of (Luckily there are multiple lyric songs and lyric translation sites…not to mention Google Translate). But I’ll be honest; I don’t pay all that much attention to lyrics whose language I actually understand. While living overseas, I realized that the best thing about country music was that you actually could understand and appreciate the lyrics. That’s not nothing.
Reviewing albums is hard, and frankly I don’t see how Robert Christgau or the writers at Pitchfork do it.
Brief Reviews of my Collection
Morskaya (Nautical) by Mummiy Troll (1997): Quirky, fun and Russian rock album by a goofy singer who looks like Mick Jagger but sings strange/nonsense lyrics in a relaxed /sarcastic way like David Byrne. Mummiy Troll has survived the Russian music scene for 20+ years, but this album has staying power — esp with Utekay and Zabavy. The rock band’s arrangements keep it lively and rocking — with certain effects — like the guitar reverb for the refrain of Zabavy. This album doesn’t impress at first, but I’ve keep coming back to this 1997 album.
Laurie Anderson’s Homeland (2010): Another series of great fine poetic songs for a hybrid-avante pop album. Melodies still have occasional pop resonances (Bodies in Motion), albeit with subversive political messages (Only an expert) and Eastern spirituality. There’s a lot of stillness, long pauses, subdued violins and slow-motion chanting — with occasional gongs to mark time. Despite the vocals, the energy comes from the violins and eerie reverberations from god-knows-what. Songs are soothing, but troubled and dissonant. The only song my ears couldn’t tolerate was a slow-moving 11 minute chant-story with sound effects (and sung with a deeper voice). The songs keep returning to the decline of America and civilization(Dark Time in Revolution). Novices to Anderson’s oeuvre might find the songs plodding, but I found them intense and all-enveloping. I don’t think anyone is doing this kind of thing in the pop world (maybe Suzanne Vega or Yo Lo Tengo), but I am finding echoes of Brian Eno, Philip Glass and John Cage.
Law of the Playground by Boy Least Likely To. These upbeat lyrical songs seem lovely, deliberately insubstantial, with the simple hummable melodies you’d find on a kid’s show. Underneath that are sophisticated arrangements with banjos, electronic toots, , an emphasis on concrete images from childhood (balloon, butterflies, worm, lemonade). The vocals seem a little too airy and muttering (and possibly monotonous?). Group with Mike Viola or Eliot Smith.
Firewatcher’s Daughter by Brandi Carlile (2015). Lovely mix of upbeat country rock and lilting ballads. It’s melancholy and wistful. That pounding energy reminds one of Johnny Cash (especially STRANGER AT MY DOOR which is chilling and very poetic — also BEGINNING TO FEEL THE YEARS). The band knows how to belt out some tunes, and the singer feels country at times (Allison Moorer) and at other times more contemporary (like Sheryl Crow or Bonnie Raitt). As a song lyricist, Carlile’s talent is unsurpassed (somewhat introspective, but more cautionary and story-oriented), and all of the tracks are unadorned enough that they’d probably sound even better as live performances.
How Can We Be Silent by BarlowGirl (2007). BarlowGirl sing epic Christian progrock with soaring electric guitars and heavy metal drums. It has the full symphonic sound of a Boston or Metallica, feisty chick energy (Heart) and generally upbeat song lyrics. The vocal harmonies emphasize the power and unity of the message, and there’s enough slow lyrical parts to showcase the great singing chops of Alyssa and Lauren Barlow. Despite the limitations of Christian message music, these songs are refreshingly original, would definitely appeal to teens of all persuasions and the studio arrangements are divine. I have to wonder how these would sound in a pared down performance. Update: It needs to be said that I love almost every BarlowGirl album — but that group has long since disbanded.
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Sorry to hear that jazz great Chick Corea has passed away. Unfortunately it reminds me of the time in the early 1990s when I won free concert tickets from a radio station. After I picked up the Chick Corea tickets, I asked a girl I had recently met at a college mixer to come along. She said yes and we agreed to meet at a cafe so we could drive together to the concert. As it happens, on the evening of the concert, the girl “forgot” and wasn’t home to hear my phone message asking where the hell she was. So no Chick Corea concert for me. That night I learned a valuable dating lesson: if you are asking someone on a date to a concert, you should ALWAYS meet them at the concert venue so if the woman ends up flaking, you can still enjoy the concert! Here’s a Tiny Desk concert from 2016.
Emusic Purchases
Okay, even though I know that browsing through emusic is a pain in the neck, I’ve decided to pay for another $200 credit (costing $75) to keep downloading away. I rationalize it by saying that there are a few quality labels still there that if worse comes to worse, I can just buy out their inventory.
Journey into the Sun Within by Travellers. 5.49, 6 tracks, 52 minutes. (review) Outstanding prog-rock from the Polish Metal Mind label. Wojtek Szadkowski from Satellite formed this amazing one-time band.
Nostalgia by Satellite. 7 tracks, 57 minutes, 2.99. More from Wojtek’s original band.
Live by Alpes, 4 tracks, 20 minutes 99 cents.
Whoop Dee Do by Muffs, 6.49, 37 minutes, 12 tracks. Muffs are a great punk bad led by Kim Shattuck (who died in late 2019). Released in 2014 (after they had their moment in the sun and also after Shattuck finished her 6 month stint with the Pixies), this well-received album stays lively and silly — and yes, there’s a lot of screaming. This was their last album, but it feels as fresh as what they were pumping out in the 1990s
Why didn’t I think of doing posts about music before? I’ll try doing it once per month — see how that goes. This will be an ongoing post, which means that I’ll post it immediately and keep adding to it until the month is over. That means I’ll no longer be including them in my social media dump. At the bottom I’ll include a list of music acquisitions/purchases from Bandcamp, emusic and For completeness I’ll reproduce what I’ve already posted.
4 fave albums when I was 14: Close Encounters, Are We Not Men?, Tusk, Breakfast in America
4 ALBUM CHALLENGE (faves when I was 14 years old) I always loved Supertramp’s masterpiece Breakfast in America (and not just “Logical Song” — which contained a sampled sound from a handheld football game every boy my age played). DEVO’s Are We Not Men? was the first album to completely blow my mind in the early 1980s — dadaistic, nihilistic, stupid rock (my god, “jocko homo!”). Fleetwood Mac’s TUSK was a very IMPERFECT album by a band I already knew and loved. It had Buckingham’s rowdy rock (What makes you think you’re the one?) and Stevie Nick’s mysticism (Sara, Beautiful Child). Like WHITE ALBUM, it was stylistically all over the map — an amalgam of personal styles that sometimes worked and sometimes didn’t. Finally, CLOSE ENCOUNTERS OF THE THIRD KIND soundtrack was an amazing soundtrack I first listened to in its entirety in the 2000s — I knew the music already well, but I had never listened to it start to finish before. Strangely this John Williams soundtrack was nominated for (but did not win) the 1978 Oscar for “Best original score” — losing instead to the soundtrack of Star Wars by — you guessed it, John Williams.
Other albums high on my list: Blondie’s Parallel Lines, Billy Joel’s 52nd Street (It was no “Stranger” but still excellent), Saturday Night Fever Soundtrack (loved Yvonne Ellman and those supercool instrumentals by David Shire), Soundtrack to FM Movie (this 2 record set of pop songs was perfect — and I listened to it 1000s of times). Also, the comedy album, WILD AND CRAZY GUY by Steve Martin, which all jokesters at my age could recite verbatim. I actually started buying albums in 1977 or so; I could only afford TUSK, SATURDAY NIGHT FEVER and FM and (unfortunately) Bee Gee’s SPIRITS HAVE FLOWN and the Bee Gee’s soundtrack of Sergeant Pepper Lonely Heart’s Club Band movie (will defend it to the death!). Later in 1980-3 high school friends lent me heavy metal albums, Led Zeppelin, Blondie, Police.. **
BLONDIE LIVE! While diving into musical nostalgia, I found a great live 1979 performance of Blondie singing this milestone song Atomic. . Sound quality is not great, but you can hear her vocals very well. “Atomic” seems to be one of those songs that sounds great in the studio, but it is a challenge to sing well in a live performance — indeed, when when she tried singing it live in the 1990s and 2000s, the performance was less than adequate — and sometimes even terrible. But she absolutely nails it here.. Enjoy!
Here’s another very good live performance from 1980 (with excellent sound quality, good vocals, and some amazing embellishments by the band… **
Still catching up on fave music links. First, I highly recommend this Out of Obscurity podcast managed by two US music fans — one of whom lives in Thailand. (Here’s a subreddit devoted to it). The Thailand dweller (Julian Lee) is all over several music forums — especially emusic — and speaks Mandarin, so has a special expertise in Asian music. It’s more chatty than previewing music, and by the way, I might be a guest on this show! (see my one page blog about unusual finds on emusic, bandcamp and freegal). Hmm, now that I think of it, I should start doing posts exclusively about my music discoveries. (I’ve spent years cramming my music discoveries I may start doing that in a month or so (stay tuned).
Readers may find this hard to believe, but I’m a huge fan of country music — especially stuff that has a more folk sound. Here’s a great live performance by Leona Williams. (website) from a decade ago.
Source: 2019 IFPI Global Music Report Annual Report (PDF)
Also, according to a 2018 Citi analysis summarized by Rolling Stone, total music revenues in the USA are $43 per year, and artists take home $5 billion (i.e., 12%)
I came across Dixon randomly on the Internet and have been following this band since 2003(!). (I tracked Dixon down and had lunch with him and caught him at a Houston concert. I check in every year or few months to see what’s going on with them. Every time I do, I’m happily surprised. John has been writing compositions for movies under the name Bass Earth Sun. I would put this music in the category of Avante-pop with some Japanese mischievousness thrown in (John and his girlfriend lived in Japan for a while). You could put them in the same category as Black Moth Super Rainbow or another British Triphop group I love, Haelos.
I really should posting my Youtube playlists. I don’t belong to a streaming service anymore, so most of my playlists are on Youtube:
Latest Hot Stuff for the World — random non-US recent vids with a power pop/Dance vibe. The more insanely visual, the better! (also, lots of Eurovision songs)
KPM Music Gems — KPM was a mysterious treasure trove of “library music” (background tracks owned by labels and lent to TV, radio, film projects and porn), but generally unavailable to the public. KPM has started to be distributed on streaming music channels, so now is the time to discover these things. Generally they sound funky and jazzy, but they are divided by mood and intended use. Look for the Keith Mansfield stuff, which is incredible. BTW, if you have Freegal, they carry almost all the albums for download.
Star Band de Dakar. — I found this incredible Senegal band from the 1970s and 1980s. Ostinato Records put out an incredible compilation album called Psicodelia Afro-Cubana de Senegal, but apparently this group has released other albums (great, but not as incredible as the one I just mentioned). Every time I find a new track from this band, I include it here.
Intro to Philip Glass. I made this playlist for an immigrant friend who had never heard of this composer
Zany/offbeat Eurovision songs. I love everything about Eurovision and the music is even great too. I’ve been collecting lots of favorite songs and performances from previous years.
Big Short Soundtrack. Big Short is one of my alltime fave movies, and the music is great too.
CMJ Compilations. In the 1990s my musical tastes emerged from the complimentary CD included with issues of CMJ. Here’s #38 October 1996, #44 April 1997, #46 June 1997. All of these are great compilations.
I am writing an article (and eventually a book) on music listening habits.
For this article I prepared this survey (which should take about 8-15 minutes to complete).
As an aside, I am curious exactly how hard it will be to recruit people to fill out this survey. I plastered the URL on my other social media, but does anybody actually see these things? We will see.
Related: I did this survey on Google Forms (which is pretty slick and easy to use). Google forms works well on mobile devices and lets you break down surveys into multiple pages fairly easily. The hardest part is being able to import (and clean) the data into a statistical analysis app. I left a few optional questions in — and expect some people will start — but not finish the surveys.
I explored various alternatives for importing data. Finally I decided that even if I received 500 responses or more (unlikely), it still would be easy to manually import everything if I needed to.
I think music habits are changing profoundly and well worth studying. Some other remarks about preparing a survey:
I thought about reducing the number of questions by about a third. Ultimately, I decided to leave most of the questions in because I wanted to capture many facets of listening.
I am a novice to survey preparations, but I am an expert at wording questions and have some background in user testing. A lot involves hidden bias but also redundancy. Also, some questions seem to force you into an answer (which is bad). 5 minutes before I published the survey, I took it myself — and noticed certain choices which seem unlikely to be chosen by anyone.
I read several articles suggesting that the best way to create a survey is to ask a series of questions starting with the words “Is there a relationship between A and B?” I tried to do that. At the same time I left a few curiosity questions in because I wanted to expect the unxpected.
About this particular survey, I expect that age more than anything affects how we listen to and discover new music.
One other thing about this particular survey is that I wanted to include several open-ended questions. As tapped in as I am to the music scene, at best I really only know 3-5% of what’s out there, and frankly it helps to hear what resources which other people are using.
I am only guessing, but I imagine that a lot of surveys must uncover a strange correlation –and it exposes a matter which the survey writer never expected. In the best of all worlds, the survey writer would have the opportunity to do follow ups so the survey writer can ask two or three additional questions (which perhaps can be correlated with the respondent’s original answers).
I’m in the process of writing an ebook about music collecting. I’ll probably add some book excerpts on my blog. This URL will regularly be updated with new information, so feel free to check later.
But most people are more interested in learning about pop music by emerging artists who have risen somewhat above amateur status. These artists agree to share a lot of music even though this music is still copyrighted and isn’t creative commons. Often these free downloads are available only for a limited time, so once it stops being free, you may have no choice to purchase it. You can amass a large and wonderful collection with samplers alone (though it would be shallow).
Before I start listing things, I want to mention that most of these free sites provide links to high quality downloads. In the past, the thinking went, “we should make available low quality music samples for downloads” in the hopes that later the consumer will buy a high quality version. That strategy no longer seems to be popular, and fortunately most of the free download sites listed here are now distributing high quality audio with the correct metadata.
Festivals/Journals
South by Southwest (SXSW) Music Bit Torrent contains music tracks by bands who participated in SXSW music fest in Austin. Starting in 2005, a 5-9 gigabyte bit torrent was released each year (Total = 45 gigabytes!) These artists explicitly allowed these tracks to be downloaded from the sxsw.com, and the torrent simply assembled everything together for permanent archiving. Torrents are released in early March of each year, generally in two parts. Available: permanently. As of 2013, a lot of the music distributor sites are also featuring SXSW samplers –and often they include additional tracks not in the torrents.
CMJ Mixtape is a monthly download of 20+ songs from College Music Journal. The link says you need to “subscribe,” but that’s not true; all you need to do is to click the link and you should be able to download all the music in single zip file. CMJ is “College Music Journal,” a wonderful mag primarily for college radio stations. I subscribed to it in the 90s, and one highlight was the sampler CD which each issue contained. Samplers in the 90s were wonderfully eclectic and international; Mixtape seems a little more selective and possibly with an Eastern/urban bias. Available: one month only.
Live Jazz Lounge is a blog linking to 200+ zip files of various live jazz performances. There looks to be an average of 2-3 free releases per week, so a lot is here! These zip files are hosted on their own website, so they are likely to be available indefinitely (I think).
American Songwriter has an irregular sampler which contains more acoustic/country/folk songs by singer-songwriters. So far, once every 6 months. Available: until the next sampler is released. Because it’s infrequent, you should sign up for their mailing list to be notified about new samplers. Available: until the next sampler comes.
NPR’s Heavy Rotation surveys a lot of DJs and asks them to recommend some tracks each month. Their list of recommended downloads appears in batches of 5 or 10, at the rate of once or twice a month. Unfortunately the download link is somewhat easy to miss (it’s at the bottom of the song description), and you have to download each song individually. On the plus side, NPR is more likely to get tracks by well known artists. Available: several months, or until the artist decides to make the download private again.
Chandos/Classical Shop sends out a monthly newsletter which offers information about a free downloadable classical music album. Chandos is a UK label which publish a range of high quality recordings, including the always interesting and excellent Brilliant Classics series of low-priced recordings. Notably, these albums also include album notes. (You can buy these mp3s on amazon or emusic). Unfortunately, you need to know the newsletter URL to be able to find the download link, but they seem to stay online for about two months. (Still working downloads can be found on an older newsletter and a newer newsletter, but I would be ready for either link to go dead at any time. )
Music Retailer Sites
Many of the online music retailers sites provide a lot of free samplers for members. Most will be specific to one label and specific to that distributor.
Amazon has by far the greatest number of samplers, although the quality of them is not particularly high. It depends on the sampler and the label obviously. The top free album list is here. Unfortunately there’s no way to sort by release date, so you just have to check it often. The best thing about these samplers is that it goes directly to your Cloud Player; you can opt not to download until you have figured out which songs are worth keeping. The Tunecore samplers have been good. Here’s a search for free samplers. Look for samplers by established labels: Subpop, 4AD, Merge Records . Also, look for Tunecore samplers.and CDbaby samplers. Tunecore (like CDBaby) is for a lot of indie unsigned bands; quality varies, but these samplers are almost always interesting. Available: mostly permanent (with a few exceptions). I’ve noticed that Amazon has retired some Tunecore samplers, which I hope is not a trend.
Emusic doesn’t have as many samplers as Amazon, but the ones they have are more interesting. Often in fact, they coordinate a label’s sales with the release of a new sampler. Unfortunately it can be cumbersome and time-consuming to find these samplers. A blogpost from 2 months ago linked to their most significant samplers although it’s already out of date. Go here first to see articles about samplers which will inevitably contain links to the downloadable samplers as well. (Update: Here’s another search result for free albums but unfortunately about 40% of the albums actually cost money, so be careful!). I almost always love emusic samplers. You may have to sign up for (non-free) membership to download the samplers, but it almost always is a good deal. Even if you sign up for only 1 month at $6, you can usually find deals, plus Emusic typically gives new members a $25 credit to buy new music. (Here’s a list of my latest musical finds – which are usually priced low). Available: permanent. Note, there is also a free song of the day for members. I only started downloading these things recently, and so far it has been totally noncrappy.
Google Play has free downloads although not really free sampler albums. That of course will change as Google Play becomes a stronger distributor of music. When you first sign up for Google Play, you are allowed to download a certain number of free songs by very well known artists. When I signed up, I was able to download 800 individual preselected songs. I seem to remember that you had to download the songs individually. Google Play features freebie songs on a daily basis, but I found keeping up with this more trouble than it was worth.
Bandcamp has a number of respectable bands and lots of interesting music. Here’s a list of all their free albums by popularity and by release date. A fair number of these free albums are creative commons, so you might also be able to find them on jamendo and Free Music Archives. Some of the free albums require that you give them an email; the link for the free albums also lists “pay-what-you-want” albums, so you will inevitably have to give your credit card and make some sort of token payment.
Archiving Sites
Although I wanted this article not to be about creative commons music, (I’ve already written about that) I wanted to mention 2 special aspects of archive.org.
Live Music Archives list recordings of a lot of live shows by musicians. Many musicians have several concerts recorded here. A lot of these recordings are bootlegs; some are band-approved, but generally if it shows up here, that usually means that the band tolerates recording. Generally the landing page gives a list of the most recent uploads and staff picks. I confess, although I have listened to 2 or 3 concerts here, I have not even scratched the surface of what is here.
IUMA Archives. IUMA was one of the earliest music hosting services popular in the late 1990s and early 200s. A lot of this is hit and miss, but there are some hidden gems to be sure. Here is a list of its most downloaded and recently reviewed.
Mixing Sites
Although I’m not going to point to specific artists, Soundcloud and ReverbNation have a tremendous amount of free downloads. Soundcloud in particular has a lot of extended mixes — although now that I check my favorite artists, I see that items which I downloaded earlier are no longer available for free downloading. Like Bandcamp, even if you cannot download a track for free, you usually can stream them for free.
Freebie Tracks
I really don’t know if these music promotion sites which offer daily freebies are worth the effort. Clicking individual songs can be tedious — both on Google and Amazon. My guess is that many of these are from the bigger labels and for tracks which might be included in free albums eventually, so these freebies may not be particularly high quality. If you’re just clicking to add them to the cloud, then it’s not a problem, but how do you know whether to actually download them. Nonetheless, it’s time to start a list.
Songzini provides links to free 5-10 Amazon songs each day. It’s a good idea, but it’s tedious to do. Still, there’s a good mixture of well-known and unknown singers, so it might add up. But watch that hard drive space! Update: It’s still around, but it is really time-consuming to download individual songs — especially when a lot of them are in free albums you may be able to find on amazon’s search engine. Also, Amazon emails you a receipt for EVERY SINGLE SONG so it will clog your email with receipts — yuck!) Update 2: I have finally gotten around to listening to all the random songs I downloaded using Songzini. It is terrific! As long as you make sure that the song doesn’t come from a free album which you downloaded already, you’ll be fine. Update 3: Although the site is still up, it seems to be totally nonfunctional. Oh, well.
Quirky Music Download Blogs
By now there are quite a number of blogs which unearth lots of overlooked bands from previous years. Often the blogger will upload the digitalized content onto a file downloading site, and the site visitor can download the zip file of mp3s by clicking on a link to the third party file hosting site. These blogs are great for discovering old bands; on the other hand, 1)downloading from these places may not be exactly legal by US standards and 2)the hosting sites frequently remove content or go out of business, so the download links may stop being valid fairly quickly. The quirky download blogs generally try to share music which hasn’t yet been digitalized or that is so obscure that there’s no way people would have heard about it otherwise. A lot of these bands are simply defunct and so it’s impossible to purchase these tracks anyway. Generally those blogs will take down the download URL if the band contacts them, and so to that extent, they follow copyright law, but I think these kinds of bloggers are more interested in rediscovering and in making compilations of overlooked tracks. And the bands generally don’t seem to mind (if they still exist). Hint: a lot of these blogs don’t include the download link in the blog post itself but in the comment section, so be sure to check the first comment at least.
Willfully Obscure is probably the best example of the quirky music blog genre, with lots of commentary and background information about each new download. He emphasizes a lot of raw punk and garage bands from the 1980s, with occasional self-made compilations. I think this blogger probably rips his own CDs, and each week has about 2 or 3 downloads, plus a “mystery download” every Monday. More importantly, this blog links to a lot of other quirky music download blogs on the right column.
I hate the 90s blog features a lot of 90s music. I confess I have not really followed it, but I wanted to mention that the left column includes links to 6 different compilation zips to download.
Bloggio Odio Overplay blog features a lot of unusual content. A large number are creative commons, and Katya, the woman who runs it also curates music at FMA and runs a site collecting kid’s music. Recently she has taken an interest in classical, but she also digs up a lot of novelty music, lounge stuff and vintage European stuff.
Jan 2021 Update. This page has become unwieldy (duh!), so I’m going to write a monthly blogpost of musical finds (on youtube, emusic, bandcamp, etc). So December 2020 will be my last entry here. The rest of them are found in my Musical Discoveries January 2021 #1 post and my other Musical Discoveries posts .
Sept 2019 Update: Now that I’ve returned to emusic, the offerings still suck, but I’ve found some good leads here and here for overlooked world music. Depressingly, a lot of things I wishlisted as little as 4 months ago are now unavailable.
Mozaika (Live with Naoni Orchestra) by Onuka. Group and orchestra who did that dynamite interval act at Eurovision a few years ago. 4.99, 12 tracks, 54 minutes.
November, 2020. Sadly (I guess!) I have not yet cancelled my emusic account because I’ve been very busy, and I’ve been busy listening to a lot of music. Thanks to omnifoo’s recommendation, I’ve found lots of musical avenues to go down. On an unrelated note, I’ve found a way to double my free downloads from freegal per week. My purchase list will now include things I buy on bandcamp — which will mostly be low-cost and pay what you want stuff.
Molly Sanden. Swedish star who sang voiceover for the female lead of the Eurovision movie: Fire Saga
Ras Kimono
Los Chalchaleros
Human League. Later songs by 1980s group with one hit wonder “Don’t You Love Me. ”
Bill Snyder. Earnest jazzy piano by 1950s pianist and composer. Some standards mixed in.
Balkan Notes Vol 1. Compilation of regional pop songs — including from Albania.
September 2020. After my subscription resumed, I spent 75$ for a $200 pack, so I’ll be buying a lot of things. I’m probably going to cancel after I finish spending the balance (or maybe not), so I’ll probably keep it on one page. Frankly, omnifoo has been crate digging and identifying a lot of unknown musicians and albums which are great (Check out here, here, and here). Note: After spending my remaining credits, I will probably start buying primarily from bandcamp. It’s more artist-friendly, has better audio previews and has a ton more stuff. So let me introduce 2 acronyms — BC (Bandcamp) and NYT (Name Your Price). In many cases, the album is available both from emusic and bandcamp — but it’s cheaper on emusic. If I just mention BC, that means that the best place to find this album is on bandcamp (even if it’s also available on bandcamp).
Bulgarian Pop Hits from the Golden Age Vol 1-4), 50 minutes each, 6.49 for each volume. Some are cover versions, but many sound like folk/oldies from the 1960s and 1970s.
Low Power by H. Takahasi. 8 tracks, 3.99. Ambient.
Land Patterns by World on Higher Downs. 3.49, 8 tracks, 59 minutes.
(Bandcamp) Laguna by Adan Yeti. Great art/psychedelic pop from Uruguay. Pay what you want.
Алёна Апина (Alena Apina). Apina was an early Russian pop star from the 1990s who was outlasted everybody. She sings in a variety of styles — sometimes techno, sometimes jazzy, sometimes I bought Vol 2 of a compilation, and here is Volume 1. (6.49 . 50 tracks, 180 minutes). I was shocked and elated to discover some earlier albums such as this one on emusic).
Two albums by Pustki:Koniec Kryzysu (6.49 for 14 tracks, 53 minutes) and Safari. (4.49 for 10 tracks, 35 minutes) Great pop group with
BC, s/t by Gravitones.
Trouble by Venture Boi. 99 cents for 6 tracks, 24 minutes). Birmingham-based songwriter who makes groovy psychedelic sounds with an almost laid back feel.
Cosmos by Fitness Forever. 4.99 for 11 tracks — 38 minutes. Unbelievably sunny and jazzy electronic pop based in Spain or Italy; compare to Stereophonic, Burt Bacharach, Jobim, etc).
April 2020. As crazy as it sounds, I’ve been trying to quit this service. True, they have cool stuff, but I’m trying to cut down on fixed expenses.
One by Solarstone(29 tracks). Solarstone is mostly known for his brilliant trance mixes. This multi-album is halfway between dreamtrance and downtempo ambient.
Dip in the Ocean: Complete Recordings by Andulas Orchectra
Charanga 1980by Alfredo de la Fe & Orquestra, 99 cents, 35 minutes.
Vergers by Sarah Davachi, 3 tracks. 99 cents. young Canadian electronist artist who makes these great soundscapes — very tranquil and relaxing, with a surprising amount of aural ideas being explored.
In a Moment … Ghost Box (compilation, 31 tracks, 6.99).but this extra long album lets you sample lots of artists and see what the Ghostbox label sound is all about. Pitchfork did a long overview of Ghost box a while back.
March 2020
Neo Ouija by Metamatics. 10 tracks, 4.49 50 minutes. A rather disappointing EDM album
Meadow Lane Park – Le SuperHomard. 12 tracks, 39 minutes, 4.99. Lovely light album with soaring Stereolab melodies.
Lo compilation mix by Susuma Yokota. 4.99, 45 tracks, 138 minutes. Various tracks from the Lo Recordings label, curated presumably by Yokota who is one of the artists.
In search of Sunrise 1 by Tiesto. Classic edm/trance from 1999. 15 tracks. 4.99, 90 minutes (and long mix). Emusic has lots of Tiesto’s catalog including ISOS sequels.
Fonotone Records (1956-1969). 380 minutes, 131 tracks, $7.49 Country/rockabilly/blues rock tracks from the 1950s. Another Dust to Digital.
February 2020. Amazingly the site was down for a week, so I received a $15 courtesy credit
25 Golden Hits by Freddy Fender, 75 minutes, 25 tracks, 6.49
Safe as Milkby Captain Beefheart, 12 tracks, 33 minutes, 5.49
January 2020. Sorry to say that with labels dropping out and more accurate pricing on albums, there are very few deals to be had at normal prices.
Shout by Gabrielle Papillon, 7 tracks. 2.99 for 25 minutes.
Currency of Poetry by Gabrielle Papillon, 8 tracks, 3.49 for 36 minutues
December 2019
Pattern of Consciousness by Caterina Barbieri. 7 tracks, 69 minutes, 2.99
Two by Marion Brown: Why Not and S/T. (4 tracks each, 99 cents)
Costa do Marfim by Cachorro Grande, 11 tracks
Vardo by Kusht, 5 tracks
Telar by Quixosis, 5 tracks
November 2019.
Lines Pt 2 World War One by the Unthanks, 2.49, 6 tracks 21 minutes
Sisters by Odd Nosdam, 9 tracks,
Chain of Islands EP by Brothertiger 5 tracks
Soltar by Carlomarco 4 tracks.
Yuna by Cain, 5 tracks
October 2019 with one bonus pack. The big revelation was Premier Records Africa, which features short play Highlife classics. Alas, every album is available for free download (5 tracks per week), so I’m going to take albums from that place. (Actually I’m going to start listing them here even though they are (for me) free downloads.
Revolutions of the Flowermind by Solid Sun. 28 minutes, 99 cents, 4 tracks. Nice progressive rock, with more emphasis on rhythm than the progressive dreamscape. It sometimes hearkens back to traditional Southern Rock (Doobie Brothers, etc). All tracks start slow and build layer by layer towards a crescendo. Great guitar riffs too.
Опыт очарования by Акульи Слёзы. 7 tracks, 29 minutes 2.99. Nice shoegazing shimmering dreampop by a Russian girls’ band. Reminds me of Goldfrapp or Mazzy Star or Enya. Maybe a little like Madonna during her Ray of Light days. I’m glad I took a chance with this band. This is so unlike anything I’ve heard in Russian pop. Very moody and psychedelic….
Various classic albums by Chief Stephen Osita Osadebe (Igbo bandleader of Nigeria). I recommend Osondi Owendi and Nigeria Go Better. (though ignore the comedy sketch at the first 2 minutes on Track 1 — still worth it! ) All the 2 track albums are 30-35 minutes and cost $1.49 each. All seem well-worth buying. Update: I just discovered that my library’s free mp3 service (Freegal) stocks all albums
Unthanks: Lines (Part One – Llllian Bilocca). This English folk/classical group released a 3 part album. This part 1 was 22 minutes, 5 tracks for 1.99; Part 2 is 21 minutes, 6 tracks, 2.49; Part 3 is 10 tracks, 33 minutes, 4.49.
Blaze Foley — Dawg Years (1975-8). Early songs by this legendary Austin singer.
Faithless — Reverence (and others). Trance/triphop group from UK consisting of Maxi Jazz (for vocals) and Rollo (aka Dido’s sister) for electronica. I love this group to death!
Tommy James. Tracks from Greatest Hits. Oh, yeah, I didn’t know he was the one who sang X (and Y, and Z, etc).
Analog Rebellion. I love this indie Texas rock band, and I’m taking tracks from the Ill’e Grande album which I didn’t already buy.
Kelly Lee Owens. Only EP of a Texas country singer who died at an early age in a tragic car accident.
Blue Murder — 80s-90s heavy metal group recommended from a book.
Betty Wright. Classic R&B singer.
Aretha Franklin. I found a lot of very early gospel recordings that blew me away.
Altered Image: I could be happy: Best of. Scottish Punk/New Wave band from late 70s/early 80s. Female punk singer.
Y’all Come (East Texas Honky Tonk). Compilation of 50s songs by Houstonian Arlie Duff and others.
Takemitsu. Various tracks from different pieces and albums (no rhyme or reason!). Unfortunately I couldn’t find his great soundtrack for Kurosawa’s Ran — this will have to do).
La Sonora Dinamita (and tracks by Lucho Argain). I just love the track, Ece en Stereo (which was Argain’s first hit with the Columbian supergroup La Sonora Dinamita.
Soundtrack to Mondo Cave (Nino Oliviero). Early 60s film which do a variations of a musical theme. My mom said it was the song she danced to with my dad at her wedding!
Cabaret — original Broadway cast recording. I already have the OST for the movie; apparently the songs are a lot different for the play!
Pink Floyd. Piper at the End of Dawn. Early 60s album where Syd Barrett wrote most of the songs (before he lost his mind).
Polyphonic Spree. Various tracks (Freegal didn’t have many). The soundtrack from the Big Short is one of my faves.
Taylor Dayne — Hits. 80s popstar that Tig Notaro did a hilarious comedy routine about.
Shangri-Las. 60s girls group.
Wind and the Wave. Great Austin singing duo starring Patricia Lynne.
Dami Im — Lovely Australian singer who almost won Eurovision. She did cover songs by Classic Carpenters.
Sergey Lazarev. Russian mega-pop star who also almost won Eurovision. He’s actually a phenomenal singer.
William Basinski. Distintegration Loops. Famous sound loops of decaying cassette tapes.
Jean-Michel Jarre. Essential Recollection (greatest hits of the 80s).
Courtney Barrett. Various tracks by Sometimes I Sit and
Various songs by Frida Boccara and Gigliola Cinquetti (2 early Eurovision winners)
Various Asian pop groups. 1976 (Manic Pixie Dream Girl) and Cindy Yen, Lilian Wong, Na Na Tang, Pauline Lan, Shandy Gan.
Music by classical composer Chou Wen-chung.
(Various 70s-80s Afropop albums from Premier Records which are basically needledrops from LPs): Chief Stephen Osita Osadebe: Makojo, Nigeria Go Better
Eboa Moukouri: Billy Fantastic, Nnono Beates
Len: You can’t stop the bum rush. 90s Album of Canadian one-hit pop wonder “Steal my sunshine”. (fun, eclectic)
Cady Groves. Country Singer who died early in a car accident.
Hamiltons. The Texas country rock group.
Donna Summer. Pre and post-disco. Amazingly, her post-disco religious-infused stuff is just as good.
Various tracks from KPM Music. This was a label that produced jazzy instrumental music never released to the public, but widely used in TV and movies. Incredible stuff. I’m going to use my weekly allotment on a lot of these tracks. Check out especially pieces by Keith Mansfield.
Muffs. Various tracks from Kaboodle and other albums.
Gert Wilden & Orchestra — more of that KPM vibe from a German composer who did 70s porn music. Wild and funky.
Jeffrey Tung.
Secrets by Human League.
Arrest by Powerdove.
Various Hits by Zdravko Colic.
September 2019.
S/T. Albanian Gypsy Music. 13 tracks, 54 minutes, 99 cents. Great lively recordings. Love the singing and the percussion; They bring Albania’s unique musical styles to modern ears, and they sound both wonderful and accessible. Balkan — and specifically Albanian — music can be a hard sell sometimes, but most Westerners can get into this album.
No Saviors by Clavvs. 6 tracks, 22 minutes, 99 cents. Outstanding trip-hop album by Atlanta duo.
Abaraka Bake by Juffureh Band. A reconstituted version of famed Afropop 80s band from the Gambia. 6 tracks, 30 minutes, 99 cents
May 2019. I’ll be putting my account on hold again, but still have a lot of credit to use. The consensus among fans is that emusic has significantly fewer albums than before even though the site itself has never been better. Hopefully this will be a short term glitch. In the meantime, I’ll be acquiring a lot of obscure stuff for bargain prices. stay tuned. I’ve been finding interesting stuff from Sublime Frequencies (world — mainly Africa) and Feeding Tube Records (USA, avante-garde, pop, freeform).
Two albums by Elkhorn: Sun Cycle and Elk Jam. Each album is 30 minutes and 99 cents.. Basically freeform rock guitar instrumentals, mostly slow stuff, but it picks up the tempo at parts. Overall a nice listening experience.
Roll with the Punches by Yu Su, 5 tracks, 32 minutes, 99 cents. Ambient dub, Vancouver musican (Album on youtube) . Update: I grew less enamored of this on later listens.
Ecstatic Music of the Jemaa El Fna by Hisham Mayet. Lively Moroccan street music recorded live. This is dense, rhythmic and rowdy stuff. 9 tracks, 38 minutes, 3.99.
In the ink dark by Scott Twynholm. Classical music that sounds like background music for serious movies. Gentle, serene stuff. 5 tracks, 39 minutes, 1.99
Juguya by Baba Commandant and the Mandingo Band. 8 tracks, 3.49, 41 minutes. Burkino Faso jam!
Sabor de Carnaval Tableno by Fito Espino. 8 tracks, 29 minutes, $3.49 Panamanian music from 60s and 70s.
Treeg Salaam by Group Doueh. 5 tracks, 43 minutes, 99 cents. Western Sahara jam…
S/T Weeping Bong Band. 5 tracks, 52 minutes, 99 cents. Spectacular experimental rock-jazz fusion. Mostly slow, dreamy stuff — no dissonance. It’s amazing to discover that a rock band can produce this kind of stuff.
Frame Slip by Dalthom, 2 tracks, 40 minutes, 49 cents. More experimental rock stuff, with synthesizer and random electronic sound effects and occasionally distorted voices. Each track is 20 minutes, which allows time for a variety of voices and melodies. Dense, textured stuff, and not too disruptive — well maybe occasionally on the second track.
S/T Jamaleonics. 4 tracks, 25 minutes, 99 cents. Mainstream but energetic Italian jazz band. I actually was on the fence between this one and another avante-garde recording; I decided that I actually enjoyed the fun energy here.
Out of my Head by Kate York. 5 songs, 99 cents, 16 minutes. Because all of York’s songs have electronic arrangements, “Country soul” is the phrase I think of when trying to describe this EP. Several of this country singer’s songs were carried on TV shows like Nashville. (here’s a profile). This EP is a good sampler of her stuff.
Suzanne Ciani, S/T. 42 tracks. 171 minutes, 6.99. This is a compilation album of cutting edge Italian-American New Age pianist/composer and early user of electronic instruments. Update: It didn’t wow me as much as I would have wanted — though Ciani has done some wild things.
January 2019
Electronic Architecture by Solarstone. 44 tracks, 8 hours (!), 6.49. Several long EDM mixes. All terrific. BTW, about 3-4 hours are continuous play versions of individual tracks.
Empire by Monty Adkins. 99 cents, 55 minutes. 1 ambient track with certain electronic effects.
Carter Family Vol 1. Emusic has 4 volumes of this legendary country band for 99 cents each.
Dec 2018 Re-enlisted.
Parallel Life by Starseeds. (57 minutes, 9 tracks, 3.99). Really weird interplanetary dream album. I love the first track in particular.
Live Aid Live. 7 hours, 93 tracks, 6.49. I was alienated from 80s music while in school, but the live performances give these familiar songs a special energy.
2 Albums by Kanda Bongo Man: Iyole, Mazine and Djessy, Dyna. Classic 1980s albums by classic Congolese soukous musician. His first two albums. Both albums are 30 minutes, 4 tracks at 99 cents each.
April 2018. I bought a $5 booster and was prepared to spend it on lots of 99 cent albums but alas, that will have to wait another month.
Sings for Playboys, etc . 41 tracks, 107 minutes $6.99 by Beverly Kenny. Part 2 of a 2 part compilation series contains 3 jazz albums. These are gems by a jazz singer who died early in life.
Mariss Jansons Live: Radio Recordings 1990-2014. 97 tracks, 16+ hours $6.99. Great magical interpretations of many standards, plus a few unfamiliar ones thrown in. I was struck by the clarity of the audio (which may have more to do with improving audio standards than the performances themselves).
Hannibal s/t. 6 tracks, 99 cents. This unpredictable album merges several different styles. rock/funk drums, frantic jazzy guitars, dizzy sax, downbeat blues vocals. I’m not normally a fan of jazz fusion, but I thought there’s a lot of interesting musical themes here amidst the anarchy.
Powell to the People, Massimo Colombo, Maurizio Quintavalle, Enzo Zirilli. 11 tracks, 47 minutes, 99 cents.
Onuka: individual tracks. (I spend my remaining credits on Onuka and Sofi Tukker when the amount goes under 99 cents!)
March 2018. I totally can’t afford it, but I bought $10 in extra credits to buy the Pauline Oliveros compilation
Reverberations: Tape & Electronic Music 1961-1970. by Pauline Oliveros. 35 tracks, 11.5 hours, $7.50. Oliveros does avante-garde music which sound electronically strange, but always interesting, and not too dissonant. Fun fact, she was born in Houston!
Ovation 3. Various Canadian Composers (Beecroft, Pentland, Kenins, Beckwith, Tremblay). 54 tracks, 344 minutes for $6.99. Ovation is an album series which publishes one album per Canadian composer. Emusic has all 3 volumes, but only this one is at the bargain $6.99 price.
Песни любви (50 Best) 2018 edition , 50 tracks, 174 minutes, 4.99. Here’s another Moon Vinyl s.r.o compilation of pop love songs from Ukraine. I love the national pop style so much (a cross between dance pop, rap with some folk thrown in) that I tolerate some repetitive melodies. I am careful to notice if these Moon Vinyl compilations repeat the same song. I’ve been downloading about half of their compilations, and I noticed 6 overlaps in this 50 track album.
Cluster 71 by Cluster. 3 tracks, 99 cents. This critically acclaimed album by two German electronic musicians flows smoothly and slowly, with the third movement being particularly intense and serene.
February 2018. I’m buying only 99 cent albums this month! I’m honing in on albums and compilations from BBE Record label. You can generally stream them for free off youtube or bandcamp. SAD UPDATE: All of these albums have jumped up to $6.99 (also true for some of the January purchases as well!) All these are still good albums though.
Dragon Soul by HKE, 12 tracks, 99 cents, 58 minutes,
Influences Vol 2 by collected by DJ Marky, 99 cents, 21 tracks, 120 minutes, lots of tropical dance/EDM,
January 2018. After spending the bonus credit (see below), I have realized that 1)I am obsessed with Indonesian music (even free Indonesian music), 2)emusic has a lot of ultra-budget albums
Live in Tokyo (Continuous Mix) by Mark Farina. 1 track, 72 minutes, 99 cents. Famous “Mushroom Jazz/EDM” dj/remixer. The full album with separate tracks is also available for a normal price.
Automatone by Jonathan Kusuma (EP), 4 tracks, 28 minutes, 99 cents. Indonesian EDM guy. Plan to buy more.
2 Albums by Brock Van Wey (bvdub): All is Forgiven and A History of Distance. BVDUB is a prolific ambient composer. 2 of his dozen + albums can be bought for 99 cents each. (Reviews here).
More Dronarivm Releases: These are usually 99 cents for 40 minutes of ambient music. Day Has Ended by Aaron Martin and Christopher Berg. (review).
December 2017. I received a bonus credit over a customer service problem. Spend away!
Before During After by Woodtops, 52 tracks, 227 minutes, $6.99. Compilation of a short-lived 80s British synth band, with one third of the tracks being live performances, remixes and outtakes. Great stuff!
Various 99 cent compilations of Art Tatum piano pieces from Resurfaced Records. (such as here). I bought 7 totaling about 8 or 9 hours. A bargain!
Various Ukrainian Pop compilations: ЛЕТНЯЯ ДИСКОТЕКА 2017 (50 tracks, 3 hours, $4.99), Свежачок, Ч. 12 (21 tracks, 78 minutes, 99 cents), Pokemon Party (30 tracks, 102 minutes, $3.99) , Spring Music Hits 2017(Best Woman Voices) (25 tracks, 90 minutes, $3.99) . Moon Vinyl label publishes most of the Ukrainian pop music, and they do moderately priced samplers on emusic (about 5-10 per year). The same 20 or 30 singers appear on these samplers, which is fine by me. Some of the pop is formulaic dance pop, but a lot of the songs are bold and zany, well worth taking a chance on.
Various Dronarivm albums: Expanses by Green Kingdom . All of these are about 50-60 minutes and priced at 99 cents each.
The Best Koes Plus: Vol 1, Vol 2, Vol 3 and Vol 4. (Each costs $3.99, about 20 tracks, 60 minutes). These guys are deservedly called the “Indonesian Beatles.”
Philosophy Gang by Harry Roesli Gang, 7 tracks, 28 minutes, $2.99) Progrock Indonesian Pink Floyd.
18 Greatest Hits of God Bless by God Bless. 18 tracks, 90 minutes, $7.99. Compilation of slow 70s Indonesian prog rock. Normally more than I would pay, but I found this music greatly appealing
November 2017. Okay, I paid $5 extra for the Two for Sale.
100 years of Eddie Rosner. (41 tracks, 140 minutes, $6.99). Trumpeter Rosner was called the “Polish Louis Armstrong” and toured in West Europe and USA in the 1930s. The Jewish Rosner was persecuted under the Nazis and Stalin, but in the 50s and 60s he led a big band that toured around the U.S.S.R. He later said, “In 1939, it didn’t help being a Jew playing Negro music, even if your name is Adolf,” (It’s true, his first name was actually “Adolph”). About 1/2 of the album is low fidelity, and all of the tracks are interesting — even though they don’t fit neatly into traditional musical categories. Lots of the jazz number have violin and violas — giving everything a folk/gypsy feel. There are some wacky Western homages — like the “Cowboy” song (Kovboyskaya). It features several Soviet singers mostly unknown to me.
Luminous Group (Compilation album) by Robyn Hitchcock. (90 tracks, 335 minutes, $6.99). A sequel to the I wanna go backwards album I bought a few months ago.
Melatu of Africa by Mulatu Astatke, 14 tracks, 99 cents, 57 minutes. (Update, only 28 minutes, because it includes mono and stereo versions of each track. Still a good deal.
Будет тепло . (Budet Teplo). 23 tracks, 77 minutes 99 cents. Various. An unusually feisty compilation of Ukrainian pop songs at an at unbeatable price.
Onuka by Onuka. Ukrainian folk-electronic made a splash as the intermission act at Eurovision 2017 (watch the amazing video of their performance). The studio recordings are not as exciting or as pulsating, but pared down.
July 2017. Too poor to afford booster credits, but I am getting some great deals on classical/modernist albums! All about a dollar!
Inscriptions by Wil Bolton (5 tracks, 47 minutes, $1.99). This was number 1 on David Smith’s Top 20 of 2015 list, calling it “especially captivating, a cohesive suite of carefully textured ambient soundscapes of great warmth and delicacy.”
Tiento de las Nieves by Thomas Koner (1 track, 68 minutes, 50 cents). Also highly recommended by David Smith.
Avifaunal by Pausal (6 tracks, 46 minutes, 99 cents).
Nirvana Haze by Alonefold (1 track, 63 minutes, 49 cents).
Lo-Def Pressure by Bill Laswell. (2 tracks, 48 minutes, 49 cents).
Mausoleum / Hoketus by Louis Andriessen (2 tracks, 57 minutes, 49 cents). 2 minimalist rhythmic pieces from the 1970s. The first contains lots of rattling brassy orchestration, with dissonant choral protests (it’s an homage to Russian anarchist Mikhail Bakunin. The second piece is just percussive chamber music which despite the fast rhythm varies very slowly. Both startling and provocative pieces, but hardly inspiring.
May 2017. Now the site has been redesigned, with lots of new deals, broken links and albums which are missing or new.
I wanna go backwards Box Set. Robyn Hitchcock. 102 tracks, 336 minutes, $6.99. 3 early acoustic albums, with 2 albums worth of rarities. I have my eyes on Part 2 of this box set, Luminous Grooves, which contains albums from the mid to late 1980s
Vasks: Sala / Musica appassionata / Credo, Liepaja Symphony Orchestra & Atvars Lakstigala $1.99, 3 Tracks , 59 minutes 37 seconds. 3 Contemporary compositions by this Latvian composer. Romantic, full orchestration, dissonant, beautiful. (Read liner notes).
April 2017. Unsuspended my account again…. Hopefully for the last time.
January 2017. (I forgot to suspend my membership, but ended up with a winner anyway).
Cooking Vinyl 1986-2006 (compilation). (67 tracks, 276 minutes, $6.49). Nice and ample collection of A-list talents by a European label. (A good mix of American and European pop stars).
December 2016. Won’t be able to upgrade my account for a while, but managed to buy one album. In the meantime, I’m listening to one-off recordings by Daytrotter Studio (I downloaded 7000 sessions that I need to listen to).
I’ve Got a Way by Kelsey Waldon. (11 tracks, 38 minutes, $5.39). Also selected songs from her earlier album The Gold Mine. Young rising country star sings slow, heartfelt and almost gothic blues ballads; it definitely feels more personal than prepackaged; Kelsey has a distinctive rugged voice which in its rock carnation kind of reminds me of Courtney Barrett. But what makes it special is the quiet dignity she gives to many of the songs.
November 2016. Back from a hiatus to do some purchases — mainly from the incredible stack of artists I discovered from 2016 SXSW.
Julius Eastman: Unjust Malaise. (8 tracks, 193 minutes, $6.49). Eastman was a minimalist avante-garde composer who wrote complex orchestral pieces for piano and voice. He was unappreciated even by other composers and died homeless and penniless in 1990. This collection of longer pieces are sometimes discordant or hard to enjoy, but they are interesting and expressive (and really, not that different from what Glass and other people were doing in the 70s) But recently several critics have been championing his works. See this longish piece in the Guardian .
United Crushers by Poliça (sale – 12 tracks, 43 minutes, $4.99)
Down to Believing by Allison Moorer (13 tracks, 46 minutes, $6.37). One of my greatest finds this year was the achingly beautiful album “Crows” by Allison Moorer which was released a few years ago. Because I had listened to a library copy, I vowed to buy an A.M. album to show my support and gratitude; as it happens, “Down to Believing” is just as lovely as “Crows” and as well regarded — and it’s a bargain on emusic.
Place Called Bad by Scientists (80 tracks, 269 minutes, $6.99). The Scientists are a well-known Australian rock-punk group from the 70s and 80s. This band sounds fresh, punk and still relevant.
Mutant Disco Volume 1 (12 tracks, 74 minutes, $5.88). I was watching a hilarious 1989 Richard Pryor/Gene Wilder comedy called “See No Evil, Hear No Evil.” As the credits rolled, I heard this amazing disco melody, which led me to investigate the group “Was (Not Was)” which sang it. This group was produced by Ze Records, who has several emusic compilations. I will probably buy more compilations by Ze Records, but to start out with, I purchased this album, which was positively reviewed by the emusic staff and includes several reviews by emusic fans. There are 4 volumes in this series (and each group is represented by at 4 or 5 songs in the entire series). As enjoyable as the Mutant Disco volumes are, Soul Jazz Records also has two also wonderful disco compilations on emusic which are longer and have more tracks.
Watermelon Summer by Annabelle Chairlegs (10 tracks, 30 minutes, $4.90). Chairlegs is a Austin girl indie-rock album which doesn’t disappoint.
Classic FM by Andy Clockwise. (30 tracks, 133 minutes, $6.49). This first album by versatile Australian rocker Andy Clockwise has been scandalously ignored by critics — even in Australia — though everyone seems to have a high opinion of Clockwise and his more recent projects. “Classic FM” is a concept album that tries to juxtapose a dozen different musical styles in one album — as though you were scanning the FM dial on a car radio. Sure, you may not like everything here, but it’s all different, interesting and original. (I would compare this to double albums like the Beatles’ “White Album” or Fleetwood Mac’s “Tusk” which were initially criticized for being sprawling messes, but were later appreciated for what they were). By the way Clockwise lives and performs in the US, and his earworm song Open Relationship has an entertaining and bizzare music video.
Back to Venezuela by Billo’s Caracas Boys. (41 tracks, 128 minutes, $6.49) Billos Caracas Boys is an immortal Venezuelan dance orchestra fronted by Billo Frómeta and lasted from the late 1930s to the 1960s or 1970s. The band is pretty amazing — jazzy/samba with vocals. Personnel changed from year to year, and unfortunately there is not good documentation for this album about when these songs were originally released (or if they are simply re-releases from other albums). But many of the songs here sound like original stuff — probably from the 1940s or 1950s. I want to emphasize that this album merely scratches the surface of what is out there — and doesn’t include many of the tunes which are considered signature songs. Emusic has about 100 albums by Billos Caracas Boys, and this the best and cheapest of the “greatest hits compilations” which I was able to find.
July 2016. Back from hiatus to take advantage of another double credits sale. I have a backlog of things to purchase and have some wonderful picks from this year’s South by Southwest torrent.
Best of GEM 2008-2012. By G.E.M. (24 tracks, 95 minutes, $5.99). Earlier this year I heard the remarkable Heartbelt album by G.E.M. which immediately made me want more. This compilation album seems equally fun and ethereal — certainly not callow forgettable tracks.
Final Wild Ride. by Long Ryders ( 48 tracks, minutes, 170 minutes $6.99).
Glacial Glow (and other selected tracks) by Noveller. (8 tracks, 34 minutes, $3.92). Known for New Age ambient with guitar, all of her tracks are interesting. I found two other albums from another service (“No Dreams” her best known and “Fantastic Planet” her most recent). I plan to obtain all of her wonderful albums eventually.
March 2016. After a hiatus, I have started buying again.
Заждалась by Анастасия Приходько. (15 tracks, 53 minutes, $5.99). Lots of great pop singles by this Ukrainian-born singer who was popular in Russia. Interestingly, after representing Russia in the Eurovision song contest, she has vowed never to perform in Russia again. This and other Ukraine gems come from the fantastic Moon Vinyl S.R.O. label .
February 2016. Ok, I bought $10 of double booster credits to buy some great compilations.
I Am the Center: Private Issue New Age Music in America, 1950-1990 . (20 tracks, 132 minutes, $6.49). A good collection of early New Age/space music, from quite a few well-knowns. A Popmatters review of the album writes, “This is new age music before it became a commodity, before it evolved into aural wallpaper and background music. When it was the domain of outsider artists, eccentrics and experimentalists. As evidenced by this collection, the music’s goals were often lofty.” (My minor complaint is that 5 of the 20 are excerpts from longer pieces, but it’s still a good value).
Juke Joint Blues Black Cat Rag (54 tracks, 154 minutes, $6.49). Here’s a good collection of blues tracks with reasonably high fidelity and lots of performers I have never heard of (and I have heard of a lot!) Though the first few tracks didn’t particularly impress me, the overwhelming majority of the tracks were keepers. Sadly, this seems to be part of a larger series which never made it to emusic. (The album shows it as “Juke Joints 4 — Volume 2”). Still, what we have is pretty special. Lots of Southern bluesy stuff, with harmonica, a good fast beat and a variety of voices).
Liverpool International Festival of Psychedelia Presents PZYK Vol.1 by Various Artists. (31 tracks, 147 minutes, $6.49) paraphrasing from Piccadilly Records website where the album made their best of 2015 compilations list, is “a deluxe triple vinyl compilation celebrating the current neo-psychedelic underground. Featuring a mix of exclusive tracks, re-mixes, rarities and album cuts, the compilation spans and charts the global PZYK diaspora, with artists from around the world contributing to an international selection comprising 30 of the current movement’s key noisemakers.” I really loved this collection. Lots of electronic which sounded more psychedelic than trance or techno.
January 2016 (skipped December 2015). I suspended my subscription, renewed it, received $10 in courtesy credits because the site has been down a lot, and then for two weeks my account was available! It’s all behind me, and more importantly, emusic has added in the cost of subscription an ability to stream your purchases. That’s a cool feature! They have also updated the android and apple app so that you can hear it from cell phones. The semi-permanent double value booster sales have officially ended, thus relieving me of any temptation to buy more music until I get a steady paycheck!.
A Badly Broken Code by Dessa. (15 tracks, 47 minutes, $5.99). Filipino Dessa did a remarkable album Parts of Speech which consisted of lots of adventurous rap songs with excellent and expressive lyrics (no profanity), magnificent arrangements and a variety of styles (though the slow rap song seems to be her default). Her albums seem a tad overproduced; I wish we can just enjoy the melodies apart from the lyrics or the strong emotions. Despite my nitpicks, this album – like Parts of Speech — are absolutely first-rate and bring additional rewards with repeated listens.
Baroques (Remastered). by the Baroques. (25 tracks, 82 minutes, $5.99). Very obscure Milwaukee psychedelic music group from the 60s. Although labels from that time were pretty open to experimentation, I think the Baroques abandoned the pop sensibility, lost their record deal and broke up. Sad story, but the songs they made are incredible and fun.
O Vertigo by Kate Miller-Heidke (12 tracks, 42 minutes, $5.88). I’m going to be selecting tracks from this album and others to zero out my balances. Miller-Heidke is this unbelievably talented Australian opera-trained singer who first came to my attention by doing these wild cover versions of well-known songs (like this one and this one and this one ) . Turns out she and her husband write and perform lots of original songs and most recently an opera! A lot of her best stuff is not on emusic though O Vertigo is pretty great).
November 2015. Wow, it seems that my unemployment will once again reduce my purchases (after months of indulging). I may even suspend my membership temporarily. Fear Not. I have lots of listening to catch up on.
Best of Old School Hip Hop. Various. 20 tracks. 93 minutes, $3.89. Upbeat urban rap from the 90s. Heavy beat, kind of silly and juvenile and not too raunchy or violent. Plus, the lyrics are actually comprehensible! Everything feels like the “Fresh Prince of Bel-Air” and at least the lyrics are interesting and tell a story. These are not great tracks, but the musical arrangements are all interesting.
Best of 00-10 by Ladytron. (17 tracks, 68 minutes, $5.99). Hits compilations by one of my alltime fave bands. They know how to write catchy pop songs with hooks and occasionally rock it up (Blue Jeans, Destroy Everything You Touch). The singer Helen Marnie is great and stylish, but the synthesizer parts are also fantastic! Updates: Silly me. I forgot I already bought individual tracks, and had accumulated another album’s worth of tracks through samplers, etc. Also, it appears that Marnie has started to go solo. So much as I loved this album, I totally did not need it!
Boom Tic Boom by Allison Miller (8 tracks, 58 minutes for $3.92). This awesome jazz drummer put together a multi-talented jazz band which put together the zippy album No Morphine, No Lilies which I thought was outstanding.
Boddie Recording Company: Cleveland, OH. (64 tracks, 190 minutes, $6.49). Multi-decade compilation by a lesser known Cleveland recording company. Not as polished as the Motown stuff, but still very interesting.
Fats Navarro Collection 1943-1950 (39 tracks, 140 minutes, $6.49). Feisty trumpet recordings by a jazz virtuoso who died at a shockingly early age (26) from a combination of TB and a drug overdose.
October 2015. I finished listening and rating my 2011 SXSW torrents and have been amassing things to buy for it. Here are some other purchases:
Hits, Hits, Hits Vol 1 and Hits, Hits, Hits Vol 2 are two huge compilations of 70s disco/early 80s hip hop music from P& P Records. Each volume is more than 530 minutes! (Read this Guardian critic’s review of this series). It’s true that both volumes are padded with instrumental versions and extended versions (you have a 13 minute disco version of the Charlie’s Angels theme — and trust me, it’s great!)
Northern Soul — Soundtrack– Extended Version (54 tracks, 146 minutes, $6.49)is a collection of “Northern Soul” (British-based soul plus a lot of semi-obscure American stuff thrown in)This comes from a movie about the time period. I am especially loving this one.
Welcome to the Country by Gram Rabbit (10 tracks, 39 minutes, $4.90). Outstanding collection of strange psychedelic country by a group known for shifting genres often. (They do heavy metal, punk all with a psychedelic twist).
Sanremo in the Fifties. (43 tracks, 170 minutes, $6.49) Italian pop music culture revolves around the annual Sanremo festival which started in the 50s (and is still active). This compilation contains a lot of the contest winners (and more importantly, the ones which didn’t win but are still great songs.) Most of the recordings are decent quality
Sapore di Sale (100 tracks, 307 minutes, $5.99) has many of the same singers from the Sanremo collection, but different songs released in the 60s. (Some are live recordings, possibly from later Sanremos). You have to overlook the Sedaka, Paul Anka and Petula Clark here, but there are multiple songs by quite a number of singers, including Quartetto Cetra, Gino Paoli and Peppino di Capri.
Great Greek Composers (123 songs, 360 minutes, $6.49) which seems to be a wrong name for it, because all the songs are simple pop songs from several decades and the song metadata doesn’t contain any useful information on the songwriters. (Strangely it lists the musical genre as “reggae” — go figure). Someone mentioned that it sounds like Schlager music (that light-hearted folksy stuff that seems old-fashioned to our ears), and I don’t think that’s offbase. Sound quality is mostly decent, and a few songs are standouts, though all are generally pleasant.
Duo Chrisses Fones – Two Golden Voices: ROZA ESKENAZI & RITA ABATZI (45 songs, 145 minutes, $5.84) is definitely older and more folksy stuff (we’re talking 1920s-1940s). Sound quality could be a lot worse, but it’s about what you’d expect for the time. Roza Eskenazi has the more interesting and melodic voice, while Rita Abatzi sings more emotionally and wistfully. They sing in a rebetiko style, which uses various Turkish song elements. This album is more a musical time capsule than something which feels modern, but I found it interesting still.
September 2015. As luck would have it, there was an “accidental” Double the Value Booster credit sale and I went ahead and spent $50 to obtain $100 in credits. I have lots of things on my list but probably won’t be buying anything until early October. (For the record I’ve been listening — and rating — the 1100+ free mp3 downloads from the 2011 SXSW music torrent — which will eventually result in lots of purchases of favorite band discoveries).
Trilogie de la Morte by Eliane Radigue. costs $5.99 here for a total of 168 minutes. It’s drone/ambient, very meditative, but interesting enough to keep your attention. The allmusic review said “it is based on the composer’s complete immersion in Tibetan Buddhist teaching, and takes its title from Thomas Merton’s Trilogy on Death.”
Perfect Lives by Robert Ashley. (7 tracks, 174 minutes, $6.49). Avante-garde opera project from late 70s, consisting of long, extended arias in English which consist of nonsequiturs, strange poetic pronouncements and pop culture. Ashley intended this to be “opera for TV” (and indeed, there is a DVD version of the performance which makes this intent apparent). and it resembles the ramblings in Glass’s Einstein on the Beach.
Bunny Striker Lee Story. (101 tracks, 316 minutes, $5.99), Giant compilation of 60s and 70s Jamaican reggae by a noted music producer.
August 2015. I bought another booster credit, so the buying spree continues (at least for the next month). I’m still buying things from my SXSW and the Russian Music stack (see below). Because I’m out of work again, I couldn’t max out on booster packs, but these 2 for 1 booster pack sales are coming every 3 months, so that gives me time to catch up on listening.
Mose Allison Collection 1956-1962Volume 1 and Volume 2 (Each costs $6.49 and consists of 146 minutes). Jazzy blues singer and pianist who collaborates with Stan Getz and Zoot Sims. His band plays many jazz standard here. Great stuff, relaxing, joyful, Still alive today!
Dark Light Up by Eleni Mandell. (12 tracks, 39 minutes for $6.99). Eleni Mandell is not known for mainstream pop, but this album tries to do that — and mostly succeeds.
The Peregrine by Lawrence English. (34 minutes for $3.43) Recent ambient recording.
Margaret Whiting: Collectors’ Edition 1942-1960. (87 tracks, 236 minutes, $5.84) Whiting sang a lot of vanilla jazz standards in the 1940s, but her interpretations are so lovely and charming that I forgive her for not venturing outside familiar territory.
Girl in a Coma. Tracks from all of their albums, especially Trio B.C. This is a fiesty girls punk band from San Antonio, headed by singer Nina Diaz. They famously met up in MIDDLE SCHOOL! Apparently Diaz and the rest of the band are going off on separate projects, but their Coma stuff is great. Although their original stuff is great, I wanted to point out that their album of cover songs is particularly juicy (though I checked it out of the library instead of buying it).
Music for Airports Live (Music by Brian Eno) by Bang on a Can All Stars. A music group does the impossible: perform a live performance of something originally written not to be performed. This is a classic of the New Age genre, and the live performance is faithful to the original recording –though it feels softer and more human.
One Hundred Hits of Bing Crosby. (100 songs, 299 minutes, $5.99) Bing Crosby had numerous hits in the 40s, and this mega-compilation gives you a better idea of his variety of styles. Lots of random oddball tracks (such as “Road to Morocco”) make this one always delightful.
July 2015. Note that even this month I am still adding a substantial number of albums to other lists below (like the Russian and Ukrainian compilations under June 2015 and SXSW picks under March 2015). In fact, about 95% of my purchases by rising bands come from my SXSW stack. Even though I bought them this month, they are not listed under the month I bought them. I am starting to list some jazz albums reviewed and praised by Bird is the Worm. He reviews them faster than I can listen to them!
Cosmopolitan Classics: George Jones. (98 Tracks, 249 minutes, $5.19) An amazing collection of songs for the price. I ended up liking every song!
Dub Side of the Mule Deluxe Edition (34 tracks, 227 minutes, $6.49). Recording of a live musical “happening” by the remnants of the Allman Brothers and some guests (Toots Maytal, according to this review). Apparently they release a lot of these things built around a certain theme, with them all priced pretty low on emusic.
La Sortie by Low-Res. (7 tracks, 49 minutes, $5.99). Bird Best 2014. This set of jazz pieces don’t overwhelm, but really flow well together.
Wurm Series No. 1. by Oophoi. (1 track, 65 minutes for 49 cents!). Great ambient track.
Enter by Fire Orchestra. (4 tracks, 53 minutes, $3.30). Bird Best 2014. Great choral jazzy thing which is full of emotional power and energy. Wow!
Figs:What Keeps me up at Night and The Figs. Two interesting albums by Louisiana blues band with Jillian Johnson (who recently was killed in a shooting in Lafayette LA).
Dimensions Live by Daniel Schlappi, Jorg Bucher & Colin Vallon (14 tracks, 107 minutes, $6.49).
Minimal Piano Collection, ( 93 tracks, 615 minutes, $4.54). performed by Jeroen Van Veen. This huge collection features generous performances from Glass, Arvo Paart, Nyman, Adams, Cage, Riley, etc). I spent all morning listening to the Aarvo Paart, this evening listening to the Glass and can happily report that it is generally excellent and an extraordinary value!.
June 2015. Not only did I purchase $150 of double-booster credits, I discovered some great Russian music compilations which I’ll note below.
Boys can be Mean.60 tracks – $5.84. Fun thematic 60s compilation about girls complaining about boys.
Complete Soul Essentials by Ike and Tina Turner. 75 tracks for $5.84. The version of some of the signature songs is different (and probably inferior), but the vast collection covers the range of songs Ike and Tina used to sing.
Various songs of Novecento. C’ E’ Un Mondo Che… (complete album) and 4 songs each from these albums: Dreamland, Necessary and Secret. Novecento is an Italian band that started out in 1980s Euro-disco pop and gradually migrated into Jazzy Easy Listening pop. Perhaps it seems way too mellow for the modern ear, but it is extremely relaxing and pleasant to listen to. Female singer Dora Carofiglio was the “real” Jessica Jay in the 90s dance pop band (which I wrote about at length here).
Buckle Up by Steve Krase. (10 tracks, 39 minutes $4.90) Great electronic blues/rock band led by Krase who plays a mean harmonica. I saw him perform with Trudy Lynn last night; they were fantastic!
Royal Oaks Blues Cafe by Trudy Lynn (with Steve Krase). Trudy sings some rowdy libidinous blues even though she’s in her 70s. Direct, comic and slightly outrageous.
40 Successos de samba & Bossa Nova. Elis Regina. (40 tracks, 110 minutes, $5.99). Great collection of songs by the famed bossa nova singer who died in her thirties.
25 Years of Brazilian Beats (Mr. Bongo Presents) Part 1 and Part 2.
Amara Toure 1973-80. (10 tracks, 63 minutes, $5.99) Influential 70s Senegal singer with a Cuban/Afrobeat feel.
Special Russian and Ukrainian Compilations. As strange as it sounds, I finally found some reasonably-priced Russian/Ukrainian albums on emusic.Typing the wordsGrand Collection produces a list of double size compilation albums by several well-known Russian pop singers. Also try searching for “Коллекция”in the search engine. Unfortunately the links of titles with Cyrillic letters doesn’t work too well, so most of these links will not link. Often copying the Cyrillic names into the emusic search engine will work, or sometimes just searching google can help.
Коллекция лучших альбомов. Анна Герман (Anna Hermann) (8 hours for 120 tracks, $5.99). Hermann was a much beloved Polish singer who died early but was widely beloved in the 70s and 80s by the entire Soviet Union. Sound quality on this collection varies, but it contains a lot of her hits which made her famous.
АЛСУ – GRAND COLLECTION / ALSU (known also as Alsou). (28 tracks, 101 minutes, $5.99). (listen on youtube). Alsou is a beautiful singer and was predicted to appeal to Western audiences. That didn’t happen as much as it should have; she did win 2nd in a Eurovision contest for an utterly forgettable song, but make no mistake; she’s a major talent, and her tracks always sound great!
Grand Collection. DIDULYA (ДИДЮЛЯ). (79 minutes, 19 tracks, $5.99). Great guitar-driven pop by a Belorussian guy who likes to infuse folk and Middle East elements into melodies.
Коллекция легендарных песен. ГРАЖДАНСКАЯ ОБОРОНА (Grazhdanskaya Oborona). (85 tracks, 260 minutes, $5.99). Oborona is an early Soviet punk-psychedelic singer (and I do not exaggerate when I compare their early stuff to Sex Pistols or the Ramones or the Residents). I like how the wikipedia article describes the band’s lyrics as progressing from the political to the metaphysical. (Alas, if only my Russian were good enough to understand them! — But I find the literary references mentioned in the wiki page reassuring).
Коллекция. АНДРЕЙ ГУБИН. (Andrey Gubin). (42 tracks, 167 minutes, $6.49). Upbeat dance pop, full of catchy numbers.
Я не скажу “прощай” by Татьяна Овсиенко. (17 tracks, 65 minutes, $6.49). A good Ukrainian pop singer. Very sophisticated dance pop with some slow ballads thrown in.
Большая коллекция, Часть 2 by “АЛЁНА АПИНА” (Elena Apina). This is only part 2 of a box set, but this part contains 50 songs and 184 minutes of dance and disco fun by one of the leading Russian pop singers in the 90s. (She is also one of my fave singers too).
Grand Collection: Леонид Агутин. (Leonid Agutin). 112 minutes 28 songs. $5.99.. Agutin has a smooth almost Latino singing style which won me over when I first heard him in the 90s. This compilation contains the songs from those albums and more recent stuff as well.
Skryabin. Selections from Various Albums. Ever since the lead singer died a year ago, I wanted to revisit this Ukrainian band which I used to listen to while living in Ukraine. Despite the fact that it cost more (about $20 in credits), I ended up buying selected songs from various albums. Their eclecticism of styles reminds me of Talking Heads (although Skryabin is definitely cooler, darker, moodier). If I were to single out some albums, I would have to pick Mova Ryb (very upbeat and pop) and the 82 minute compilation album Balady.
Grand Collection: Vitas. (28 tracks, 105 minutes, $5.99). Ukrainian-born Russian pop singer with an operatic voice, crazy appearance and who sings techno-dance songs. This reminds me a lot of Ukrainian singer El Kravchuk (whose album I also bought on emusic).
Коллекция ФИЛИПП КИРКОРОВ (Collectsya by Phillip Kirkorov) . 952 minute 246 track album for $6.49. Phillip Kirkorov is a major presence for the last few decades in Russian pop (kind of like Elton John or Neil Diamond for the English-speaking world). An awesome deal. A lot of these tracks are winners!
Valentina Levko: Star of the Bolshoi is a (176 tracks, 676 minutes, $4.54 fascinating 10 hour collection of arias and classical songs by a Russian singer. I have only sampled some of the tracks; the ones I know sound excellent.
Большая коллекция by СУРГАНОВА И ОРКЕСТР. (129 tracks, 490 minutes, $6.49). Pop band headed by Svetlana Surganova. Really interesting sound; it combines folk, jazz and classical elements to produce a nice pop sound. Her singing is gentle and relaxed, and the melodies and productions are always interesting.
МИХАЙЛ ШУФУТИНСКИЙ – GRAND COLLECTION. MIKHAIL SHUFUTINSKY. (28 tracks, 109 minutes, $5.99). This zany album consists of a lot of live traditional tracks. They sound a lot better than the two studio albums I have by him.
Лучшее by ИГОРЬ ТАЛЬКОВ (Igor Talkov). (50 tracks, 252 minutes, $5.99). Collection of a Russian music icon. Parts of it sounds rough and downbeat, but remember, this was the 80s and 90s. Most of the hits I already know were here — and then some. Curiously missing was my favorite song “Летний дождь” (Summer Rains) which you can download separately from the Моя любовь album.
Все пучком by ПОТАП И НАСТЯ (Potap i Nastya) (23 tracks, 56 minutes, $5.99). Outstanding upbeat pop/rapping duo from Ukraine. This group produces so many fun and amazing songs (and vids!) that it’s a wonder they are still unknown in the West. Also, highly recommended was their earlier album Не люби мне мозги which was just as amazing (though I didn’t buy it from emusic; I checked it out of the library).
Время и Стекло by Время и Стекло (Vremya i Steklo , or Time & Glass) (18 tracks, 58 minutes, $5.99). Very young and telegenic Ukrainian dance pop duo from the same label as Potap i Nastiya. They sing more dancey/EDM; Less clever than Potap i Nastiya but more stylish.
Verka Serduchka: (ВЕРКА СЕРДЮЧКА) Selections from various albums such as Do Re Mi and Tralli Valli .Serduchka gained notoriety with his outrageously fun song in a 2007 Ukraine Eurovision performance. Though his comedy songs are great (and make great vids), the more mainstream songs are good too. Let’s give him credit for reinventing the folk pop song.
Irina Bilyk (ИРИНА БИЛЫК). Selections from various albums. By the way, I saw Bilyk perform at a concert in Lutsk, Ukraine in 1997 with a similar Russian singer, Linda. Bilyk’s songs are pleasant, moody, lightly arranged. Fast techno dance track often combines with a slow downbeat (almost whispering) style of singing. (which reminds me a little of Suzanne Vega). Her 1995 album Нова consists of mainly dance-techno songs and has lots of great moments. The 1996 Так прост doesn’t have as many memorable melodies, but lots of good vocals and arrangements. Later albums are more lyrical (and not as successful). I ended up loving her slower 2014 album Рассвет. This singer has definitely grown on me over the decade.
Благо дарю by ОЛЬГА ГОРБАЧЕВА (Olga Gorbacheva). (43 minutes, 12 tracks, $5.88) Cute young blond who sing serious/sincere songs in the same vein of Irina Bilyk (indeed this album shares a track with Bilyk’s 2014 album which I mentioned above).
НЕАНГЕЛЫ: Selections from two albums Best of and Роман. I would describe this as dramatic but unostentatious pop with a slow and slick techno sound. It’s fast and danceable but not particularly memorable; at the same time, it’s pleasant enough to listen to.
Live Шоу “Каролина” by Ани Лорак (Ana Lorak). (25 tracks, 103 minutes, $5.99). Spectacular concert by Ukraine’s music superstar. This concert (which is fully available on youtube) has lavish sets, a full band and chorus and several surprise guests. The songs are not as amazing as the electrifying way they are performed. In fact, I’m at a loss to provide an American equivalent. Perhaps Jennifer Lopez or Diana Ross or Shania Twain or Tina Turner. She’s not rap or really EDM, but more traditional singing which really soar when she’s in a duet with frequent guests.
Коллекция легендарных песен by ОЛЕГ МИТЯЕВ (Oleg Mityaev). (50 tracks, 171 minutes, $5.99). Megacompilation by Russian bard/folk singer who got started in the early 1980s. His style is traditional folk (and frankly the melodies can get monotonous). About half the tracks are live recordings, and most consist of some combination of piano, accordian or acoustic guitar. Some of the slower ballads are gems. Fun fact; he hails from Chelyabinsk (near the Ural Mountains). In late November as I write this, its temperature is 17 degrees F below zero!
May 2015. I have been winnowing my list of SXSW performers and will soon buy albums by new talents (see April 2015).
Milton Hopkins and Jewel Brown. (41 minutes, 12 tracks for $5.88). Jewel Brown was the main singer when Louis Armstrong was touring overseas in the 50s and 60s. Jewel Brown is no Ella Fitzgerald, but she has some great songs — most of which are hard to find because they were recorded under the name of Armstrong’s band at the time. Brown retired in 1971 for personal reasons, living in Houston, running a hair salon and doing the occasional concert. In the last few years she has been performing with local blues legends, and this album is one of these collaboration. This album combines a bluesy guitar with Jewel Brown’s lively singing. It’s more bluesy than jazz, but it’s still a worthy album and a lot of fun.
Blade Runner: 30th Anniversary Celebration (Music from the Motion Picture). Apparently there has been no full release of the actual mysterious Vangelis soundtrack, but this musician decided to reconstruct the soundtrack in its original form as best as he could. It sounds great and apparently has satisfied most of the people who were complaining about the previous soundtracks.
All Your Love by Siti Nurhaliza. (10 tracks, 42 minutes, $4.90). Nurhaliza is an amazing (and beautiful to look at) Malaysia singer who I discovered during my yearlong period of downloading all sorts of pirated albums from Audiogalaxy in 2001. I loved her stuff to death. Fun, pop and catchy in an Asian way. This English album probably isn’t her best, but it’s in English, has some good songs and is the only thing emusic has by her. Which is fine (for now at least).
Grandes voces melodicas. Leonardo Favio. (30 tracks, 93 minutes for $5.99). Longest compilation of this versatile Argentine singer, actor and director. Mainly love ballads and random stuff; some very catchy stuff here which when combined with Favio’s brooding and poetic voice make this a winner.
Best of Ho Ngoi Ha. (23 tracks, 101 minutes, $5.99). I first heard this woman sing the traditional part on a great and funky duet on Suboi’s rap album. This is also a good collection (though the arrangements are fairly minimalist and the songs slow and bland).
Live in 67 (by John Mayall’s Bluesbreakers). (13 tracks, 77 minutes for $6.37). Outstanding but low-fidelity live performances of John Mayall and the three founding members of Fleetwood Mac. Amazing stuff.
The Yardbirds Story by Giorgio Gomelsky. (89 tracks, 290 minutes for $6.49). Amazing 4 CD collection of Yardbird stuff between 1963 and 1966.
Ondatrópica by Ondatrópica. (Soundways Recording). (19 tracks, 77 minutes). Multigenerational collaboration of Columbian singers (old and new), featuring cumbia mixed with a variety of contemporary styles.
Predestinación by ARIES VIGOTH. 12 tracks, 47 minutes for $6.49.
Ekstasis (Expanded). Julia Holter. (15 tracks, 92 minutes for $6.49). Experimental mood music.
Various 80s Ital0-Disco compilations, starting with this double-disc one: The Best Off Disco 70/80, Vol. 2 (30 tracks, 174 minutes, $5.99). Other volumes in the series go about 110-120 minutes. which all have about 110-120 minutes: Best of Italo-Disco Vol 1, Best of Italo-Disco Vol 2 (not to be confused with the double compilation listed above) and Best of Italo-Disco Vol 4. Personally I liked Vol 1 the best (maybe because it’s the first of the series I listened to). The vocals don’t particularly stand out, but the retro disco instrumentals can go to remarkable places. This label has a limited number of artists in its stable — and these are NOT the well-known ones in Italo disco, but these are lively and mindlessly fun.Here’s a Pitchfork article about the phenomenon: “Who on earth ever thought that these were good ideas for songs, or that they could become hits? And why, ill-fitting as it is, do I still find some of these strange songs stuck in my head? There will always be something a bit off about Italo but that might be what makes it so pliant, so resilient. It’s failures become its strengths. Its sexiness is like a mannequin posed for a hug, its futurism like a cyborg soaked in seawater, trying to pass as human.”
April 2015. I now have $300 worth of credits to my name. Time to do some serious music shopping. For the next few months, I can stop going for the compilations and start buying newer artists and even fit in some jazz artists (thanks to the smart reviews of the latest jazz releases on the birdistheword blog).
Sun Rockabilly Meltdown, (103 tracks, 236 minutes for $5.84). Besides the familiar Jerry Lee Lewis and Carl Perkins, a lot of new new names to me.
Snake Box by Harvey Mandel (47 tracks, 236 minutes for $6.49). Famed blues player in a gigantic box set. Incredible compilation!
Boleros: Volume 1 and Volume 2 are both hefty albums, weighing in at 180 minutes each for $6. Boleros are slower, gentler songs, and both volumes contain lots of classic singers like Olimpo Cardenas, Los Ponchos, Julio Jaramillo, Los Dandys and Daniel Santos.
Grandes Exitos Vol 3 and Vol 4 by Las Hermanas Calle (each are 16 tracks, 45 minutes for $6.49) Emusic didn’t have volumes 1 or 2. This sister duet from Venezuela has some lovely ballads and boleros dating over several decades. (Bio in Spanish here). Traditional but engaging stuff.
(On bandcamp, not Emusic — but worth mentioning anyway because of the bargain aspect, 250 substantial tracks for minimum $18 donation). Touched Two compilation of ambient/electronic music. Quality varies (and I heard some glitchy things which I removed), but for the most part it sounds like ambient/New Age music by lots of electronic artists. (I assume that they are British/European, because the money benefits cancer research in England).
(On Amazon, for $5 – $1 credit). Greatest Hits: Lean on Me by Bill Withers. (18 tracks, 74 minutes for $5 make this one a steal).
Everything I do Gonh Be Funky By Allen Toussaint. (40 tracks, 107 minutes for $6). Compilation of greatest 50s, 60s and 70s arrangements of this famed Louisiana-based musical producer.
Special SXSW List I am keeping a separate list of SXSW finds which are priced normally — but still good deals considering the booster credits. This list will incorporate more than one month. Update: I am still only about 1/3 into my 2015 SXSW picks, and I started listening to great tracks from 2011 SXSW. For convenience I will be mingling all SXSW discoveries on this list.
Walk by Suboi (9 tracks, 32 minutes for $4.41). Suboi is a Vietnamese rap singer whose songs are peppy and bilingual and fun.
It’s Alive by La Luz. (11 tracks, 33 minutes $5.39). Good upbeat girls surfer rock by a featured Los Angeles group at SXSW 2015 with hints of anarchy throughout.
Bernhari by Bernhari. (11 tracks, 46 minutes, $5.39). Energetic Canadian instrumental band with elements of dream pop. Absolutely original.
Your Old Droog by Your Old Droog. (18 tracks, 59 minutes for $6.49). It is rare when I stumble upon a rap album which 1)is not laced with profanity, 2)has nice musical elements and clever lyrics. This album is the pleasant exception. Ironically the singer (who was initially mistaken for NAS) is actually a young Ukrainian-American living in NYC.
Total Strife Forever (Deluxe Edition), East India Youth. (12 tracks, 107 minutes, $8.99). This great electronic album also contains the 54 minutes “20,000 Leagues under the Sea.”
Kalaboogie and the Prosper Project by Doomsquad. (Each about 45-55 minutes for $5.99). Electronic/percussion Toronto-based band with moody hypnotic effects — including the occasional vocals. Think Yo La Tengo with a dance beat.
Another Way to Live and the World You’re Living In by Amber Digby. (35 minutes for each $5.88 album). This Houston native sings unassuming and winsome country songs which remind me a lot of Willie Nelson.
Hanging Spoons by Gina Chavez. (12 tracks, 55 minutes, $5.88) Eclectic half-Mexican Austin singer-songwriter who alternates between the Latino sound and Texas country — a little like Rosie Flores.
Ways Over Water. Fritz Kalkbreiner. (13 tracks, 72 minutes, $5.19) Berlin electronic artist.
Obsidian Spectre by Crosss. (8 tracks, 42 minutes for $5.99). Grandiose and Symphonic-sounding heavy metal.
Solstice by the Heaters. (8 tracks, 26 minutes, $3.92). Fierce surf-psychedelic garage rock by a Michigan band. A hard pounding drum beat ensures that you don’t get lost in the haze. This band has become one of my fave discoveries from this year’s SXSW.
Life as a Dog by K-Flay (11 tracks, 44 minutes, $5.39). Gnarly and Arty rap by a San Francisco girl.
Unorthodox by Sno that Product. (17 tracks, 49 minutes, $5.99). Latin rapping by a tough-talking California girl. Think of Eminem, but it’s a lot more danceable. Actually she’s the Latino M.I.A. with lots of electro-pizzazz underneath the lyrics. Some pottymouth-ery, but generally there’s a social purpose behind it.
Ninety Thirty Thirty by Fielded. (11 tracks, 36 minutes, $5.39). Lyrical self-produced album by Lindsay Powell, a girl with a voice like Blondie, clever arrangements, surprising space melodies and deliberately slow tempos.
Loose Ends by Francisco the Man. (10 tracks, 50 minutes, $6.99)
Insides by Fort Rameau. (8 tracks, 52 minutes, $6.99).
Under the Surface by Marit Larsen. 11 tracks, 37 minutes, $5.99. Larsen is a Norwegian pop sensation and songwriter who seems like a less angrier version of Alanis Morissette.
Where We All Live EP by Wheelchair Sports Camp. 6 tracks, 24 minutes for $2.94. A sort of rap/jazz/punk band from Denver fronted by a rapping girl in a wheelchair. Sounds like a freakshow, but it’s actually good music — and also very fun.
Black Hole Lace. by Kemp & Eden. (9 tracks, 30 minutes, $4.41) Slow and Arty two-part harmony dream pop by two cute girls with offbeat lyrics.
Selections from Analog Rebellion. Texas Songwriter Daniel Hunter writes a lot of off the wall songs with bizarre themes and lyrics, but the music is always remarkable. Hunter’s band is prolific, and I ended up picking songs from all his albums. The albums I took the most songs from included: Ancient Electrons, Evaders, and Cavanaugh, Something.
1993-2003: 10 Years of K’s Choice. Compilation. 18 tracks, 64 minutes for $5.99 Laid back 90s grrl rock. It probably needs to be rowdier, but a good restrained Greatest Hits album.
Waving at the Sun by K’s Choice. 12 tracks, 34 minutes, $5.88. More recent album by the band which is absolutely ethereal.
Collection 1: An Embarrassment of richard. by Richard Barone. (15 tracks, 63 minutes, $5.99). Volume 1 compilation album of Richard Barone, singer for the Bongos and music producer who writes slow catchy pop songs. Update: I also bought Collection 2: Before and Afterglow (22 tracks, 76 minutes, $5.99) which I liked even better. It’s slower, more interesting and still fun.
Selections from Extra Classic. (From Showcase and You Light like White Elephants). This San Francisco group plays a lot of easygoing dub/reggae (more). The songs are somewhat interchangeable, but the girl’s singing and the jamming guitars makes it refreshing to listen to.
March 2015. Wow, another booster credit sale! Although I will be scoping out the mega-compilations, I want to grab some by newer artists, especially discoveries from SXSW.
Boston by Fleetwood Mac (30 tracks, 213 minutes for $11.80). Great and expansive blues track by early Fleetwood Mac when Peter Green was fronting it.
Feb 2015. Finishing off the credits and returning to normal. But I still have a lot of megacompilations to buy! Over the last 3 months I seem to be getting most of my emusic recommendations from a single forum post about multidisc compilations. Indeed, I’ve added a lot to this thread as well.
Rare Soul and R&B Masters. (100 tracks, 263 minutes for $6.49). Wonderful collection of singers and songs I have never heard of. I had expected to recognize a few names, but with the exception of Tony Orlando(!), Brenda Lee (!) and Gloria Gaynor, none of them ring a bell. Like other compilations, these are digitalizations of “needle-drop recordings” from the 60s, but they are still lively and good-sounding.
Mag All StarsVol 1 and Vol 3 are compilations of lively 50s Peruvian nightclub gems. Lots of salsa/mambo/nutty jazz stuff by unfamiliar names. Each about 71 minutes for $6.49, both are great deals which come from Repsyched Records.
Lucho Gatica. (107 tracks, 350 minutes). This A to Z collection is a grabbag, but it contains the major hits of this Latin American singer.
Jan 2015. Continuing to spend the booster credits from last month.
Five Album Set & Bonus EPs. (72 tracks, 291 minutes for $5.99). The American Dollar. Great rock instrumentals which have a symphonic quality. Engaging, exciting (like early Rush).
Petula Clark Legacy. (57 tracks, 150 minutes, $6.49).This generous album contains mainly minor tracks, show tunes and cover tunes– before Petula Clark hit the big time and started producing great 60s rock songs. But the songs here show an earlier style; they are fascinating, very hummable and entertaining. The good news is that there is virtually no overlap between this album and the more conventional compilation Petula Clark albums. See also the practically identical compilation It Had to Be You. Unfortunately the best compilation of her rock period (Ultimate P.C.) used to be on emusic, but was taken off during last year’s exodus of big labels.
Ibiza’s House of House (Compilation 52 tracks, 323 minutes, $5.99). This excellent and long compilation of recent progressive trance has many high moments, plus the songs are all unedited, so you get the full versions.
Countrypolitan Classics by Eddie Arnold (44 tracks, 121 minutes for $5.19). This Great series contains long compilation of country legends for bargain prices.
Lo mejor de Julio Jaramillo (78 tracks, 224 minutes for $5.84). Great compilation by the great Ecuadorian singer.
Cuba Cubaneando by Benny More (91 tracks, 273 minutes for $5.84). Great combination of old tracks by this Cuban crooner.
Best of Caterina Valente. (52 tracks, 151 minutes, $6.49).Really outstanding compilation of 50s and 60s showtunes/Latino and early rockish sounds by an Italian singer who also made it very big in US and other countries. I loved almost every song. Some of them were just wacky!
Scared to get happy (Compilation of British punk hits — 50 tracks/149 minutes for $6.49). Update: Further listening to this album makes me less than impresed.
100 Años de Historia Musical, Vol. 1 and Vol 2 by Lucho Bermudez (each 60 minutes for $6.50). Latin America’s equivalent to Benny Goodman and Big Band. Great stuff.
Los Reyes del Merengue by CHAPUSEAUX Y DAMIRÓN (12 tracks for 30 minutes). A really fun and elegant album by the great merengue masters. Appearances by vocalist Sylvia de Grasse and flautist Gilberto Valdes really balance it all out and make it feel like a magical combination.
Girls, Girls, Girls, Vol 1. (174 tracks, 421 minutes). Random grabbag of unknown female tracks from 50s and 60s. I recognized almost none of them!
November 2014. OMG 2 for 1 Booster Credit Month. Time to go crazy!
City: Works of Fiction (Expanded Edition) by Jon Hassell. (202 minutes for $8.60) Phenomenally interesting free form ambient jazz soundscapes by a well known avante-pop artist who frequently collaborates with Brian Eno. This totally wowwed me and I am looking forward to picking up Fourth World: Volume 1, which is a classic work which should be available in digital form very soon.
Blind Troubadour of Oaxaca . Alonzo Cruz. Damn those overpriced high-quality Smithsonian Edition recordings. Here’s a 42 minute compilation from the 1960s which is great, spare and memorable.
Cantares de la Revolución Mexicana y Canciones Norteñas, Various. (117 minutes for $6.49). This random 2 disc compilation of songs from the Mexican Revolution period (1910-1920) stands out as containing a fair number of well-known singers and unknowns, not terrible sound quality (though not great), a variety of songs and really beautiful melodies.
Music for Anna by Tete Montoliu. Excellent bargain-priced ($3!) jazz session in the later part of Montoliu’s career. This Spanish jazz pianist seems to be little known, and yet his career spans decades. Next month I will definitely be grabbing the Grandes Exitos de Tete Montoliu (105 minutes for 5.84) which takes from several different albums.
September 2014. Amidst the scary announcement that emusic is dropping lots of titles by the big labels, there is still lots of good indie stuff to get into:
Deep in the Shallows by The Church.(154 minutes for $6.49). Outstanding compilation of 20 years of hits by this Australian jangle rock band. One reviewer called the songs on CD 2 to be amazing, and I agree. As the album winds down, the sound is more balanced and moodier. Less about trying to rock you, more about trying to grasp at something unfathomable.
Спасибо by Zemfira (ЗЕМФИРА). Zemfira is a female singer who hit the Russian pop scene in the 1990s with her self-titled debut album. All my students liked her, and I did too. 15 years later, I can’t help but wonder what she has done in the meantime. Here’s the answer! Although some of her intervening albums were forgettable, this one had lots of great moments.
August 2014. I upgraded my membership so I had $16.99 of credits per month by paying $134 for the year. On another note, I made a major purchase of used CDs from half.com, including a bunch of ultracheap imports of jazz box sets and all sorts of random 90s stuff. So I haven’t been wanting for music.
RCA 100 Anos de Musica by Tony Camargo. (107 minutes for $11.10) As tempting as the RCA 100 Anos de Musica compilation albums are, I’ve resisted because they are so damn expensive. Instead, I have been downloading for free from Freegal select songs by Pedro Vargas, Roberto Jordan, Armando Manzanero, Los Churumbules de Espana (awesome!), Emmanuel and other collections. But I couldn’t resist the Camargo collection; it sounds like early Tito Puente or 1940s Big Band; almost every track is fun and fresh.
Self-Titled by Ultimate Spinach, (9 tracks, 36 minutes for $4.41). Good 60s psychedelic music from Boston. In September I also bought the excellent sequel Behold and See soon.
July 2014. They had their 2 for 1 emusic credit special, so this month will have some intense purchases. (Also I checked out some amazing things from the library and bought several amazing used CDs. Many titles were inspired by this great list of emusic albums (which is further evidence that great evidence are everywhere if only they can be noticed).
Car Wash OST by Rose Royce (73 minutes for $5.19). A terrific album with lots of funkiness and soul. Great jazzy instrumentals too. I saw the movie for the first time a few months ago and couldn’t believe how awesome the background music sounded.
В Добрый Час (Good Luck) (1986) by Time Machine (Машина времени). Some light-hearted songs with a folk feel but also keyboard and guitar and hints of rock and roll. This 38 minute album from the 80s capture the early adventures of the group. Stylistically it reminds me of the Beatles’ Yellow Submarine phase — frivolous, lackadaisical and a good kind of weird.
Speak No Evil by Wayne Shorter (48 minutes, 7 tracks for $3.89).
Live at the Summit Club by Johnnie Taylor. (10 tracks, 64 minutes for 5.19, but you can skip the first track, which is just an introduction). This concert was recorded for inclusion in the Wattstax documentary, but only one of the songs ended up being used. Here’s what was left on the cutting room floor.
Hello Avalanche by Octopus Party. ($6 for 43 minutes). This Austin avante garde electronica band is fun and soothing and silly. All their albums can be streamed on their bandcamp site, but the albums are cheaper to purchase on emusic. It’s worth noting that their band site has several free downloads.
Lift Your Skinny Fists like Antennas to Heaven by Godspeed you! black emperor. ( 4 tracks, 87 minutes for $5.84). Symphonic space rock composition which is purely instrumental, gradually building up and exciting.
Greatest Rhythm and Booze Collection by Amos Milburn. ($6 for 77 minutes). Outstanding and fun 50s R&B tracks by a Houston singing legend. Update: Apparently songs from this album and other songs can be downloaded for free from archive.org . (See here and here). A cursory listen to the free tracks indicates that they don’t suck.
Rock-a-billy: Boogie Woogie Blues Man. By Roy Gaines. (37 minutes for $6). More R&B stuff by a Houstonian I hadn’t heard of. (Actually I guessed correctly that he was related to Grady Gaines of the Upsetters).
Feel the Heat by Henry Paul Band. A recent Southern blues rock band with lots of power. Great mainstream kind of sound.
Come Again by Even. Surprisingly engaging Australian pop band from the 1990s that has a 60s like Beatles sound (along with occasional dissonances and wit).
Irish Tour by Rory Gallagher. (Live concert: 71 minutes for $4.54). Highly regarded concert of Irish blues guitarist Rory Gallagher when he was in his prime.
Mark-Almond ’73 by Mark-Almond. (40 minutes for $2.94). Unclassifiable downbeat rock.
Black-top Blues-o-rama Volume 4, by Various Houston blues artists performing at New Orleans (I think). Some great and powerful stuff, especially Grady Gaines and Big Robert Smith.
Live by Clarence “Gatemouth” Brown. (48 minutes for $5.39). This album was dinged on allmusic for bad acoustics, but I didn’t notice it. This album shows how exciting Gatemouth can be in person (I saw him once and can attest). He floats effortlessly between genres, and this particular recording emphasizes the more energetic jazz stuff.
Soul Makassa by Lafayette Afro Rock Band. (Plus 1 or 2 tracks extra from other albums including the great Ozan koukle)
Rosie Flores by Rosie Flores. (30 minutes for $5). Great 1987 debut album by this Texas country singer . Traditional country with a strong guitar presence and hints of rock and roll. She sticks to the genre pretty closely, and I personally prefer the more soulful songs like “Somebody loves, somebody wins” than the more upbeat numbers.
#7885 Electropunk to Technopop 1978-1985 by Cabaret Voltaire. (77 minutes, 19 tracks for $7). A fairly accessible collection of CV’s midcareer works, and a good introduction to what this avante pop/electronica band was all about.
Full Gain by Grady Gaines and the Texas Upsetters. (Selected tracks at 49 cents each). I spent the rest of my balance on this classic Texas saxophone-led blues band. Although the fast-paced stuff is fun and funky, the slow numbers (like If I loved you a little less and Miss Lucy Brown) are really where this band shines.
June 2014. I’m still on the basic plan (hopefully I can upgrade in 1 or 2 months). But I found 3 great low-cost LA punk compilations.
Beach Blvd. Compilation (30 tracks, 65 minutes for $1.95). Here’s a Posh Boy compilation of 70s Los Angeles punk, including Negative Trend (with Rik L Rik), etc.
Posh Hits #1. Compilation (20 tracks, 49 minutes for $1.95). More of basically the same genre, with Pariah, Redd Kross, Simpletones. Etc.
Four Days in a Hotel Room by the Nuns (24 tracks, 72 minutes for $1.95). A really fun and versatile female-led punk group which is always sly, seductive and naughty. Liked this a LOT!
May 2014. I downgraded my membership to the basic while I look for a job (Remember I went on a buying spree last month, so don’t worry about me!). But I bought something amazing:
Francophonic 2. (13 tracks, 148 minutes for $6.49). Volume 2 of the Franco compilation featuring tracks from the last decade of Franco’s short life. Francophonic 1 (which is the same price and duration, but covers the early years) is also unbelievable. I bought 3 other Franco collections below for low prices as well: Roots of OK Jazz, Very Best of 1960-2: Franco and Lisanga Ya Banganga. By Grand Maitre Franco, all of which are terrific. Although there are dozens of Franco CDs, these 5 budget compilation albums have probably no overlapping songs (well, maybe 1 or 2).
March -April 2014 (combined). I took advantage of the 2 for 1 booster credits to gain $100 of credits for only $50. Just in the nick of time because my To-Buy list is growing incredibly large.
El Kravchuk. Luchshye pesni – 15 let. (18 songs for $5.99) El Kravchuk is a Ukrainian singer with an almost operatic voice who sings tunes with a techno pop. Some of the pieces seem low-key, lyrical, soaring, danceable. This is a compilation from the last 15 years and truly wondrous. I didn’t warm up to it immediately when I first heard it in Ukraine, but now I can’t get enough of it.
Chess Blues Box Set. (101 tracks/290 minutes for $26) I’ve been salivating over this box set for years, and it bugs me that I haven’t been able to get it from ILL (interlibrary loan). Because the price of the digital box set is steep even with the discounts, I can only justify buying this when I have bought 2 for 1 credits. But it is great! (I am eagerly awaiting from ILL another blues box set called Juke Joint Blues which contains no overlap with this one).
Awaara/Shree. An album which combines 2 well-known soundtracks from Bollywood movies. A bargain! (Update: Just listened again to it. What a great collection of songs!)
Lo Mejor De Lo Mejor de RCA Victor by Libertad Lamarque. (Compilation: 40 tracks/112 minutes for $11.10) Great compilation of an Argentine singer who became wildly popular in Mexico. This stuff contains lots of songs from her Argentina days in the 1930s-40s and her later stuff for Mexican films in the 50s and 60s. The songs are good and gushy romantic, but her voice is outstanding and very expressive. Update: I still like this album, but very few songs really stand out as great.
Originales — 20 Exitos by Jeanette. Great 20 track compilation of Jeanette’s best songs from the 80s. Lots of hidden gems here. Jeanette has a soft coy soft like Suzanne Vega, and these tunes are catchy, pensive and very sweet. Like a Bacharach song, these songs seem deceptively simply and formulaic, but after you unpack the lush orchestration and crescendos, you realize that there’s a lot more here than you expected. (Note: “Originales 20 Exitos” is a generic title for single artist compilations from previous decades (most are smaller than the RCA 100 Anos de Musica). Often you can choose the single CD compilation titled “Originales 20 Exitos”
RCA 100 Anos De Musica – Segunda Parte ( Grandes Baladas De Los 70s) (Compilation: 36 tracks for 120 minutes at $11.10). Outstanding compilation of Top 40 Easy Listening Ballads of the 70s by all the Mexican greats. Honestly, I wish I could buy every single of the 50+ titles — even though they were rather expensive. Unfortunately, the Mexican music business don’t have low cost compilation CDs, so this is all you’re stuck with. In addition to single artist compilations, there are some good 2 disc compilations by multiple artists. Honestly I was torn between 3 different compilations and this one won…
Slave Ambient by War on Drugs. Great guitar rumblings and electronic background to a man who sings like Bob Dylan. I can’t for the life of me understand what this singer is saying (the guitar strumming drowns it out), but the music is exciting and at the same time low-key.
Snakebite by Eleni Mandell. I’ve been following Mandell for years. She writes quirky, dangerous and off-the-wall songs. Great lyrics, lots of dissonance and crazy melodies. Sure, she’s mellowing out with her later albums, but this albums comes from her I’m-still-crazy stage. Check out this awesome review of this album.
Tele by Pjusk. ($4.41) Slow subterranean ambient music that moves at a glacial pace. It’s made by two Norwegian guys who say their music is influenced by the natural landscape — living in the mountains in the snowy winters. A nice change of pace and a genuinely beautiful soundscape (dare I call it music?)
Adams Effect by Pepper Adams. Last recorded performance of jazz great Pepper Adams in a cheap ($3.43) recording. This album has been on my list for over a year, and I finally got around to buying it. Lively perfection and a historically important recording.
February 2014. What luck! I posted the Refer a Friend $50 Credit and Earned $50 more credits to my account. (PS, If you want me to send you the $50 offer, email me).
100 Hits Lounge (456 minutes for $11.98). Probably a frivolous choice, but a good value and I had LOTS of fun listening to it on rdio. The concept is simple: 100 mainstream pop songs are reinterpreted and rearranged by mostly South American jazz/lounge DJs. So almost every tune is familar, but the reinterpretations (often with jazzy vocals) are fresh, unusual and surprising. I listened to and enjoyed another 100 track lounge compilation for $5.99 called Lounge Top 100 (listed below) which contains unfamiliar tunes and I see that there’s a low-cost sequel called Lounge Top 100 Vol 2 which I have yet to buy, but almost certainly will do so eventually.
Roots of OK Jazz (59 minutes for $5.99). Early musical offerings by the legendary Congolese jazz band led by Franco. This tracks feature more of the band and less on individual stars (like Franco himself). Just as good as I’d imagine it.
Very Best of 1960-2. Franco and L’Orchestra OK Jazz. (121 minutes for $6.49). Both of these albums are great; this album is a double set. Significantly, with the exception of one track, there is virtually no overlap between this album or Roots of OK Jazz or the Francophonic 1 compilation.
Places like This. Architecture in Helsinki. ($5 for 31 minutes) . Peppy rhythmic Australian band with lots of weird sound effects and vocals. Reminds me of Talking Heads or B52s, with a healthy dose of silliness.
Fluorescence by Asobi Seksu. Great hazy electronic band by a Japanese-American artist. Shoegazing, meditative, flighty stuff with lots of unusual beats that leave you off-balanced. I actually prefer her earlier work Citrus which was really moody, Goldfrappy and stirring in a bold way, but Fluorescence was on sale by Polyvinyl, so I decided to get this first. Still an excellent album to contemplate by.
I need you bad. Various. (Sale $5 for 15 tracks at 48 minutes). Random collection of West Coast garage bands. No single track stands out, but there’s a variety of styles and a lot of slow/whispery/underwater-sounding tracks. Though I loved it at first listen and like being exposed to these kind of bands, nothing really wowwed me.
King Of History – Classic 1970s Benga Beats From Kenya. (84 minutes for 5.99). This music is characterized by fast jumpy beats, and call and response by the chorus and the jumpy guitars . A critic writes,” the songs normally start off with a snappy guitar riff as introduction, followed by voices over lulling guitar work. Then, with the singing out of the way, the instruments get down to the serious business, galloping into double time as the guitars trade short, frantic phrases.” Love it overall, but there doesn’t seem to be any musical climaxes, just lots of rapidfire beats.
January 2014. Still trying to figure out what to get.
Noor Jehan Digital Collection Volume 1. (72 minutes for $5.99) Jehan is Pakistan’s most famous singer who sang in movies and as a playback singer. She appeared in a number of Bollywood movies as well. She has recorded over 10,000 songs (compared to 26,000 songs each for Asha and Lata). This is the first of 9 volumes. Unfortunately this digital collection doesn’t have any sort of organization (chronological or otherwise), but the songs are great.
1992-2012 Anthology by Underworld. A 3 1/2 hour anthology for $6.50 certainly seems like a good deal, especially because the compilation of tracks by this legendary 90s techno group provides highlights of many famous albums, including their early 90s stuff. This sells for almost 3x the price on Amazon and itunes. Update: The price recently doubled on emusic. Shucks!
100% Hits der 60er 70er 80er. (53 tracks/ 153 minutes for $4.50). I was browsing through many random compilations and came across this ultra-budget compilation of upbeat German folk hits from previous decades. This hoaky Lawrence Welkish style (called Volkstümliche Musik) was popular among a certain class of German society — but almost certainly not German’s youth; it is roughly analogous to U.S. country, but with oompahs and occasional yodeling. I’m aware that these tracks are easy to mock, but when I learned German at college, the music teacher used to play these songs occasionally — and it never really occurred to me that real people actually listened to this kind of music outside of an academic setting. There is not even a whimper of rock and roll here, but a few drops of classical music. In favor of this album, most (or even all of it) seems to be by the original artists. A great glimpse into a European musical style that was buried by rock and roll and disco.
December 2013. I have since found lots of interesting things, but can’t decide what to spend it on. Indeed, I have found several double albums and box sets available here which though cheap exceed my monthly credit. Good things will have to wait, I guess.
Angola Saudade 60*70. (194 minutes for $.4.40). Apparently someone at emusic goofed, and the 4 CD version is as expensive as each individual cd. Update: This album has been removed altogether from emusic, but it is still available on Amazon. Each of the 4 CDs cost $6.99 in digital form on Amazon. It’s still a fun and remarkable album.
November 2013. Using more of last month’s credit. Overdosing on Cambodian pop and neo-pop. One interesting historical fact is that about Cambodian musicians were very influenced by Western rock and dance styles; about 20% of them were killed by the Khmer Rouge.
Dengue Fever Presents Electric Cambodia. Dengue Fever collects some of their favorite Cambodian pop from the 60s and 70s. Pretty rocking stuff. Highly recommended.
Cambodian Psych Out. Another Cambodian song compilation with an emphasis on psychedelic guitar rock.
Dengue Fever Presents: Dancing through the Mekong. This half-compilation also features DF themselves playing some classic and original tunes. All very good, but I should add that I fully expect to buy a DF only album next month.
Not Easy Rock and Roll. by Cambodian Space Project. Apparently another group from Australia also is trying to squat on this Cambodian/world beat space. Surprisingly modern and cool.
Vida Mia and Very Best of Lydia Mendoza are two dynamite compilation albums by the Latino/Tejano singer from Houston who later lived in San Antonio. Born in 1917, most of Mendoza’s songs are from the 1930s and are absolutely boffo. Most consist of simple lyrics (all in Spanish), solos with acoustic guitar. Yet they have a lot of vitality and heart. They are sweet and relaxing, full of Latin strumming, danceable rhythms and soulful vocals.
Dandelion Gum by Black Moth Super Rainbow. Experimental arty rock by a Philadelphia band. I listened to their other incredible album Eating Us . Each song tries something different. Sounds like downtempo dream pop with almost a cooing Yo Lo Tengo vibe. These songs are individually so interesting that I find I can relisten to these two albums a lot.
October 2013. Still recovering from last month’s listening and buying orgy.
Lyadov Complete Piano Works, performed by Marco Rapetti (248 minutes for $6.49). (Liner Notes). 19th century Russian composer Lyadov wrote a lot of very short romantic programmatic pieces. Insubstantial, but colorful, complex. Hilariously uninterested in sonata-allegro forms, his music is reminiscent of Scriabin and Schumann. Apparently a lot of these pieces are performed here for the first time, so for $7 in emusic credits, you can get an outstanding deal. Please note that this and other recent classical music acquisitions (aside from Argerich) are re-releases from Brilliant Classics, a budget but high-quality label. Highly recommended, if only for historical novelty.
Nouela. Chants. Nouela Johnston is a Seattle singer and pianist who has played with a variety of alternative bands, including Say Hi and Mon Frere. She also recorded the solo album People Eating People which I think is great. Chants is basically Nouela with a piano; it shows versatility, a mastery of the jazz genre and heaps of soul. I love it.
Sept 2013. Took advantage of the Double-the-Value of your booster pack. I added $50, which meant a whopping $100 of emusic credits. I gave my nephew $30 of the music credits, that that let me still have $87 of credits which I put to good use quickly. I’m still in Africa, although I’m starting to venture into Classical Land and 80s Land. (Update: I ended up spending those $30 in credits meant for my nephew — sorry, Dylan!)
Lisanga Ya Banganga. By Grand Maitre Franco. This is a collection of duets by Congolese singer Tabu Ley Rochereau and singer-guitarist Franco. I’m continuing my obsession with the Congolese jazz guitarist and singer Franco which started with the amazing collection Francophonic 1 compilation which I bought a year ago. I will certainly buy Francophonic 2, although interestingly, Amazon has lowered the price of both compilations to be $2 cheaper than emusic’s prices. This collection emphasizes singing more than instrumentals; it is very slow, tropical, laid back, and neither singer dominates any of the pieces. The album actually combines two albums — one of them “Omana Wapi” was called by Robert Christgau one of the best albums of the 80s. Actually, though, I liked the 3 pieces not in that album called “Suite Lettres” which are softer, faster and more contemplative. This album didn’t wow me as much as Francophonic did, but it definitely will grow on me. Highly recommended.
Martha Argerich — The Collection 1. (liner notes). I was tempted to blow my entire credits on the 4 volume set, but this volume costs $14.40 and contained 374 minutes, and so I know that would keep me happy for a while. This volume contains the “solo recordings” and the selections seem to come from her remarkable and iconoclastic early performances. Next I’ll be buying Volume 2: The Concertos, but I already knew some of her early concerto performances already, so it wouldn’t exactly surprise me. By the way, I realize that now she’s in her 70s, but some of the photos from her early days (which appear on all her album covers) are really sexy. Update: It now appears that the encoding rate for this compilation is substandard (ie., 160 bps VBR compared to 256CBR on Amazon.com). This is both puzzling and disappointing. I have notified emusic about this, and hopefully this can be resolved. Update 2: They gave me a credit which I applied to volume 2 — which I am assured is high fidelity quality. Everybody is happy.
Martha Argerich — The Collection 2. The Concertos. (461 minutes for $16.30 — liner notes) I am happy to report that sound quality on this volume is perfectly fine. It includes her early concert of the Ravel concerto in G and Prokofiev #3 (which are electrifying and great, the definitive recording for each piece). Included also are standard works by Beethoven, Tchaikovsky, Schumann. These are all a delight; highly recommended. One note: there are duplicate recordings of the Ravel, Tchaikovsky and Beethoven #2, so the total time is somewhat deceptive.
Singles and Sessions 1979-81 by Delta 5. Delta 5 is a British girls punk band I had never heard of (and frankly was flummoxed to learn that they even existed). But their rowdy smartalecky lyrics was accompanied by genuine musical ideas and unexpected transitions. I heard about them on an NPR radio show about The 80s: Were they really that bad? and even though I never heard them until 2 months ago, they’re practically my fave 80s band now. Highly recommended.
Shout: The Very Best of Tears for Fears. I was vaguely aware of this 80s band and never really cared for them, but while listening to one of their songs in that same NPR radio show, I began to really like the moody synth sound and the pulsating rhythm permeating almost all the songs. I still am not a huge fan of the genre or the time period, but I have to concede the brilliance behind the music on this album.
Kokomemedata by Komeda. I just love this Swedish band to death. It’s always dizzyingly fun, inventive lyrics backed by traditional rock sounds and slight electronic effects. I bought the very early Pop Pa Svenska a few months back and loved it with reservations. This album is more mature, a lot more fun and solid. Ironically I haven’t listened to their middle (and most famous) album The Genius of Komeda, but I’ll be hitting that next. This album is fun, fast and brilliant.
Electro Perfecto by Mike Viola. I found out about Mike Viola from Willfully Obscure’s Top 100 albums of the decade. Ironically I didn’t buy the 2 albums this blog recommended, but this one is very clever and well-put together. Unconventional lyrics, catchy melodies. I’m definitely going to check out his other works, especially the Candy Butchers stuff he did in the 90s.
Lil’ Golden Book by Princess Chelsea is more slow dreampop, this time from New Zealand. It’s moody, electronic and full of keyboard, child-like melodies and really memorable singing styles. Sounds more like crazy kids lullabies than pop songs though.
Mughal-e-azam. Movie Soundtrack. Songs by Naushad Ali. Voiced by playback singers such as Lata Mangeshkar and classical music artists such as Ustad Bade Ghulam Ali Khan (who sang some qawwalis songs). Unbelievably good (and famous soundtrack) which features uplifting and philosophical songs. Highlights (for me) include Mohammad Rafi’s Ae Mohabbat Zindabad and Teri Mehfil Mein Kismat, qawwali duet where two women battle over the heart of the Prince (and the nature of love itself). Each song costs 49 cents and there’s no album discount, making it good to use when you have extra credits.
United Breaks Guitars (and the twosequels) . Dave Carroll. The two sequels to the original viral video song are just as good and fun…plus they only costs 49 cents each. Love the fact that the songs immortalize United Ms. Irwig (what a name!).
Free Sets. Various.
July 2013 (includes a $20 booster which I paid for). I’m taking advantage of a great sale of Soundway Albums. All these albums were $4.99 until the end of July.
24 Hours in a Disco 1978-1982. Kiki Gyan. This album came from nowhere. It is as good as disco gets. KIKI GYAN joined the well known Afropop/ Worldbeat band in the 70s at the age of 16, They performed in UK, came in contact with lots of American pop luminaries, until Gyan decided to try his luck in the US. This album bears an uncanny resemblance to the Donna Summer/Disco Inferno sound. My fave track is Disco Dancer (great jivin’ keyboard!), but Disco Train did somewhat well. Highly recommended ( though there are only 7 tracks).
June 2013: (includes a bonus “Thank You” credit of $20 from Emusic)
Sabah. Complete Collection (146 tracks — 868 minutes! for $6.49) Sabah is a great Lebanese singer who sang and appeared in many movies in the 1940s and 1950s. Definitely more upbeat and pop than Kalthoum. Also, the songs are shorter, more dramatic and energetic — many came from movies. For this reason, I think Westerners would find her music more than palatable. This and the other “complete collections” have a few recordings of subpar quality, but most are listenable. For the record, Sabah has recorded thousands of songs, so I’m assuming that this is a good sample.
OUM KALTHOUM. Complete Golden Collection (Remastered) (60 tracks — 2276 minutes for $5.84). Kalthoum is a famous classically trained Egyptian singer who was famous for singing numbers which lasted as long as an hour or two. This comprehensive collection includes her beloved Enta Omri song/concert as well as lots of other extended numbers. She usually sings with a full grand orchestra, and her extended songs sound more like symphonies alternating between the orchestra and her intense solos.
Mohamed Abdelwahab (Complete Collection) (249 tracks — 1957 minutes for $6.49) Mohamed Abdelwahab is a classically trained singer/composer and contemporary of Kalthoum. He was known for his Western influences and for the songs he wrote for Kalthoum and other people.
Shadia (Complete Collection) (137 tracks — 784 minutes for $6.49). Shadia is an Egyptian actress and singer who was features in many films between 1940s and 1970s.
Abdel Halim Hafez (Complete Collection) (115 tracks — 1429 minutes – $6.49). Abdel Halim Hafez is a legendary Egyptian singer who sang a lot of uplifting and patriotic songs. He was also a protege of Mohamed Abdelwahab (listed above).
Mark Bernes. Song “Cranes”. A gorgeous song written and performed by Bernes a month before his actual death. The words come from a famous poem about soldiers who died in World War II. I’ll buy the rest of the album later. Update: I bought about 5 other Bernes songs, all of them good but not as good as Cranes.
DJ Rap. In the Lazers EP. is a cheap dance-techno EP which cost only $1.96. I basically bought it to spend my remaining balance, but I’m a big fan of it too.
May 2013:
El Inolvidable by Tito Rodriguez is a great and almost comprehensive collection of vocal hits by the Puerto Rican mambo singer (i.e., the other Tito). Note that this album is identical to another album Anthology which is slightly more expensive. The 12 minute intro number introducing each performer is rather insufferable but quaint too, but even so, 107 minutes for $6.50 is an amazing deal.
Ima by BT is an early 1990s trance album by BT with some great soaring moments (Loving You more) and a sampling of Tori Amos which was wildly popular (Blue Skies). The first album ESCM is also legendary (though somewhat New Age dreamy by contemporary standards). Unfortunately the album itself is not for sale digitally, but I made a youtube playlist of it.
A certain smile, a certain sadness by Rocketship is a vivid and retro mellow electronic album in the style of Stereophonic. This album (their only one) first came out in 1996.
Now here’s the rest of the albums which I had been purchasing since December 2012.
Best Of Mushroom Jazz, Vol 1 – 5 by Mark Farina. Farina makes these slow and funky jazzscapes full of random samples and spoken words. It blends together very well, and actually it’s soothing enough that it doesn’t distract. I have fallen asleep to many of these unending mixes. I would have rather bought each volume separately, but this is a good sampling. Sometimes things sag and slow down, but like Gong’s soundscapes (see below) it’s always headed to interesting places. Ultimately, I bought this more for novelty’s sake than any other reason, but I was not disappointed.
One Day I’ll Be on Time by The Album Leaf. I have no idea why I bought this ambient instrumental album other than it had a dreamy meditative quality and it still had vestiges of a rock band (drums, guitar, etc). It’s more mood music than anything melodramatic, but almost every track has a rhythmic energy that keeps things chugging forward.
Selections from Hotel Hell and Stand Up and Fight by Richard Lee Wilson. Richard Lee Wilson is a great blues guitarist whose rough and roaring melodies will remind you of his idol, Stevie Ray Vaughan. Highly recommended even though some of his tracks have an uncanny resemblance to Stevie Ray. Hey, sometimes it’s ok to be derivative!
Call the Doctor by Sleater-Kinney. Shrill 90s Grrl band. This album was highly recommended in multiple places, but I couldn’t get into it except for maybe 2 or 3 songs.
Pirates Choice by Orchestra Baobab. I have become a sucker for anything by this Senegalese band. They combine many styles: mbalax jazz with danceable Cuban rhythm. A saxophone is front and center of almost each performance, and singers alternate between Spanish and Oolof. This was a one-session album from the 1980s (“Pirate’s Choice “ ironically refers to how often their albums were being bootlegged). Highlights include bluesy Ndiaga Niaw and the slow and deliberate Ultrus Horas. Highly recommended.
Selected Ambient Works by Aphex Twin (1985-1992): This early electronic album has been called an early groundbreaking work of electronic music. Personally I found it too minimalist for my liking. Not bad, but it had a tinny and cheap techno feel sometimes. It’s certainly a good listen, but it doesn’t compare to the richer symphonic creations of Tangerine Dream (see below).
Pragamatic by Praga Khan. Praga Khan provides the turbocharged electronic energy behind the ground-breaking underground band, Lords of Acid. All of his 90s albums are great (I have them as CDs). Classify under hard-hitting /house/dancey band with a European feel.
Rehearsals for Departure by Damien Jurado. One emusic editor recommended this acoustic singer-songwriter, and for the hell of it I decided to buy this early album. Jurado has a distinct and fragile voice, and his country songs are rich, tightly written and arranged with traditional harmonica and guitar. I think the poetic lyrics are more interesting than the melodies (which are slow, lilting and heartfelt). But the whole package is so pleasant and sincere that I am able to overlook the fact that the songs aren’t particularly hummable.
Best of Douglas Sahm & Sir Douglas Quartet (1968-1975) . Tom Moon of 1000 Recordings to Hear before you die ranked this Texan singer’s compilation CD as one of his fave recordings. Doug Sahm plays a lot of downhome country songs with a slight Tejano and polka feel. A pleasant addition to the traditional mix of instruments is a jazz sax; however, the songs demonstrate a variety of styles and instruments ranging from rock blues (I’m not that Kat anymore), country ballad (Texas Me), funky pop, and even 50s rock and roll. Everything feels simple and old-fashioned (even for 70s music) but I think his best songs are these slow, understated upbeat country songs like Mendocino and Sunday Sunny Mill Valley Groove Day.
Tangerine Dream: The Virgin Years (1974-1978). I was only vaguely familiar with Tangerine Dream, but I heard that their early electronic stuff was more interesting and intense. This double set includes 4 complete early albums; that’s enough to get an idea about the ground-breaking stuff they were doing. The music has enough momentum and keyboard crescendos to take your breath away. It’s exhilarating, eerie, perplexing and spacey without sounding too abstruse. Highly recommended.
Nothing but the Blues and Texas Swings by Herb Ellis. Herb Ellis is an easygoing jazz guitarist who plays lovely melodies. His rendition of “American the Beautiful” is one of the most beautiful I’ve heard, and he has collaborated with many immortals (Getz, Hampton, etc). I bought Texas Swings a long time ago, and it was one of my favorite easy listening tapes. Nothing but the Blues is one of his best collaborations.
Rough Guide to Psychedelic Africa Rough Guides are a steal (especially on emusic). They usually contain 2 CDs worth of music, and are impeccably chosen. I check out a lot of them from my public library, but this one was conspicuously missing. The featured performer is Nigerian Victor Uwaifo, whose 10 tracks here show the jazzy highlife sound. Other highlights include great tracks by Orchestra Baobab and other performers unknown to the west. Noteworthy about Uwaifo was the prominence of the flute in his mostly guitar-driven songs. By the way, you can subscribe directly to Rough Music albums. 2 albums per month at 10$ a month (minimum 12 months).
Submarine Bells by The Chills. Wonderful 80s New Zealand band who play these incredible soft rock ballads. This album is just perfect – lots of different styles, most of it lowkey synth rock with laid back qualities. I’m thinking of the Eagles/Fleetwood Mac/Police, but really I don’t think the US has any real equivalent. Highly Recommended.
Shoes – 35 Years: The Definitive Shoes Collection 1977-2012. I heard a piece on NPR about how the Shoes have basically been ignored by the public despite being loved by music critics. When i heard an excerpt of their “easy listening” sound, I thought, “that’s just like The Chills!” I didn’t immediately love this compilation; the sunniness of the songs can grow tedious after a while, and the singer’s voice doesn’t have a lot of emotional range. Songs like Too Late, Girls of Today, Curiosity, Feel the Way I do and Three Times are interesting (and catchy) songs, but they feel a little meandering. Over time I have come to appreciate the fine textures of both the vocals and instrumentation. These songs are not supposed to overwhelm you, but they have surprisingly intricate rhythms and melodies; I just wished the songs were more memorable.
Best of “Rock El Casbah” by Rachid Taha. This Algerian singer does a variety of rock and dance styles while preserving the Middle East feel. I didn’t love this album as much as I thought I would – it seemed too mainstream and pop, but it still had great moments.
Classic Titles by Boubacar Traore Traore is a great singer from Mali, and I forgot why I bought this man’s music. He sings these slow and gorgeous ballads with a solo guitar. His voice is always plaintive and yet the expressive guitar counterbalances the melancholy. Aside from the fact that the songs from this album all seem to resemble one another, they are powerful, intense and by far my most remarkable find on emusic. Highly recommended.
Live at the Old Quarter by Townes Van Zandt This live recording is supposed to be Van Zandt’s best album, and it has some interesting qualities – the small talk in between songs for example. Van Zandt has a great voice, and his songs are earnest and gentle – more country than blues. But no particular song stood out in my mind. Contrast that with Steve Goodman’s comedy songs (see below) whose songs always made me say, “Wow.” I realize it’s unfair to compare comic songs with serious ones and that I’m supposed to love this intimate presentation of Van Zandt songs. But to tell the truth, I don’t think any of the songs came close to “moving” me. Let’s compare and contrast Boubcar Traore with Townes Van Zandt. They both have beautiful voices and a soulful style; unlike Van Zandt (who gives the guitar a mostly accompanying role), Traore integrates the guitar deeper into the song and uses it more expressively. Traore’s guitar almost overshadows his voice in importance to the songs.
Very Best of Toot and the Maytals. Imagine Ray Charles or James Brown singing reggae songs. The songs on this compilation album are funky but also seem laid back for reggae; perhaps one could call slower songs like Never Get Weary or In the Dark gospel or soul. Toot knows how to rock with fast songs like 54-46 That’s my number or Monkey Man or Pressure Drop or Pomps & Pride. It’s hard to imagine a reggae singer not being overshadowed by Bob Marley’s memory, but these songs seem less political, more about faith and good feelings. To some, this underlying message might seem bland, but at least it shows that Toots is not simply trying to head down the same path Marley did.
DJ Rap Presents Propa Classics Volume 1 . I’m a big fan of DJ rap’s stuff from the 1990s, but this isn’t my favorite album of hers. I really dug Deep Inside and the downtempo Spiritual Aura 2001 (which ended the album). But the faster version of Aura was really fun too, and so was Diggable Bass. Hardstep was funky and good dance stuff. But I thought there was way too much chitter-chatter on tracks in the middle, especially Your Mind and The Lickshot. (Update: I am really liking some of her more recent stuff, including the $1.96 In the Lazers EP).
World of Daevid Allen and Gong CD 1 and CD 2 So far I’ve bought 2 CDs of the 3 CD collection which contains the best of Gong from the early 1970s. When I first listened, I admit I wondered if this freeform jazzy/prog stuff was pulling my leg – it just sounds like a long drug trip. But the slow and emerging melodies always go to interesting places. It sounds like a more colorful and less dark Pink Floyd. Highly recommended — just for the experience.
Steve Goodman Anthology. Goodman is a legendary folk singer who sings these fun songs about baseball, TV, sex, food. This great compilation album includes lots of great live performances and hilarious songs with guitar accompaniment. The songs are catchy, upbeat, and clever. This double album costs 11.98 on emusic vs. 17.98 on Amazon. Highly recommended.
Curve EP by Last Charge of the Light Horse . I used to know one of the performers from high school, so it was a treat to hear this album. Jean-Paul Vest has an interesting voice, and the jazzy instrumental touches really make these songs for me. The best and most accessible song is the lyrical Lately track…a real winner. The other pieces are moodier and less about the lyrics or the singing than about the winding instrumentals and silences.
Pop På Svenska + Plan 714 Till by Komeda. Komeda is a great Swedish electronic/punk band that combines dazzling special effects (a la Stereophonic) with strange rhythms and beeps, and lovely warblings by its lead female singer. Their later stuff was more palatable for the masses (one song even was played on a Powderpuff Girl cartoon). But this album (actually 2 albums re-released later ) consists of their juvenalia when they were still experimenting with styles and forms (oh, yes, the singer sang only in Swedish). This album isn’t perfect, but it is bold and dazzling and even mind-bending.
100 Jazz Essentials by John Coltrane. This amazing collection of Coltrane includes both the familiar and unfamiliar. At the low price of $6, it’s a must buy.
100 Disco Hits of the 70s, 80s and 90s . ($6) Some have criticized this (and other) collections for not including original recordings. A number are “one off recordings” (By that, I mean “different recordings of the same song by the same artist). Let’s not split hairs. 75% of the time, I couldn’t tell the difference, plus I enjoyed the grabbag of stuff from three decades which combines the well-known with the obscure.
100 Greatest Gospel Classic. ($6) I totally loved this collection for $6, although it seemed to emphasize African-American gospel a little too heavily. Sound quality is ok considering that it contains lots of stuff from 30s, 40s and 50s.
100 Greatest Motown Hits . ($6) A lot of “one-off” recordings, plus a lot of singers I’ve never heard of before mixed with Smokey Robinson, Stevie Wonder, Marvin Gaye, etc… Still, I enjoyed it.
100 Original Blues Kings. ($6!) Some of the specific recordings sound terrible, but there’s enough variety and stuff from little known artists to make up for it.
Lounge Top 100 ($6) This is my favorite big compilation, especially because I haven’t heard of any of the musicians. Lounge/downtempo jazz is a genre totally unknown to me, populated by lots of South Americans and Europeans. Highly recommended.
Number 1 Latin Jazz Album Ever! (6$) This compilation of 100 Latin jazz tracks has a lot of odd selections – quite a number from 1940s and Big Band era and Desi Arnaz? and I suspect that these are quite a few one off recordings. Still it’s a lot of fun.
Close Encounters of the Third Kind: Original Soundtrack by John Williams. One late evening I awoke from bed and felt various melodies from Close Encounters flowing through my head. Aside from the amazing interplay of the musical motif between spaceship and humans in the final scene, there is a lot of good incidental music along the way. This soundtrack was nominated for an Oscar for best musical score, but lost to John Williams’ Star Wars soundtrack (which I consider a lesser work by Williams). Of course, these are programmatic symphonic works, but it’s fun to compare and contrast with Holst, Debussy, Ligeti… Highly recommended.
Wild Ones by Flo Rida. (recommended by nephew). This collection of middle-of-the-road techno-rap tracks has sweet spots (especially in the Sweet Spot starring Jennifer Lopez samples, Good Feeling and Let It Roll tracks). Clever instrumentals and good and catchy dance tracks, but its repetitive format gets old very quickly. Also, it seems a victim of the loudness wars; everything is at a constant volume and can be exhausting on the ears. I think the duets between Flo Rida and females work especially well, and as long as you don’t listen too often to these tracks, they will seem great.
Overexposed by Maroon 5 (recommended by nephew). These songs are described on allmusic as “soul groove,” and that’s as fair a category as any (although it inevitably includes some electronic kicks). Highlights include: Daylight and Lucky Strike and Sad (an interest slow number). This album sounded a little too fashionable and prosaic for my tastes and really didn’t leave much of an impression on me.
Some Nights by fun.(recommended by nephew). I was pleasantly surprised at how engaging this pop album is. The main vocalist Nate Reuss reminds me of Freddy Mercury — naked, boyish, expressive, full of attitude (though not as histrionic as Queen). The songs are catchy, never overproduced and always have interesting lyrics. The sunny Why am I the one? sounds so much like the Afternoon Delight/Sara Smile easy listening of the 1970s that it’s refreshing to hear something so unapologetically retro.
Various albums by Sergent Garcia. I saw French-born Cosmopolitan singer perform at a Brazilian international festival in Houston. He and his band sung in so many genres that I had trouble catching up. I ended up buying $8 of his 49 cent songs from 3 different albums, and got some great stuff especially from the Mascaras album. He fuses reggae with salsa and cumbia and everything else and a rapid rapping vocal accompaniment. They were amazing in live performance. Highly recommended because of the band’s versatility.
Nortec Collective Presents Clorifila: Corridos Urbanos is a great and funky series of electronic jazz pieces with occasional cameos from horns and accordians. Everything has a tribal/ industrial/synthesized feel to it, but the occasional vocals (Naked Ladies), and the dreamy downtempo songs (Nicole Ya No Baila Aqui and 4:15) make it clear you can’t categorize this album very easily. This complex pieces are actually collages of Mexican folk with electronic bursts and lots of percussion (almost too much at times). Highly recommended if only because of their ground-breaking sound.
Anthology by The Clean. I bought this amazing double album for $7 on Google Play when it was on sale. (now it’s selling for $11.50). The Clean is an important New Zealand alternative band who at times resembles a good rowdy grunge/garage band (Side On, At the Bottom), and at other times sounds like 60s psychodelic pop. Try the mind-blowing Outside the Cage, Point that Thing. Franz Kafka at the Zoo. I guess they’re a kind of Velvet Underground, only smarter and more obsessed with producing good guitar riffs than meaningful vocals. I liked this album so much that I listened to it continuously for 3 or 4 days and did not feel bored once. Highly recommended.
(Below is a series of prefaces about emusic and their recent changes of album offerings. It used to be at the top of this post, but eventually I decided to move it off the top — because I refer to this web page so frequently).
Oct 2 2014 Update. Last Week Emusic announced major changes to its services which is really gutting emusic’s catalog. (I suspect that emusic’s agreements for discounting prices with the major labels ran out, and now they are all refusing to renew). Some of the titles which are purchased below may not be available. At the moment, it’s unclear whether emusic is still a good deal. I’ll post my thoughts prominently when I figure things out. In the meantime, I still have about a year’s worth of credits to spend…. Update 2. I checked the links below. About 30-40% of the links no longer work. I’m leaving the links here despite going nowhere because of the possibility that the titles may be retored to emusic, and maybe later I’ll delete them. No longer active links include: The Martha Argerich collections — which were incredible deals –, the RCA 100 Anos de Music (excellent but overpriced even on emusic), John Williams’ Close Encounters of the 3rd Kind, compilations by Caberet Voltaire and by a few non-US singers, some of the Bollywood soundtracks, some hits from the 90s like Sleater Kinny, Carwash OST and top 40 crap like Flo Rida and fun.
In preparation for my book on music collecting, I signed up for emusic and starting downloading (and paying for) digital music. At first glance it’s hard to get what emusic is all about. Its website is slow, you can’t stream easily, plus there’s a membership fee. You may initially not see what the big deal is (especially because as a non-member, you only see non-member prices). But look further.
Comparison of Prices for Digital Music Albums
Name of Album
Emusic (member price)
Itunes
Amazon
Google Play
Francophonic by Franco Vol 1
6.49
17.99
11.98
16.49
Call the Doctor by Sleater-Kinney
5.88
9.99
9.99
Not found
Some Nights by fun
6.49
9.99
5.99
9.49
Close Encounters of the Third Kind Soundtrack
6.49
9.99
9.99
9.49
Rough Guide to Psychedelic Africa
6.49
9.99
9.49
9.49
World of Daevid Allen and Gong CD 1
5.99
9.99
9.99
9.49
Truth about Love by Pink
8.24
10.99
7.99
10.99
12 Bit Blues by Kid Koala
6.99
9.99
8.99
11.49
Grace by Jeff Buckley
6.49
9.99
5.00
6.99
Revolution by Miranda Lambert
7.14
10.99
5.00
10.99
About the prices listed on this table. I wanted to show the dramatic price differences between emusic and everybody else. I picked these albums here at random — making sure to include a mix of Top 40 (Pink, fun) with some rather obscure new works (Kid Koala), obscure semi-oldies (Sleater-Kinney) classics (Francophonic, Close Encounters) and some series (Rough Guides). As you can see, member prices for emusic are dramatically lower than most other music sellers. Top 40 and “hot artists” are somewhat lower on Amazon. In addition to these “normal” lower prices for popular albums, Amazon will occasionally offer 1 day sales on bestselling albums for $1.99 or $2.99 which are definitely worth watching. Google Play store does this occasionally too. Also, Amazon has a special section for select golden oldies/best sellers with regular prices of $5 (“Dolly Parton’s Greatest Hits”, Jeff Buckley’s “Grace”, Black Keys’ “Magic Potion”, ) which beats emusic and all the others. Each store will have its special sales and promotions, but on the whole, unless the album is currently “hot,” you can find it on emusic for 10-20% less than anywhere else. Emusic has lots of low-priced compilation albums (see below for my recommendations), and so does Amazon, although not the same ones. Amazon has a good number of budget classical music compilations, while emusic has more and cheaper pop music compilations. Both services offer lots of free samplers, with Amazon.com probably offering slightly more.
For emusic you pay a membership fee which applies to your purchases. Usually when you sign up, you receive some kind of introductory gift certificate (mine was $25). You are given several membership tiers, but you shouldn’t worry worry about that too much. Just decide how much want to spend, then sign up for the appropriate membership level. You can downgrade or even cancel later. I’ll let you in on a secret. If you do cancel, they will dangle a free month worth of credits – how awesome is that? If you sign up for higher tiers of membership, you get bonus credits. If you prepay a year for a Basic $12 membership or a Plus $16 membership, you receive a 30% discount. So when I pre-paid for one year a Plus membership, I paid a one time fee of $134 for credits totalling $204 ($16.99 per month for 12 months). (Here’s a complete breakdown of emusic’s prices on their site). Emusic’s member prices are almost always 10-20% lower than itunes and Amazon, and sometimes even more. (Its non-member prices are basically the same as Amazon and itunes). Besides having cheaper prices, emusic also has a higher percentage of music-savvy consumers. Emusic staff write a lot of reviews, and these are often great picks – not only for new releases but also obscure music and jazz stuff.
Here’s the downside. You don’t get particularly good deals with Top 40 stuff, and you can only download it once or twice. Emusic’s website kind of sucks and it lacks a cloud solution and doesn’t even stream music well. So when you download, you must backup your files to Amazon cloud player or Google Play cloud player. Also, there are holes in emusic’s music catalog — though most of the time it’s only compilations. One customer pointed out that emusic doesn’t list the bit rate for the mp3s — which is also a bummer, but I have to assume that the mp3s for sale are almost always high enough quality.
For yuks, I decided to do a comparison with Amazon prices for the things I bought in March-April 2014 (see below):
The Amazon list price for these albums amounted to $191.43 The emusic member’s price for the same albums is $124.54. If I subtract from the total my monthly bonus credit of $5.82 and the 2-for-1 credits ($50), that means that the total I paid was $68.72 for albums which I could have gotten from Amazon for $191.43
If you add that to the fact that every day on emusic you get free tracks from random bands and that every two months or so you get a free music sampler, that adds up to a tremendous value proposition. Heck, I know I sound like a commercial for emusic, but despite its warts and all, you can really get a great value here.
Before I describe my emusic purchases, I want to make three general observations about my music collection habits.
First, the things I buy on emusic are things I couldn’t obtain cheaply as CDs. Hey, music labels, if your digital prices were cheaper than the cost of used CDs on half.com or Amazon, I would stop buying used CDs altogether.
Second, because of the lower price, I take a lot more chances with the things I download/buy. I’ve made some mistakes (see below), but I’ve also found some amazing things.
Third, I also pay $5 per month to use RDIO’s streaming music service. I can often stream entire albums and later decide whether I want to buy them on emusic. One might ask if the album is available already on Rdio, why not just listen to Rdio and never buy anything? The answer is simple: streaming services pay shit to artists!
Each month I get $17 worth of credits, so I’ll tell which ones I get each month. My main rule for buying is that I need to buy at least one album by a living/still performing artist — it’s easy to focus on the old stuff, and it’s important to put money into the hands of artists now so that they can perform and record tomorrow. I won’t list half-albums below if I have already bought portions previously.
Note: Since I’m generally loving to death every single thing I buy, it’s no longer necessary to mark an album as Recommended or Highly Recommended.
Jan 2018 Update. After emusic.com changed from a download only site to a download/stream hybrid site, I am happy to report that it’s still a good deal — despite the fact that albums are slightly more expensive, booster packs are less remarkable and some albums have disappeared. The website is a lot easier to use and more powerful. Many album links I listed below are now broken; about 50% of the albums are still available though. 2014 was when emusic lost a lot of the major labels, focusing on the less expensive indie labels. With new ownership and site improvements, Emusic has promised that the new site will gradually attract more labels, but I haven’t seen this yet, but they sell so many box sets at single album prices and single albums at 99 cents that it still provides an incredible value to me. The mobile streaming component works reasonably well — plus you can upload your own mp3s (but not other formats).
April 2013 Update: It now seems clear that with a few exceptions, Amazon.com’s prices are higher than average, especially when compared to emusic, a service I highly recommend. So I would recommend first becoming an emusic member (minimum of $6 a month) and then take advantage of their discounted member prices which usually stay the same. That said, Amazon.com occasionally has “flash sales” for 1 day only for Top 40 albums. (They can cost 99 cents or 2.99, a pretty good deal). Selected compilation albums can be cheaper than other music sellers — I am thinking of the Johnny Mathis, Edith Piaf, John Prine and some of those trance compilations. But by the time you click these links, these sales may very well have ended. Finally the Big Box series of classical music tend to have amazing 99 cents sales — although they rotate the sales. Click this link to see which Big Boxes are currently on sale).
First, I should announce that I am working on an ebook about collecting digital music which I expect to publish in early summer 2013. I have been researching lots of stuff about that.
There are really 3 challenges in making a music collection:
How do you stay within a budget for music purchases?
How do you discover new music without letting the major music studios dictate your tastes?
How do you find the classics for a low cost?
These are the topics for the ebook.
At the moment, digital music is so arbitrarily priced that it’s next to impossible to figure out how much you can and should pay. About 95% of the digital music selling on Amazon is a rip off. By that, I mean that the music is good, but you can still find the CD for significantly cheaper.
At the same time, some smaller labels and band “get it”. Instead of trying to sell all albums for 9 or 10 dollars, they sell it for $5 or $6 or $7. And guess what? I almost always buy it at that price – especially when it’s a “Greatest Hits” or award-winning album, or something like that.
Here’s a list I am compiling of great digital deals.
Francophonic (Volume 1). Classic 2 CD collection of Congolese jazz guitarist Franco. This is not cheap at $17.98, but easily the best thing I had bought over the past decade. Volume 1 (i.e., Thin Franco”) covers up to 1980, while Volume 2 (i.e., “Fat Franco” ) covers 1980 to his death in 1989. With many African performers, you don’t have lots of cheap CD’s floating around, so you end up having to pay a premium price for recordings (digital or physical). I am saving my money for Volume 2! But Volume 1 is certainly enough to keep me happy.
Best Of Trance 2011 – 99 Tracks. 11 hours of music for $9! I usually hate those mega-collections of trance music. A low percentage of them are good, and sometimes the album only includes shorter edited version (which can often be frustrating). This collection is above average for Trance compilations, plus there are no edits! I’m listening to it now, and so far, I haven’t heard a bad track!
John Prine, Singing Mailman Delivers. For $8 you get 2 CDs worth of early songs by a classic folk singer who has been generally overlooked. I’ve only started listening to this guy, but it surely will be great.
Dexter Gordon, Go. The problem with collecting jazz music is that almost all of it is good, but very little of it is outstanding. Also, people like Dexter Gordon record over a 100 CDs, so it is really hard to know where to start. Fortunately this album is one of the best and acclaimed by all and accessible and only $6.
London Suede is an eccentric post-glam British band. Best of the London Suede contains 35 songs (certainly their best) for $9. I knew the band other from only one or two songs, but once I listened to their entire album, I saw how high quality and overlooked they really are.
Benny Goodman Famous 1938 Carnegie Hall Jazz Concert. ($7) Various producers have tried to fix the audio problems of this concert (and generally I prefer the original Columbia/Legacy recording for $17 ). But the budget edition I linked to sounds good enough and is substantially cheaper and has almost all the same tracks (minus a few). For $7 you can have a passable version of this dynamite concert.
DJ Tiesto, In search of Sunrise 4 Latin America. All of the ISOS albums are on Amazon and each cost about $9. This one is supposed to be his best mix and contains 6 1/2 hours of Trance Music.
Edith Piaf. 100 Hits!$4.29. Pretty amazing and comprehensive collection. I’ve only listened to the 1 CD compilations, and I look forward to listening to this one.
Doo Wop Classics. $7.99. I didn’t buy this album, but I own a similar 2 CD set with almost the same playlist, and I can say it’s amazing. This album has 64 songs totalling 192 minutes. Trust me. This one is going to be a winner.
Andrew Sisters. Swinging with the Andrew Sisters (27 Hits). $5.99 Andrew Sisters is my all-time favorite band, and I can officially bless this $6 collection as being an awesome deal which includes some lesser known Andrews greats.
Amazon has a good way of letting you browse the cheap mp3 titles. Here is their Editor’s Picks for albums for $5. Here is their list of greatest hits under $8. Keep in mind that these low cost editions (even the compilations) may not necessarily be the best deal for your money. Often there is a better compilation which consists of 2 CDs but can often be purchased for only 2 or 3 dollars above the single CD Greatest Hits. Don’t believe me? Ok, Supertramp’s Greatest Hits is for sale as mp3 for $7, but the later compilation CD Retrospectacle sells for $8 on half.com for $3 shipping (or less if you buy multiple items). Best of Talking Heads sells for $5 on Amazon (a great deal), but Popular Favorites 1976-1992: Sand in the Vaseline by Talking Heads (a better 2 CD compilation) sells on half.com for $2 plus shipping. (The same 2 CD compilation sells digitally on Amazon for $17). Just recently, I was going to buy an mp3 compilation of George Benson’s jazz music for $6 , when I discovered that a better collection (with twice the number of tracks and better quality overall) was for sale as a CD for $4 + $3 shipping.
Two other notes. Google Play has become a big deal in selling mp3s. Every few weeks they feature steep price cuts from major music labels. Most of it is the same old garbage for 6 to 7 dollars, but last summer they featured about 100 great classic albums for $3 or $4. That’s enough reason to keep me looking at their promotions.
What about other places to buy music such as from the musician’s own sites? Usually that is not a good proposition because most musicians are not good at the buying and selling thing. Plus one condition of selling on Amazon is that Amazon can automatically meet or beat the price of any other place the album is being sold. So there’s a built in incentive for musicians not to try to compete with Amazon. On the other hand, one reason you should still check the musician’s website is to see if they have set up in other stores which provide a bigger percentage of the profit for artists. Bandcamp, for example, is supposed to give greater share of the royalties to artists than Amazon – if only fans would buy from them!
Finally, a request. I will try to add and subtract to this list of deals as I become aware of them. If you know of a great “deal” on a musician, feel free to jot it down in the comment section. (I may not like every musician, but the better the deal, the more willing I am to take a chance. During last summer’s Google Play deal, I ended up buying for $2.99 a Duran Duran CD and a John Cougar Mellencamp album. Both were excellent albums, and well worth the $3 for the digital download. Believe me when I say that I never could have imagined myself spending more than $3 for either album.
