Category: Video/Multimedia

  • Guns and more guns to the rescue! (Guns in movies and real life) By Robert Nagle

    Recently I was watching “Mud,”  a well done movie about the South.  It featured  quirky characters,  regional color, dangerous problems and loss of innocence. Good old-fashioned Americana.  On an isolated island, two  teenage boys stumble upon a stranger  who turns out to be a fugitive. But the stranger is not really a bad guy, just someone wounded by romantic delusions. The details of this stranger’s alleged crime are  muddled by the fact that the man the stranger killed probably   deserved to die anyway and  the bounty hunters now chasing the stranger  down are probably bad guys too. Suddenly the boys realize that the issues aren’t so black and white.

    All in all, a fine movie, and I enjoyed it.

    But the ending really botched things. I don’t think I’m spoiling things too much to say that  there’s a gun-induced bloodbath at the climax.  Sigh.  Everything was going so well up to that point.  I expected the end to have some kind of showdown, but I didn’t expect it to be as extreme as the movie portrayed it.  I don’t watch violent movies often (not even  movies with the cartoon kind), but when I do, I find myself asking, “Would this movie or TV show have still  worked with only 50% of the gunshots?”   Actually, a  single  bullet is enough to make a tragedy. I once was robbed at gunpoint, and I remember thinking that this idiot who was holding me up had only to fire one bullet to change the nature of the crime.

    In this movie, guns precipitate the conflict, aggravate the conflict and end the conflict (in a ridiculously violent way).  Guns in movies leak bullets as promiscuously as tears.

    I shoot people; therefore I  am achieving justice.   Justice is the end, and guns are the primary way to achieve this end (and so justice without the presence of guns must be flimsy and worthless).  Guns fire up the audience’s  emotions; guns coerce one person’s conception of justice; never mind that there is always the risk of blowback or friendly fire losses.  Guns elevate subjective  wishy-washy feelings to the exclusion of everything else;  it doesn’t matter if the person standing before me is actually a threat. What matters is that I feel it’s a threat. Where I live,  it’s reasonably  certain that a police officer would arrive at my car within 5-10 minutes of a 911 phone call. Yet, for the gun-anxious  Texan, that is simply inadequate. Many Texans believe themselves to be seconds away  from annihilation.  Quite apart from the policy question, I don’t see how Houstonians can live with that constant kind of stress. How on earth do   paranoid  gun-owning people have the  mental composure  to let themselves take  the occasional nap?

    I don’t deny that using guns has a certain romanticism to it, the romanticism of  desiccated limbs, punctured internal organs and   collapsed breaths.   There is virtually no stigma associated with firing a gun because society has generally accepted that individuals who feel threatened will occasionally require  the right   to extinguish the life of another.  Never mind that firing a gun at someone is usually  a serious felony – the threat of unseen marauders  is so real-seeming that some people cannot imagine life without it.   Many of my friends have guns  — not for any practical reason, but just the vague emotional sense that “I want it to be there when I really need it.”

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    In movie reality, the main adrenalin pusher seems to be guns and people who possess them and threaten you.  You have the cops and robbers of course, but of course the true protagonist is the cache of guns. Guns remain  the true heroes; humans are simply pawns of the inevitable storms of violence.  

    Nonlethal weapons like tasers might be an alternative – except it actually involves touching the perpetrator. That of course is absurd. Americans overwhelmingly prefer to shoot humans as they shoot photographs – far away enough to take in  the spectacular view.  Not only do Americans enjoy the thrill of being able to point at objects and fire, they also revel in the loud sounds of shots and agonized cries  as body parts are ripped apart. If I were to suggest a nonlethal alternative, I would  devise some kind of melodramatic vomit spray  — accompanied by noisy pop pop pops of firecrackers (to notify and impress the neighbors).

    The problem with gun ownership (in movies or life) is that it  never really  partakes of consequences. We never read of hospital costs or orphaned parents or the constant guilt that snuffing the life of another inevitably entails.  We never speak of the psychological intimidation or the accidental casualties (be it suicide or simply the  innocent result of kids playing  around with guns they shouldn’t be handling).

    The Hilarity of Law Enforcement

    Today I watched a clever and hilarious movie “The Heat” which sticks to the   “police buddy” formula, but with female buddies out to nab an evil drug lord.  Predictable plot,  punchy dialogue and  stupid male cops getting in the way.  Unsurprisingly there are  gun battles and constant waving around of guns.

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    The first problem I have of course is plausibility. Do cops and FBI agents wave their guns around  so often on a typical workday? Last I read, FBI spends most of their time investigating white collar crime, so they probably just spend most of their time looking at a computer screen and interviewing people.  In one funny scene,  the first  female cop showing off to the second  her private weapon cache which she stores in the refrigerator. 

    I guess I  accept the premise that female cops would find showing off one’s gun arsenal to a partner to  be a bonding experience.  In movies,  the primary determinant in who prevails in which side has  the best cache of guns.  But wait — as soon as you let your guard down, another man with a gun has snuck up behind you  — defeating your short-lived tactical advantage.

    Police in these movies are always grasping  their guns —  stumbling into confrontations  which seem to be won or lost by which side has the biggest firepower.     Nobody likes violence in  movies; of course not.  But dangerous criminals in movies always seem to be  armed and making threats;  it is inconceivable that a person with a gun could be shopping for groceries or waiting. Conversely movie expectations dictate that bad guys will all have guns and be willing to use one  as cold-heartedly as possible.

    When apprehending dangerous criminals, I suspect the hardest part will not be winning the gunfight but simply figuring out the perpetrator’s whereabouts  and the optimal time to confront him. Police officers, I suspect, are trained very well on these things.  A gun might be helpful in establishing authority initially, but it is not the key  element. If the criminal is rational, he will give up when faced with an officer who has both initiative and backup. If the criminal is not-rational, then maybe the criminal would start firing (assuming that his gun is within arm’s reach).   But then a real-life  police officer probably selected a context for confrontation to  minimize this possibility.

    Movie criminals are more typically portrayed as loud and confrontational, rarely worrying about being  caught and always ready to use their guns. Conveniently, in these movies,  a villain’s henchman have a tendency to magically appear behind anyone who tries to arrest the villian. But real criminals probably worry a lot about being caught.  They try hard to  blend in with normal life.  They  go  to the supermarket, buy gas, eat at a restaurant,  go to the concert or sports game.  These are public outings where there they can easily be surrounded and overcome. So  there really isn’t a need for police officers to go creeping  around empty warehouses with guns in hand. All the police officer needs to do is to wait for the criminal to pump his gas. ****

    Portraying movie criminals unrealistically also means that you portray police unrealistically as well.  Everyone is on hair-trigger alert; even the slightest sound causes  movie  police to grab their guns.   For the viewer, the inevitable gun battle becomes a source of suspense and indeed, the climax of the movie; guns become the building blocks for great dramas filled with great men. And great man are those brave enough to use deadly force to stop the violent rampage of  lawless people. In other words, because bad guys use guns to commit their crimes, good guys must use guns to commit their good deeds.

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    Who is the good guy?

    When we watch movies laced with violence, we are left thanking goodness that real life is not so violent — never pausing to wonder  whether the criminals in real life are really like that.     One underlying theme in these  violence-prone movies is that — heck, some days you just can’t avoid shooting up a few people.  Drats that the criminals  have to die — obviously! —  but  killings in movies are a shortcut for restoring the moral balance to the world — even if our gun-toting hero does it in the heat of the moment or without legal sanction. As long as this balance is restored in the movie, the viewer expects that the sympathetic  protagonist will win some kind of reprieve.  Sure, the good gun-toting protagonist may eventually have to face the wrath of the law, but a good person’s good motives will be an exonerating factor.

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    Over the years I’ve grown  intolerant about  narratives  which attempt to legitimate  the  use  of deadly force against people  who you believe  have wronged you.  These cinematic narratives can seem to quench your emotional desire for justice, but then,  in the realm of true crime, we are presented with more ambiguous events.   The man in the movie theatre was threatening me….or maybe he was just throwing popcorn.  The cops barge into a house and shoot dead a drug dealer who fires at them … or is the man an armed and respected veteran who kept the safety lock on?  A man follows a teenager around believing him to be a criminal and  fires at him at close range when the teen  resists.  Or is the teenager  just picking up candy  at the store and scared by a stalker? Sometimes it’s hard to tell in real life who is the bad guy and who is the good guy.    In retrospect, the violent response against these “bad guys” never was so clear.    Instead we have weeping mothers, astronomical medical bills, people in shock and lives ruined. I genuinely feel sorry for George Zimmerman for  killing innocent teenager Trayvon Martin. In Zimmerman’s  limited and almost paranoid vision of the world, teenagers who loiter pose a threat, so it’s best to have your gun ready.  Although eventually acquitted  because of Florida’s lax gun laws,  Zimmerman has to pay a price of personal guilt for the rest of his life. Similarly, certain gun owners must feel the guilt of the deaths or suicides committed by family members who used the gun without permission. Police officers must live with the guilt of killing bystanders or even the perpetrator who nonetheless didn’t deserve to die but was the victim of an officer’s faulty calculation.

    Some people  may feel genuinely threatened by the world around them.  Sometimes a specific individual may know of a potential threat by a specific person, and for the short term at least, it might make sense to keep a gun. But it does not follow that owning a gun makes that individual safer. Even  law-abiding and otherwise rational gun owners have unrealistic expectations about  whether gun ownership  reduces crime and threats. They trust their crappy intuition, and that is the tragedy.   Once  you buy a gun, you have invested in a gun’s talismanic ability  to ward off threats. Also, the act of buying or owning a gun is long-term.  Few people buy a gun, keep it for a few years and then get rid of it.  Like getting married and being Christian, owning a gun is a long term commitment. To actually reap the safety advantage,  you always need to keep the gun  within reach.   You not only need to be on the lookout for crime-fighting situations, you always need to keep an eye out for your gun — must not lose it!  Keeping that gun around  exerts a steady burden on the  psychic  life of a person. Perhaps for actual crime victims, it is reassuring to have some weapon around while recovering from a recent trauma. But why not just take a pill instead?

    Guns vs. Swimming Pools

    A common refrain from enthuasiastic gun owners is that swimming pools kill more kids each year than guns do; But because it is ludicrous for someone to suggest abolishing swimming pools, it is also ludicrous to abolish guns.

    I’m afraid it  misses the point. Nobody is suggesting abolishing anything. Instead, I ask:  are you protecting your kids better by owning a gun or by not owning a gun? While I’m at it, I might also wonder aloud whether a parent protects a child better by having a backyard swimming pool than by not having one?(See Note at bottom **)

    First, a little data from the LA Times:

    Victims ages 15 to 19 made up 84% of the children brought to the hospital with gunshot wounds, and two-thirds of those injuries were attributed to assault. Among these older children, roughly 24% of the cases were considered unintentional. Suicide attempts accounted for 239 of 4,143 of those firearm-related hospitalizations.

    Among younger children, accidental firearm injuries were most common. Of the 378 children under 10 brought to the hospital in connection with a firearm injury, roughly three-quarters were considered victims of an accidental or unintended shooting. Thirty-one children younger than 5 and 47 ages 5 to 9 were injured in gun-related assaults in 2009.

    Among Latino youths, firearm-related injuries were three times higher than among white children, the data show. And African American girls were more than six times as likely as their white counterparts to be injured by gunfire.

    Unfortunately this raw data doesn’t tell us much.   Who is assaulting children and teens? Where are children being assaulted? My guess it that they are being assaulted on the way home from school or at social outings — certainly not at home, where a gun may safely be kept.  Just as avoiding swimming pools is a way to avoid being drowned, teens have some ability to limit  risk by staying away from dangerous places.  But children are not going to stop swimming, and we can’t expect teens to avoid  all social situations where they could be assaulted. But would gun ownership protect teens? If  these assaults happen outside their residence,  having a gun at home  won’t matter.  Should teenagers be allowed to keep guns? Many parents would say that teens can’t be relied upon to use guns effectively or responsibly. Teenagers are ruled by emotions and hormones; they blow things out of proportion and assert themselves too much. Also, they have more time than adults to loiter and socialize. Giving more guns to minors seems a recipe for certain disaster; is it desirable for a parent or a society to take steps to limit teenager’s access to guns? Does possession of a gun in the house make it easier for irresponsible teens to use them?

    Some teenagers are assaulted. That is a sad part of growing up. Teens start out feeling invulnerable and then they realize how powerless they really are. This realization is powerful (and traumatic!) and yet essential for mental and emotional growth. What is the best way for teenagers to make this realization? Is it by giving them a gun to carry around or teaching them to avoid risky situations and people?

    The Great Thing about Being a Chicken

    The great thing about being a chicken is that people laugh at you and maybe pick on you — but rarely kill you — especially if you run away fast enough.  Give a teenager a gun and then you provide him with  a combination of security and power — better reason to stick around and fight.  Fighting — that’s what the real tough guys do — and that’s how you resist bullies, but it’s also very risky.  Taking the law into your own hands carries the risk that after later  people will fail to understand or appreciate why you felt compelled to respond with deadly force.

    To understand the value of guns, you need to understand the criminal mind. The criminal typically  wants the transgression  to be as quick and   smooth a transaction as possible.  Criminals mostly  want to dominate the situation to get what they want and  get the hell out of there.  Some criminals have defective (and even sadistic)  personalities, but for the most part shooting someone messes up the criminal transaction.  The criminal doesn’t want his actions to make the evening news,  and shooting someone virtually assures it. Criminals may forget these concerns  in the heat of the moment,  but the individual crime victim needs to weigh the potential risks of assuming the worst in the criminal  vs. the risks of  leaving the criminal no choice but to use deadly force.    It sounds superficially appealing to say you want to “prepare for the worst,”  but nobody can plan for everything. Sometimes, in fact, overpreparing  fuels a counterproductive paranoia.

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    Watching the movie Boyz ‘n the Hood, I am reminded of how guns can be used in social situations  for illicit purposes. These situations are about dominance — not merely committing a crime.   The two gangs in Boyz n the Hood weren’t killing one another because they were robbing people. They were just trying to intimidate.  How do you intimidate? With guns.  The proposed response  to gun threats — to bring your own gun — doesn’t address whether this strategy actually works.  Will the presence of another gun lead to a friendly stalemate? Or  will it aggravate  tensions and cause  one side  to  make a pre-emptive move? With  Boyz in the Hood gang violence,  whipping  out a gun to respond to a threat doesn’t eliminate the threat; it merely continues the cycle of violence and intimidation. The central theme  of the movie (“At what point do you walk away?”) depends primarily on the level of  economic and social desperation. The protagonist can walk away because he has something to live for — a good home life, economic opportunity, a general optimism — while the unemployed brother Dough Boy lacks the social anchors to restrain his desire for retribution.

    But Boyz n the Hood  presents  false choices here. If  police are always  ruthless and incompetent  and if teenagers are unwilling to go to  them, of course gun-equipped young people  will  take the law into their own hands.  But even in the Compton ghettoes, it seems unlikely that angry teenagers would spurn  police if they could identify the people who committed the blow-by shooting. Perhaps these witnesses  have a legitimate fear of retribution or  legitimately  believe that the police are ineffectual.   But all police departments have anonymous tip hotlines. It just doesn’t make sense to me that in  gang-related violence, the victimized gang wouldn’t let  the police do their thing if there is plenty of evidence to convict somebody.

    Perhaps I am naive. Or perhaps movies are just dramatized  revenge fantasies (for which police are just an unfortunate prop). All this is fine, but how does it  influence the individual’s decision  to own or  use  a gun?  Movies evince  a self-justifying mythology for buying and using a gun. Of course our  mundane lives aren’t  replete with  armed threats (or pretty female sidekicks).  Crime is less ostentatious; it may pounce on you when you least expect it — and then it’s gone before you  knew what hit you. Most of the time it is completely invisible – siphoning money from your bank accounts, stealing your car when you’re asleep, grabbing your purse when you’re not looking.  For those things guns are completely useless.  People who buy guns entertain grand notions of being able to fight back, but after it  becomes clear  it is mostly useless for doing that, it begins to dawn on the gun owner  that the only things guns are good for are threatening family members and blowing one’s own brains out.

    FBI and CDC data on people who used a firearm to kill themselves or to kill a felon (Olga Khazan )
    FBI and CDC data on people who used a firearm to kill themselves or to kill a felon (Olga Khazan )

    To Be Raped or Not to be Raped

    I remain surprised at how many liberal-minded females in Texas nonetheless own guns. Often they are single and concerned about their personal safety. By that, I mean they worry about  being raped.  A rape scenario seems to be a clear case where a brandishing  of  a gun would seem to be a legitimate use of force. Sexual violence is terrifying to contemplate — with one of the worst parts being this feeling of helplessness while it takes place.

    But let’s consider this topic  for a moment — despite the unpleasantness.

    Let’s make a list of rape scenarios involving strangers:  being jumped on in a park, in a parking lot, in one’s own apartment, while walking home, being carjacked, in one’s dorm. Try to imagine how a gun might be used to avert these scenarios. [See end note]  In many of these cases, the stranger has jumped you and caught you by surprise. Would  you really have enough time and composure to gather a weapon to scare off the perpetrator off?  Maybe if you were taking a long walk home and were gripping your gun tightly all the while, it might be effective (but so would mace). Suppose somebody were barging in on you, assuming you had 10-15 seconds to react, owning a gun might make a difference. But how many rape  scenarios give you that much time?

    But what if there were two perpetrators? That decreases even further the likelihood that your  gun could ward off an attack. What if one perpetrator already had a gun? If you owned a gun too, that might even up the score,  but how do we know that this will bring a stalemate and not an escalation of violence?  I can think of  scenarios where having a gun would actually avert a rape, but I can think of many more stranger scenarios where the gun is inaccessible or improperly used or just not an effective response.  It’s true that when you hold a gun in your hand,  for a few moments at least guns can make you feel invulnerable to any attacker. But it is not a permanent or  lasting solution.

    Up to now we have been talking about rapists who are strangers. But what about the familiar rapist — the angry spouse or ex, the frat boy? This constitutes about 2/3 of all rapes  The situations where these might take place would be ones where one might normally not have a gun.  For many of these situations having a gun is unlikely to help, and in fact, batterers have shown a tendency to own more guns than non-batterers.  Finally, there are many risk avoidance strategies you can take that can be just as effective if not more.  This doesn’t prevent every single scenario, and I’m not suggesting that guns are bad for every person in every scenario. But getting a gun just doesn’t seem to make anybody’s Top 10 list of risk mitigation strategies.

    Better than Guns:  Ordinary Prudent Measures

    A secret: up until recently I have never locked my doors in my apartment when I am at home. I sometimes would forget my car doors too.  It seemed silly or pointless. Since writing this essay, I have changed my mind. Many burglaries occur in late morning, and that typically is when I am home. I wouldn’t want anybody barging accidentally into my house and feeling compelled to dominate the confrontation.  Many burglars knock on the door before they break into your house.  A locked door won’t prevent all wrongdoing, but it poses an initial obstacle — and often that is enough.

    When I was robbed at gunpoint a few years ago, I realized that I was living in a dangerous apartment complex and wouldn’t be able to move away soon. So I had to cope with the risk. I avoided taking out the trash late at night. I minimized  driving at night, and I was much more aware of my surroundings on the nights  I  arrived home late. It’s true that I still had to walk my dog — and that was a risk, but often when you are walking on familiar territory you can anticipate risk and even see it ahead of you.

    I’m not saying that I avoid strangers, but I avoid situations with strangers where I am isolated and don’t have the ability to extricate myself easily. All of these things sound so easy and obvious; why not just do it?  These measures can’t work miracles, but they are relatively cheap and  pain-free and don’t impose unnecessary risks.  An individual could also resort to countermeasures ranging from cheap to very expensive:  security systems, nonlethal weapons and noisemakers. If you are genuinely interested in reducing risk (instead of simply asserting power), you would probably find that defensive nonlethal countermeasures are cheaper, more effective and offer more peace of mind.

    Where does paranoia come from?

    Conservative political scientist David From wrote:

    Should you own a gun? In some few cases, the answer to that question of wisdom is probably yes.

    But most of the time, gun owners are frightening themselves irrationally. They have conjured in their own imaginations a much more terrifying environment than genuinely exists — and they are living a fantasy about the security their guns will bestow. And to the extent that they are right — to the extent that the American environment is indeed more dangerous than the Australian or Canadian or German or French environment — the dangers gun owners face are traceable to the prevalence of the very guns from which they so tragically mistakenly expect to gain safety.

    Noting that overall crime has declined and violent crime has declined significantly, From mentions that people’s perception of the crime rate is much different:

     What force on earth could convince Americans that down is up? The most powerful force of all: television.

    TV news — and especially local TV news — is dominated by news of violent crime, the more spectacular and murderous the better. TV news creates a false picture of a country under attack by rampaging criminals, and especially nonwhite criminals. The people who watch the most TV news, Americans older than 50, also happen to be the group most likely to own a gun.

    Only one-fifth of young Americans own a gun; one-third of over-50 Americans do. Republicans are twice as likely to own a gun as Democrats. Maybe not so coincidentally, Republicans are more likely to watch the scariest news channel of them all: Fox. Whites are twice as likely to own a gun as nonwhites…

    Proponents of gun control are baffled that horrific massacres such as the one in Aurora, Colorado, do not lead to stricter gun control. They have their causation backward.

    The more terrifyingly criminal the world looks, the more ineffective law enforcement seems, the more Americans demand the right to deadly weapons with which to defend themselves. It is local TV programming directors, not the National Rifle Association, who are tirelessly persuading Americans that they need to strap a gun to their legs before heading to the mall.

    And what will change those attitudes is not more atrocity stories, but instead the reassuring truth: The United States is safe and getting safer, safer than ever before in its history.

    The police can protect you, and will, and do. And a gun in the house is not a guarantee of personal security — it is instead a standing invitation to family tragedy. The cold dead hands from which they pry the gun are very unlikely to be the hands of a heroic minuteman defending home and hearth against intruders. They are much more likely to be the hands of a troubled adolescent or a clumsy child.

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    Amen to everything Frum says here, but I have to wonder if the condensed and visually-oriented format of local news is the only thing contributing to this overemphasis of grotesque crime. Also,  TV and movie depictions of crimes and violence may be more fantasy than reality, but we have to ask ourselves why guns-and-violence seems to be such a successful and profitable Hollywood formula.  Instead of ritualistic and cathartic bloodletting onscreen, what ever happened to movies depicting an ordinary American’s hopes and dreams?

    I can’t point to any unique  historical trend here — except that perhaps the general magnitude of Hollywood violence tends to track the trend towards greater budgets.  Shoot-em-up videos have been popular from the very beginning; at the same time murder rates and rapes have trended downward as porn and violent movies proliferate.  Sticking with onscreen violence for a moment, perhaps formula movies and shows just have more sex and violence than “ordinary” movies and shows.  Maybe when we bemoan too much sex and violence on TV we are simply bemoaning the increase of  cookie-cutter cultural products.

    Social forces may be  indirectly contributing to the problem. In America, people are less likely to know their neighbors, more likely to be single and less likely to have an extended network of friends and family nearby. Maybe it’s just that cities contain more people and hence more strangers, contributing to this unease.  Cars may aggravate this situation, enabling cities to be more spread out, making an individual’s “neighborhood” encompass a wider swath of people than in previous times. Perhaps the visible and vocal presence of (potentially threatening)  gun-owners contribute to this uneasy need to “keep up with the Joneses.”  Or perhaps the advancing power and reach of mass media make it easier for ordinary people to hear about grisly crimes several time zones away. Decades ago,  people bought guns to protect themselves from crazy people in the neighborhood, but now perhaps they do it to protect themselves from  the crazy axe-murderer in Florida (who — let’s face it — could simply hop in a car, drive 70 mph  and be on our doorsteps within 24 hours).

    Perhaps the real enemy is not guns but the federal highway system.

    **************************************************

    **One critic pointed out the difference here. Kids usually spend much longer amounts of time at the swimming pool than they do handling guns. You can be sure that if kids spent as much time handling guns as they did swimming, the casualty numbers would be different.

    *** Rereading my essay, I realize that I have forgotten a very common scenario: being inside your home in the middle of the night and using a gun to prevent someone from entering the front door.  I admit that I had not appreciated the risk of opening the door late at night or even engaging with someone knocking on the door through a chain lock.  In that scenario, you are aware of the risk and have reasonable control over admittance. You are also wide awake and aware of the stranger. It actually can be comforting to know that a gun (or at least the brandishing of one) can  dissuade a known aggressor.  This, I concede. But so can a locked door — which even if it doesn’t deter in all cases, can still prevent many surprise intrusions. But ultimately an aggressor can bring a gun and cancel your advantage somewhat (forcing you into the unenviable position of having to be the first to fire). Ultimately, there will always be periods where you put your guard down or make yourself vulnerable; perhaps a gun or a door lock will reduce these periods, and contribute to a sense of personal security. On the other hand, unless you leave the gun by the door, you will never feel truly safe. When are you most vulnerable?  Probably when you are away from home or transitioning from work to home or home to shopping parking lot. Are you comfortable carrying the gun in these situations? How would you respond if you are carrying grocery bags from your car?  What about putting the trash out? What about being in a strange parking lot at night? Perhaps access to guns might help in these situations, but my guess is that it is mostly useless. When I was robbed at gunpoint a few years ago, I was carrying groceries from my car in the parking lot. I was caught totally offguard by two punks. I was in a crime-prone neighborhood, My solution in that case was to avoid walking to and from car after 9:00 PM and to avoid taking out the trash after hours. When I needed to do so, I took a more careful inventory of my surroundings before moving.

    **** After having pondered this sentence a good bit, I’ve decided that pumping one’s gas is not the most opportune time to confront a criminal (after all gasoline is potentially deadly, and cars are both useful for escape and running over people). After the criminal has left his car and started walking to the store, parking lots seem to be great places to arrest people; not many innocent bystanders, and lots of places for them to duck and hide. Indeed, the best scenario seems to be after the criminal has paid for his groceries and is pushing his cart towards his car. CCTV can identify and track suspects inside the supermarket; a police officer can wait at the checkout posing as a security guard, and outdoor police can provide support and backup.

  • Robert’s Ultimate Guide to all 24 hours of Pharrell Williams’ Happy Video

    About this Video || 12:00 AM – 3:59 AM || 4:00AM – 7:59AM || 8:00AM – 11:59AM || 12:00 PM – 3:59 PM || 4:00PM – 7:59PM || 8:00PM – 11:59 PM || List of Names & References

    Click any of the above links to browse through the dancers for various hours of 24 hours of Happy. I started this webpage in 2014, but stopped in 2017 in the face of life events and technical issues preventing me from doing so. July 16 2023 I figured out a solution to the technical issues. Instead of putting everything on a single page, I subdivided the 24 hours into 6 blocs of 4 hours each. That still leaves the hardest part — making screenshots that aren’t terrible — but I think I can populate the rest of the 4 minute blocks relatively quickly. This blog post has been shortened considerably and contains three things: 1)a long description about the music video project, 2)a long list of names of people involved in the project and 3)blog comments which have been very helpful. Also, thanks to Rob O.’s information about street addresses for the Happy project, I hope to trace the map of all 24 hours! ]

    Here’s a running list of the Happy Dancers in the Pharrell Williams official 24 Hours of Happy video. At the very bottom of this web page is a list of everybody’s names, and I’m beginning to cross-index their dance times.  I’m not going to try to rate these dance vids too harshly; the main purpose of this page is just to list the dances and identify the people. Asking people to do impromptu dances on a city street is hard enough. So everybody receives 1 star unless there’s something highly unusual about it (with 3 stars being the best).

    The Fastcocreate article about the filming said that filming took 11 days and 2 separate days for Pharrell’s stuff.

    Those chosen by audition had the advantage of getting the song in advance, allowing them to rehearse their moves. But on the day itself, everyone got just one take, including Pharrell. “That’s what accounts for the charm,” says Valdes. “Everyone knew they had one shot–this was their moment to go all out, and we love that.” “The video’s imperfections, the funny bloopers and mess-ups, are what give it character,” says Pharell, whose own performances alternated between what he calls “semi-choreographed” (see the bowling alley at 11:00 p.m.) and improvisation. “I’m not interested in perfection. It’s boring. Some of my favorite moments are accidental. There’s one where I’m underground. I was turning a corner just as a train was coming in our direction, and it stopped right on cue! It was weird. The universe gave us great moments that day.”  … WAFLA chose to shoot in Los Angeles, … starting at sunrise in Downtown L.A., moving to LAX, Silver Lake, Echo Park and Hollywood, among other places, ultimately circling back to Downtown.

    Says a crew member:

    I was lucky enough to be a part of this as the location manager. It was a rough one. Not sure how Jon (Beattie)  did it. We did 12-15 hour days. There was a crew of 15-20 people with us at all times. Sometimes when we where shooting, we would have to make a u-turn to head back the other way. So all of a sudden, this mob of people would have to stand behind the camera, and do a 180 in sync. It was madness. There would also be times when we had to make a quick decision on which way to go. We would scout ahead and find out that the street was blocked, so at the last second, we changed the route. We also had fun with the talent. We would find someone walking down the street, and invite them to be a part of the video. It turned out amazing.

    Says another:

    The biggest obstacle was the fact that we were walking backwards through non-locked off streets and side walks. I ran into many a telephone pole and street sign, and on several occasions had to crawl under John to stay out of the picture. It was a lot of fun to work on, and I think the 4 minute edited version looks great.

    Background about the Video: 2 Minute Behind-the-Scenes Video and interview with the directors, Fastcocreate profile of the production process, A video production blog describes the lens, filming process, etc. I just learned that the steadicam guy who shot most of the vids was Jon Beattie.

    Other articles with lots of photos and snarkiness:  We Watched Pharrell Williams 24 Hours Happy Video so you didn’t have to , Pitchfork’s 5 Best Things about the Happy Video, Christopher Grant Harris expanded account of dancers (with generous screenshots); Wikipedia page for the Pharrell Williams Happy song (it doesn’t yet have a separate page).

    My favorites so far are:  Happy Hair! 3:32AM,  Bollywood-style dancer Monica Moskatow  7:56AM, Elegant Blonde Girl in Street 9:56 AM (just magical!),  Jiggly guy with a fan 11:28AM,  Preteen Acrobatic Girl 12:28 PM, Asian Gene Kelley 1:28 PM,  2 Asian guys in tuxes in front of a Star Bucks 2:20pm,  Girl in Polka Dotted Dress 7:16PM (unbelievably good!) Man on Stilts at 7:36 PM,  Amazing & Speedy Guy at 10:44 PM (Amazing Choreography!), 2 Cute & Entertaining Girls at the Bowling Alley 11:08PM,  Hula Hoop Girl 11:40 PM  (but seriously I’m only getting started)

    How to Help:  If you know the name of any of the dancers, mention it in the comment section. (If you were one of the dancers who participated, drop me a line — I’d love to do a brief interview!). I’d also like to identify the buildings and neighborhoods if you know it. (I will probably look through Youtube comments for help, but give me time!) .  April 2 Update: I’m currently gathering information about places where everything was shot. I hope to have a nice map showing landmarks and dance paths fairly soon.  Stay tuned. I definitely appreciate everybody who identifies the dancer’s name. By the way, I’m behind on doing my screenshots and commentary, but the index of all the actors (at bottom) is updated every day.

    Tangential Aside #1: You may already have heard about the fatal car accident of Courtney Ann Sanford, caused by the Facebook update she posted while driving, “The Happy Song makes me fell so happy.”  What a tragedy! I do not condone texting while driving (and certainly don’t believe the song deserves any blame here), but this page needs to acknowledge that a song about being happy is just a song — ephemeral, distracting and even a bit escapist. All humans need a little bit of happy  in their lives, but we also need to recognize that happiness — like life itself — is a fragile commodity. Ultimately this dance video (and this page) is precisely a celebration of this ephemerality — while we still have time. Tangential Aside #2: You knew it was going to happen: some repressive regime was going to ban the song “Happy” or arrest the people who made the dance clip.  Seems like Iran couldn’t resist the opportunity to steal the thunder.  (Read more) This seems to come straight out of a Kundera novel.

    Dance Credits

    film-crew
    film-crew2

    List of  24 Hours of Happy Dancers

    (Taken from the Credits;  when I get time, I’ll try to add times to each dancer’s name)

    Special Guests

    • Buddy
    • Steve Carell 5:08 pm
    • Miranda Cosgrove 5:40 pm
    • Tyler, The Creator 6:16pm
    • Cyrcle
    • Gavin DeGraw
    • Urijah Faber & Michaella Tastad 8:36am
    • Luisa Fernanda Espinosa
    • Francesco
      • Jamie Foxx 5:28 pm
    • Ryan Heffington
    • Whit Hertford 1:04am
    • Magic Johnson 5:36am
    • JoJo 6:16pm
    • Jimmy Kimmel 11:48am
    • Leah LaBelle 12:00 PM
    • Alonso Mateo
    • Sérgio Mendes 10:32 am
    • Ana Ortiz 5:32pm
    • Kelly Osbourne 1:28am
    • Issa Rae
    • Fatima Robinson
    • Golden Sisters 11:36am
    • Bevy Smith
    • Earl Sweatshirt
    • Rob Zabrecky 10:12am
    • Odd Future 1:48 pm

    Dancers

    • Anna Abovyan
    • Kim Adams
    • Zaire Adams
    • Gianna Adams
    • Lisa Alcindor
    • Logan Alexander
    • Ben Allen
    • Lynette Almeron
    • Katrina Amato
    • Armond Anderson-Bell
    • Mecca Vazie Andrews
    • Rachel Angelini
    • Michael Angeloe
    • Kenny Apel
    • Judy Aquino
    • Freddie Araujo
    • CJ Archuceta
    • Ohmar De Arida
    • Leonard Baker
    • Belinda Bales
    • Natasha Zohra Banon
    • (uncredited?: Nathan J.  Barnatt? 11:16AM  His other dance videos are here and here )
    • Mary Bartnicki
    • Lauren Barzman
    • Megan Batoon 6:44pm
    • Dina Bedenko
    • Michael Beinuthy
    • Francis Raziel R. Belandres
    • Brianna Benford
    • Jude Berberian
    • Richard Berdecia
    • Lauren Bernard
    • Dave Birr
    • Nora Boghassian
    • Itsoso Bolivar
    • Amber Boone
    • Dena Bordelon
    • Brandee
    • Ray Brickerson 7:16am
    • Myesha Brown
    • Paula Bryisk
    • Al Burke
    • Delaney Burke
    • Alexander Burke
    • Kathryn Burns
    • Erin Burts
    • Bei Caldice
    • Kelly Campbell
    • Lucian Carter
    • Bryan Carter
    • Jacquan Carter
    • Shaquille Carter
    • Melissa Castillo
    • Erica Castillo
    • Ingel Catindrg
    • Josephine Cavalluzzi
    • Danielle Chambers
    • Seaonna Chanadet
    • Remey Chanadet
    • Cravon Charles
    • Joshua Christophe
    • Michael Churien
    • Germana Cifani
    • Tifani Ciotti
    • Stefani Ciotti
    • Joelle Claret
    • George Clarke
    • Alfonso “Enzo” Colichon
    • Brian Corona
    • Nicole Crepeau
    • Iman Crosson (aka Alphacat) 12:40pm
    • Omar Crossor
    • Joshua Curtis
    • Teresa Dablquest
    • Steven Dady
    • Brittany Daniel
    • Samuel David
    • Kelly W. Davis
    • Madison S. Deaver
    • Jean Delkhaste
    • Eric DeLoretta
    • Lauren deMauregne
    • Jessica DeShaw 3:08 PM
    • Rae Lynn Devine
    • Jennifer Deyaing
    • Jonathan Diaz
    • Gabe de Dios
    • Gina Dobson
    • Desarae A. Dotson
    • Bill Douglas
    • Abraham A. Duella
    • Emmet Duffy
    • Cindy DuLong
    • Jake DuPree
    • Joseph A. Bunaham Durant
    • Joe Van Dyke
    • Beach Eastwood
    • Lisa Eaton
    • Kota Eberhardt
    • Layne Eiler
    • Raymond Ejiofor
    • Frederick Emmerson
    • Brittany Falk
    • Chris Farah
    • Alyin Fernandez
    • Zamara Fernandez
    • Julia Fife
    • Heather Flores
    • Tibor Fober
    • David Charles Franklin
    • Sydney Freggiaro
    • Mariella Freyre
    • Jared Frieder
    • Galit Friedlander
    • Kathy Frye
    • Makayla Brooke Galindo
    • Callista Gallerani
    • Kimmy Gatenoor
    • Victoria Geil
    • Dianne Geivett
    • Arne Gelten
    • Karen Gevorkian
    • Brian Gibbs
    • Malik Gillins
    • Ronald L. Glass
    • Christopher Troy Gonzalez
    • Jamie González
    • Adisa Gooding-Henry
    • Alana Gospodnetich
    • Jasper Gough
    • Avery Gough
    • David Graf
    • Isaac Gray
    • Isaiah Gray
    • Alyssa Gray
    • Joy D. Green
    • Rodnesha Green
    • Andrew Grosso
    • Sarah Gul-Mohamed
    • Moniqu Guzman
    • Luke Haeger
    • Erik Hall
    • Tamara Ham
    • Erina Hamada
    • Juliet Hantig
    • Matt Harfield
    • Kelvin Harris, Jr.
    • Ryna Harrison
    • Aye Hasegawa
    • David Hawkins
    • Ivy Heeny
    • Josh Heller
    • Naomi Henderson
    • Nic Hernandez
    • Eduardo Hernandez
    • Bonnie Hernandez
    • Amy Hessler 6:12 AM
    • Aaron Hicks
    • John Hicti
    • Natsuko “Coco” Higashikawa
    • Marlee Hightower 6:48am
    • Marlon Hightower 6:48am
    • Olana Himmel
    • Amalia Holl
    • Anne-Marie “Diamondback Annie” Holman
    • Alyssa Hovey
    • Isaiah Howard
    • Corlina Hoyes
    • Steve Huang
    • Christy Huertas
    • Giulia Isacchini
    • Shawntae Jackson
    • Tami Dewell James
    • Ellie Jameson
    • Michelle Janine
    • Daniel Jaquez
    • Morgan Jenkins 11:44 PM.
    • Saudia Jenkins
    • Sarah Jenks
    • Trent Jeray 3:52 PM
    • Diamond Johnson
    • Jackie Johnson
    • Brittany Johnson
    • Dorothy Jean Joly
    • Grace L. Jones
    • Mao Kawakami
    • Sammy Kaye
    • Briana Kennedy
    • Jeremy Kesner
    • Torey Ketcham
    • Ara Keuroghun
    • Beckie Kiefer
    • Callie Kiefer
    • Ellen Kim 2:04 AM?
    • Essence King
    • Princess King
    • Jason Richard Kirby
    • NayNay Kirby
    • Kasi Kirkpatrick
    • Daniel Kwan 1:32am (more)
    • Bailey LaFlam
    • Quinn Lake
    • Scott Laurie
    • Jamie Lawrence
    • Julia-Thao V Lê
    • Georgina Leahy
    • David Leavitt
    • Harlem Lee
    • Brian Lee
    • Kendel LeGore
    • Francesca Leigh
    • Alexandra Lemelle
    • Will Leon
    • Cynthia Lester (IMDB) 4:48am
    • Siláwn Lewis
    • Tanita Ligons
    • David “Dash Riprock” Lipkin
    • Dava Liu
    • Everth López
    • Mandi Lowery 2:24 AM
    • Aerick Luckie
    • Anthony Andre Mack
    • Naiqui MaCobroad
    • Bill Manaqun
    • Alfredo Mancuso
    • Kathleen Mangan
    • Artur Manvelyan
    • Cerise Marchon
    • Teri Marlowe 4:36pm
    • Jamel Marshall
    • Isabel Martin-Horwth
    • Jose Martinez
    • Eddie Martinez
    • Jore Mana Amsel Martinez
    • Nikki Marvin
    • Tony Maseno
    • Hillary Matthews
    • Sean McBride
    • Ashleigh McGordan
    • Brian McGowan
    • Katherin McGowan
    • Jos McKain  (misspelled in credits as “Jes McKain”)
    • Erinilda Medeiros
    • Sergio Mendes 10:32 AM
    • Alberto David Mercado
    • Darwyn Metzger
    • Mikayla & Callie
    • Dustin Miller
    • Kevin Mimms
    • Albert Minero, Jr.
    • Ariana Moini
    • KC MoMillan
    • Nylah Mondesir
    • Chloe Mondesir
    • David Moore
    • Edgar Morgan
    • Tommy Morrison
    • Monica Moskatow 7:56AM (her youtube channel and her Happy Dance Audition!)
    •  
    • Omar Mosley
    • Aliyah Moulden
    • Terence Mufaland
    • Mike Munich
    • Jenny Muscatelli
    • Cameron Navam
    • Justin Nesbitt
    • Kevin Nguyen
    • Joseph Niemeier
    • Tyrell Noel
    • Warren Nomi
    • Deanna O’Bryan
    • Natalya Oliver 1:36PM
    • Jouré Omar
    • Annabell Osorio
    • Jon Overgaauw
    • Roxanne “Roxy Rene” Pacheco
    • Mitch Pearlstein
    • Marlon Pelayo
    • Rhoda Pell at 9:04AM.
    • Brianna Perez
    • Tuyla Peters
    • Trina Peterson
    • Trina Nicole Peterson
    • Timothy J. Petracca
    • Breanna Phillips
    • Avelavunee Phillips
    • Brian”BJ” Pierce, Jr.
    • Fatima Poenyoub
    • Frankie Ponce
    • Tara-Jean Popouich
    • George Powell
    • Ashton Powers
    • Ondreu Psenicka
    • Allison Quiller
    • Jon Raagas
    • Mattias Ramos at 5:56 AM Original audition video is here.
    • Charlie Ramos
    • Samuel Ramzy
    • Beau Ray
    • Rebecca Ray
    • Gavin Logan Raygoza
    • Jonathan Redavid 2:20pm
    • Vicki Reed
    • Amber Reed
    • Lupida Resh
    • Heather Reyes
    • Victor Reyes
    • Alfredo Reyna
    • Holly Richards
    • Hannah Richte
    • Veondra Roxxanne Riley
    • Luisa Rivera, Jr.
    • Billy D. Robertson
    • Estella Robinson
    • Jack Robinson
    • Alfonso Rodriguez
    • Nick Rodriques
    • Meredith Rogers
    • Sapna Rohra 9:16 PM
    • James Ross
    • Dylan Russcet
    • Faisal Salah
    • Azzle Salais
    • Olivia G. Salerno
    • Anastasia Salinger
    • Sasha Salinger
    • Elin Sandegard
    • J. Eric Sandoval
    • Anthony Sands
    • Reynaldo C. Santiago, Jr.
    • Sami Martin Sarmientov
    • Daniel Scheinert 1:32am ,(more)
    • Page Schorer
    • Page R. Sdn
    • Mahesh Seneviratue
    • Chaldea Sevilla 6:32 pm
    • Kristen Shapero
    • Loretta Shenosky 9:16AM.
    • Kiara Sieen
    • Melanie Siegel
    • Simmie “Boobly” Sims
    • Felicia Skrzypek
    • Jarrett Sleeper
    • Aaron Smith
    • Sterling Smith
    • Lauren Smith
    • Gwendolin Smith
    • Harpal Sodhi
    • Hannah Sotelo
    • Samie Soulogheh
    • Hope Spear
    • Anaya Sperlin
    • Neal Spinler
    • Carole Stanford
    • Melissa Staroszik
    • Ross Steeves
    • Athena Sterig
    • Alejandra Suayde
    • Yannnus Sufandi
    • Art Sughyan
    • Genevieve Svehiak
    • Theodore Szeto
    • Joanna Szeto
    • Etsgenet Tadesse
    • Arlene Tai, 4:20 PM
    • Ada Tai, 4:20 PM
    • Tsuyoshi Takayama
    • Mikaela Tallut
    • Louisa Tampi
    • Justine Tauriainen
    • Shaka Terry
    • Hondo Tey
    • Cleveland Third
    • Dayzjah Thomas
    • Whitmer Thomas
    • Jason Sensation Thomas
    • Ella Thomas
    • Nyah Monet Thompson
    • Cynthia Marie Thompson
    • Kumei Tneorio
    • Arleen Torgersen
    • David Torres
    • Gustavo Torres
    • Shenika Travis
    • Angela Trimbur (aka the “Dance Like Nobody’s Watching Girl”)  12: 24 AM
    • Marilou Troadec
    • Derrick T. Tuggle  12:20AM 
    • Alceem Turner
    • Nadia Vazquez
    • Tyler Vazquez
    • Clayton Velasquez
    • Liane Vitzk
    • Tonya Vivian
    • Minn Vo 2:20pm
    • Kara J. Wade
    • Bo Walker
    • Zoe Savannah Walker
    • John Ward
    • Jasmiru Shira Ware
    • Daisy Washington
    • Charity Watts
    • Ricky Webb
    • Brooke-Monaé Westbrook
    • Michelle Westbrook
    • Shawna Whitlock
    • Dallas Wiley
    • Deferra Williams
    • Ashley Williams
    • Xuly Williams
    • Josh Williams
    • Nicholas Williams
    • Rosalind Williams
    • Deshawnte “Smoothgalaxy” Williams
    • Phoebe Wilson
    • Michael Wilson
    • David Wincheu
    • Jenna Winn
    • Connie Wong
    • Alex Wong
    • John Wusab
    • Drew Wyman
    • Malcolm Xavier
    • Francesco Yates
    • Maritza Lerman Yoes
    • Gina Young
    • Katherina Zabe
    • Katrin Zales
    • Adisa Ziric
    • Isabella Zubor
    • Jill Zwarensteyn
  • The Silliness of TV shows

    I normally don’t watch TV dramas or procedurals. They are dull and predictable. I started making exceptions for supernatural sexy teen angst shows like Buffy the Vampire Slayer, but really the entire series is silly.

    I have done some binge watching of TV shows — I once watched 20 episodes of Lost in 26 hours. That show is well-executed and produced, and I really don’t mind the supernatural aspects of the show even though the flashbacks are mostly dull.  Recently I’ve started re-watching episodes of Lost — skipping through the flashbacks and taking notes on what worked well and how the show managed to be what it became.  There’s a lot to hate about the story, but for certain scenes, I just think the writers must think TV watchers are idiots.

    Take this example:

    Season 3 opener features a group of  scientists doing all kinds of  suspicious research (medical and otherwise)  on an island. They hear and see a jetliner heading for an inevitable crash on the island. Under these circumstances, how would the scientists react? Do they:

    • send out some of their people to the crash scene to offer assistance?
    • ignore the crash entirely and return to their  normal business?
    • Send out some of their own people to pretend to be crash victims so they can spy and report back?

    If you chose option 3, congratulations! You have the limited imagination of a TV writer.

    Even if you assume that these researchers from the Dharma Initiative are semi-evil or hostile or reluctant to socialize,  having them pretend to be crash victims is pretty much the dumbest thing you can do under the circumstances.  Yet it’s necessary for the plot. It makes me realize that the show I’m watching is essentially silly and manipulative and that hours of Bergman and Sembene Ousmane are still waiting to be watched.

    I sometimes  enjoy escapism and shallow conflicts and characters. I just want it to make sense.

    Can you imagine the same Lost show if 1)there were no guns, 2)all the main characters were uglier and older, 3)people weren’t always dying at someone else’s hand? and   4)people weren’t always trying to remove bullets with silverware or their hands? How strange that we watch such silly shows when our own lives are already packed with turmoil and frustrations. Don’t underestimate the dramatic or comic potential of our  mundane  lives.

    It’s unfair to compare a book to a TV show, but being stranded on an island offers a lot of drama already. How do you find food and water? How do you handle health and hygiene? How do you not get depressed or bored? How do you use your creativity or ingenuity to fix things and come up with stopgap solutions? That is exciting stuff– and that’s why Robinson Crusoe was such a great read.

    Contrast that with Lost where you have to throw in  evil scientists, psychotic killers, imaginary predators, time travel and the fact that everyone is boinking everyone else as indiscriminately as a porn film.

    Later, I  will try to explain the things about Lost which actually work well. For now though, let’s marvel at how gullible most TV shows think we are.

  • So bored with time travel

    The sci fi thriller Looper will be released on DVD on December 31, 2012, but apparently Netflix mailed it to me 2 days early. I wonder: has someone got hold of a time machine?

    Generally with a few notable exceptions, I am tired of any time travel movies or TV shows. Although paradoxes can be fun, they often seem annoyingly self-indulgent.

    The main problem is that plots are too easy to manufacturer. They go like this:

    1. Character A  travels into the past and performs X.
    2. Oh, no! The space-time continuum has been disrupted!
    3. Character A must try to fix the disruption by performing Y (or Z, etc)
    4. Oh, no!  Performing Y has caused another disruption in the space-time continuum.
    5. Repeat step 3 as needed.

    Pardon me for stating the obvious, but the movie genre by itself has no inherent chronology.  It’s just footage spliced and organized in an arbitrary fashion. I think actors have this sense as well. They say their lines out of order, and don’t think too hard about it. They just live for the moment.

    To experience what it must be like to be a time traveler, all you need to do is to act inside a movie.

    Postscript: Here’s another musical take on the issue.

    Postscript 2: Now that I’ve seen the movie, I wish I could go back in time to warn myself never to see the movie. Seriously, it wasn’t a bad movie; it actually was pretty interesting, but I’ve seen so many elements of this movie already. I regard the movie as mainly  a love story between a man and his gun(s) where nothing can be allowed to come in its way — except an annoying child with powers greater than yours.  Here’s a challenge: make a time travel movie without a GUN anywhere. Or better yet: make a movie where a person travels in time for no apparent reason other than to have fun and meet  chicks (or watch a concert or two).

    Postscript 3: It is decided: I will travel back in time and prevent myself from even writing this post.

    Postscript 4. It is done. Any postscripts after this one will disappear after the time line has been fully restored.

    Postscript 5: For reasons I cannot explain here, I need to undo my previous action.

    Postscript 6: Any postscripts after this one are fake and can safely be ignored.

  • My favorite movies watched this year (List by Robert Nagle)

    Here’s a fast list of the most remarkable movies I have seen this year. There is no particular order here, though I put my two or three faves at the top of the list.  These movies come from several decades and I saw almost every film on Netflix Streaming.

    Scene from Travelers and Magicians

    1. Travelers and Magicians  is a movie coming from Bhutan with beautiful landscapes, mythical plots and memorable characters. A young official yearns to leave his homeland  for the U.S.  and must confront what keeps him home. The director Khyentse Norbu is a Buddhist  lama who once worked with Bertolucci and now uses the landscape of his homeland to illustrate the inner conflicts between spirituality and the  modern industrialized life. Compare to Kobayashi’s classic film, Kwaidan.(Here’s an interview with the writer/director)
    2. Monsters is a haunting and beautiful sci fi movie about space aliens who have landed in Mexico and the American government’s attempt to fight these aliens and  prevent them from encroaching the U.S. Border. Both a thrilling monster movie and political allegory, the plot  followed an unexpected path and maintained the ambiguous aura until the very end.  I enjoyed this tremendously the first time,  but watched it months later just to make sure the movie was as good as it seemed the first time. It was. (Now Streaming)
    3. Encore (Movies inspired by Somerset Maugham). Also Quartet. Two films adapting Somerset Maugham short stories. These are lovely and delightful movies about short stories of Maugham. The film version of Gigolo and Gigolette (a husband and wife acrobatic team) is just amazing all the way to the end. (Now Streaming)
    4. Downfall & Sophie Scholl: The Final Days.  (2 separate movies) I never thought a film about the clueless administrative staff of Hitler  could be  so compelling. Ironically, by depicting Hitler as a lovable but temper-prone boss, the film conveys how easy and powerful groupthink can be.  At the start, the real person upon whom the movie is based admits that at 22 she was naïve, but that other people her age (like political martyr Sophie Scholl) had already figured things out; why hadn’t she? Indeed, that’s a good reason to watch both movies back to back. Sophie Scholl is a true biopic about a young college student jailed and put to death for distributing anti-Nazi leaflets. In a way both movies are about youthful dedication – the good kind and the bad kind. (Honorable mention: Valkyrie, an unusually well-made film starring Tom Cruise about a futile assassination attempt).
    5. Blue State is a charming indie road trip romantic comedy about a leftie blogger who foolhardily promises  to move to Canada if Bush beats Kerry in 2004. When he discovers that others expect him to act on his promise, he takes a trip there  with a female acquaintance and has misadventures along the way. Lots of funny lines — it’s not that political a movie — but it kept me guessing and it raised some unusual questions about loyalty to your values and to your country. I thoroughly enjoyed it. (Now Streaming)
    6. Love Film. Szabo’s early film about love, communism and desire. I loved the film’s unpredictability and the way it jumped backwards and forwards in time (which was justified by the subject matter). The film had tragic and warm moments, and the arty style helped too.
    7. Muriel’s Wedding is a 90s Australian comedy about a misfit young woman who will stop at nothing to give up her dreams.  When considering  plausibility, morality and social messages, this  film is simply bananas. But thank goodness the character and the story is unafraid to try all kinds of crazy things to get what you want. (Now Streaming)
    8. Bolivia. This gritty film by Adrián Caetano depicts the precarious existence of illegal immigrants: the  poverty, vilification and scapegoating. Not an easy watch, but the movie stands up for the hordes whose tragedies remain hidden out of sight. (Now Streaming)
    9. The Dead Zone (TV Series)  I was vaguely aware of the original Stephen King novel  and knew what I was getting into: supernatural whiffs, crime-fighting and political intrigue. TV shows about superpowers often fall flat because they manipulate the viewer too much. But Dead Zone made the story not about the superpower of omniscience but individual stories of people who need help. First two seasons were dynamite. By Season 3 or 4 I saw repetition and credibility-stretching plots, but in the last season it recaptured some of its original magic.  This show was basically a detective show, and the revelation of the clairvoyance seemed to obey no rules other than to produce good TV.  (This show might have been perfect if it only lasted for 2 seasons, but what I saw was still provocative and visually-interesting).  Other TV series I watched and enjoyed over the year included: Wings (droll retread of Cheers by some of the same producers and writers),  Farscape (mind-bending Australian sci fi TV series which had original plots, unusual characters and a tad too much violence) and IT Crowd (nutty sitcom about a dysfunctional IT department).
    10. Last Train Home is a poignant documentary about Chinese families who travel home for the holidays. The problem is that many work at factories hundreds of kilometers away, and the mad rush to use the train system results in delay, aggravation and dismay. The movie focuses on one family in particular being torn apart by working away from home. (Now streaming)
    11. My Year without Sex is a nutty feel-good family comedy about a woman who has a sudden & urgent medical condition and has to chill out while she recovers. It’s not a particularly deep movie – it merely depicts the mundane craziness of living – and how hard it can be to take a break from it. What I love about this film (and Muriel’s wedding) is that the narrative rhythm is so different from U.S. films. Lackadaisical, jarring, quickly changing from comic to dramatic and back again.  (Now streaming)
    12. Wish Upon a Star . 90s Disney teen comedy about two sisters who change bodies. (Great for age group 10 and up). It’s a cross between Clueless and the Parent Trap. Formulaic & feel good comedy which is a lot smarter than it appears to be at first glance. I enjoyed it a lot.
    13. Ritchie Boys. Great  mainstream documentary about German Jews who emigrated to America and then enlisted to perform top secret intelligence work for the Allies. Each person interviewed describes the work they did, plus that bittersweet feeling of returning to the homeland they formerly loved.  (Now streaming)
    14. Lady Killers. Silly British comedy about an ill-advised bank heist planned by bumbling robbers such as Alec Guinness and Peter Sellers. The thing is, the woman running the boarding house for one of the robbers is duped into thinking they are classical musicians. I was laughing the whole time.
    15. Winter’s Bone is populated with Ozark misfits and tough people who protect their own and punish outsiders. The main character – a struggling girl taking care of her siblings because of her mother’s mental illness – is on a mission to find out what happened to her father who had disappeared. The people (and the story itself) live on the edge of society where different rules apply (if there are any!).
    16. Hey Ram.  Great self-consciously arty  film about political engagement. Overdone, but the material and themes were utterly original. You really have to admire the cojones of an Indian who plots another assassination plot of Gandhi.
    17. Something like Happiness.  An extraordinary slice of life movie from Czech Republic about two friends who become involved in taking care of the woman’s mentally ill sister.  Some might call this movie (and this setting) to be dreary,  but I found the characters to be authentic and complex and interesting. This part of Europe has a certain ugliness (there were multiple shots of the power plant in the background, and I can’t tell how much many times I’ve seen the grimy inside walls of that apartment’s elevator). The main character has to decide how much she wants to get involved with her sister, knowing full well it might cause heartbreak at the end.
    18. Manito. Story of  2 Puerto Rican  brothers in New York City, one of which is an ex-con trying to earn a living, the other is a “good kid” about to graduate from high school.  But it really is about the milieu, the extended family, the neighbors, the coworkers, the students. The movie cuts quickly between scenes, conveying a sense of disorder and the complexities of relationships in this  small ethnic neighborhood.  The movie hurries through their lives so randomly that I began to wonder whether the movie was going to be simply another  slice-of-life movie or whether it actually was hurling to something. But by the end I realize the movie has raised some unsettling questions about victimizing and forgiveness.

     

    Also: my favorite movie which I haven’t seen is “56 Up” the latest installment in Michael Apted’s epic documentary charting the lives of a dozen-plus British youngsters every 7 years.  56 Up came out last spring in UK, but the movie distribution system, in their infinite wisdom, has decided not to release it in the US.  The good news is that there are now plans for limited distribution at select movie theatres (including the Houston Museum of Fine Arts on March 15, 2013)